This study presents the first broad analysis of Maghrebian women's dramatic literature undertaken in English. The book considers sixty-five plays and works of performance art by they twenty-eight women dramatists from the Maghreb.

This study presents a comprehensive, balanced and factually grounded narrative of the Turco-Greek Exchange of Populations as a historic event that has been the subject of much distortion in the historiographical traditions of nationalist lore in Greece and Turkey, as well as in scholarly publications of various sorts elsewhere over the span of the past eighty years. Diplomacy and Displacement contributes to the general literature on the Exchange by incorporating into the broader picture the Turkish dimension of the event, particularly the Turkish side of the decision-making process, and the episode of the Muslim refugees that have been left outside the scope of the research agenda, thereby, breaking up the established notion of the Exchange skewed towards the Greek side. It thus sheds doubt on the success paradigm attributed to this event. By adopting a people-centered approach to the Lausanne Treaty and its consequences, the book offers a critique of official versions of the story and encourages people to consider policy decisions together with their huge and often devastating implications for the lives of ordinary people.

This Foucault-inspired analysis of the degeneration of the Oslo Process into direct Palestinian-Israeli violence critically examines the ideas and practices that define Palestinian-Israeli relations. The text offers a radically different peace proposal that moves far beyond exhausted calls for confidence-building measures and/or an end to settlement construction.

This fascinating account highlights the extent the world's major powers will go to as they seek to insure their own interests and agendas, despite the wishes of those whose countries they invade and occupy. The Accidental Tourist profiles Wilfrid Scawen Blunt's involvement in the so-called Arabi Revolt in 1882. It addresses Blunt's tireless efforts on behalf of the Egyptian Nationalists to mediate the differences between Britain and Egypt and prevent a British invasion of Egypt. It highlights what amounted to a government cover-up of the actions of certain governmental officials to precipitate the invasion by falsifying intelligence information and manipulating the press. It also takes to task the scholarly tradition of maligning Blunt and questioning the accuracy of his version of the events of 1882. Blunt was branded a traitor in the House of Commons. This book was written to set the record straight. It is ideal reading for those interested in the field of Middle Eastern, Imperial or Colonial history and will provide readers with a better understanding of the real story of imperialism that went on at the time and is still going on in the Middle East today.

This final book from Rosemarie Said Zahlan, renowned scholar of Middle East Politics and History, explores the relationships between Palestine and the Gulf since the 1930s. She demonstrates how the regional Gulf politics will long continue to be impacted by the abiding non-resolution of the Palestinian problem.

Colonized by the French in 1830, Algeria was an important French settler colony that, unlike its neighbors, endured a lengthy and brutal war for independence from 1954 to 1962. The nearly one million Pieds-Noirs (literally "black-feet") were former French citizens of Algeria who suffered a traumatic departure from their homes and discrimination upon arrival in France. In response, the once heterogeneous group unified as a community as it struggled to maintain an identity and keep the memory of colonial Algeria alive. Remembering French Algeria examines the written and visual re-creation of Algeria by the former French citizens of Algeria from 1962 to the present. By detailing the preservation and transmission of memory prompted by this traumatic experience, Amy L. Hubbell demonstrates how colonial identity is encountered, reworked, and sustained in Pied-Noir literature and film, with the device of repetition functioning in these literary and visual texts to create a unified and nostalgic version of the past. At the same time, however, the Pieds-Noirs' compulsion to return compromises these efforts. Taking Albert Camus's Le Mythe de Sisyphe and his subsequent essays on ruins as a metaphor for Pied-Noir identity, this book studies autobiographical accounts by Marie Cardinal, Jacques Derrida, Hélène Cixous, and Leïla Sebbar, as well as lesser-known Algerian-born French citizens, to analyze movement as a destabilizing and productive approach to the past.

Provides the listing of books, articles, and book reviews concerned with French literature since 1885. This is a reference source in the study of modern French literature and culture. It contains nearly 8,800 entries.

This book examines the Arabic conflict resolution method known as "sulha." In this process, notable male elders mediate conflicts between and within Arab communities. A lengthy process of political jockeying culminates in a ceremony that peaks when "enemies" shake hands and publicly forgive the crimes of the other. The reality of actual sulha deviates considerably from the ideal, but both the official framework and the actual events point to a deep seated valorization of peace and reconciliation in Israeli-Palestinian society.

Re-hybridizing Transnational Domesticity and Femininity examines the problems of voicing the personal when considering the role and place of women in the home. Analyzing a collection of first-person cinematic and literary narratives by Assia Djebar, Annie Ernaux, Simone de Beauvoir, Raja Amari, Coline Serreau, Le la Sebbar, and Yamina Benguigui; Weber-F_ve explores the transnational processes of identity formation, gender performance, and construction of culture and society. Through a closer look at contemporary representations of French, Algerian, and Tunisian women on the page and on the screen, this study discusses the ways in which homemaking, nation, and gender are intricately bound to one another and situated in personal history. Working within, as well as beyond, so-called national systems of visual and written representation, these women artists challenge inherited and monolithic performances, definitions, and discourses of femininity. In doing so, they create re-hybridized subjects that begin to recognize and embrace the differences within themselves. The authors and filmmakers in this study-through their female protagonists, the protagonists' homes and homemaking acts, and the investigative lens of the interrogation of the personal-are interested in exploring how the process of uncovering or articulating new and 'other' identities and subjectivities ushers in new and 're-hybridized' ways of seeing, knowing, and being female.

Legislation Authority addresses issues of law, state violence, and state authority within the Ottoman and Turkish context.