This book looks at approaches to appraising and conserving mainstream architecture of the 20th century - commercial buildings, industrial buildings and housing.

This textbook explores major issues and concepts in organizational structure and design. It details strategic and business issues that merit consideration while framing or designing the organizational structure. Working with a range of industry examples and case studies, this volume: Relates organizational structure and design issues with organizational culture and change management, power and politics, and policies and strategies Covers several key topics, including the structure-strategy debate, viable system model, issues pertaining to organizational culture, change management, power, and conflict Discusses various models of organizational structure like matrix, global business unit, strategic business unit, hybrid, functional and divisional, modular, networked, agile, helix, etc., in relation to organizational practices and their strategic influence over the organization Enables readers to challenge organizational design in times of uncertainty Concise, lucid, and engaging, this book will be useful to students, academics, management researchers, and industry professionals in the fields of general management, organizational behaviour, and human resource management and development.

Clear, elementary explanation of basic forms, Renaissance to 1900, with many works analyzed. Nature and function of concerto, sonata, etc., clarified with nonmusical analogies; illustrated in detailed analysis of specific piece of music.

This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.

No other book in the New Testament compares to John in its complexity of style and structure. So many factors confuse Johannine scholars, including the complexity of styles, repetition, duplication, and seemingly distracted structures that are difficult to discern. Sourcebook of the Structures and Styles in John 1-10 is designed to scrutinize the structures and styles in John 1-10, reading John according to John's way, with the following integrated points of view: First, this reading is indebted to both diachronic and synchronic approaches. Second, macro structure and micro style are treated together and interactively. Third, specific and overall analyses are made together. Fourth, grammatical and relational considerations are brought together. Fifth, syntactic, semantic, and pragmatic relations are considered all together. Sixth, both parallelisms and chiasms (including their variations) are examined, whether in macro structure or in micro style, without excluding either. Seventh, all types of parallelisms and chiasms are examined, whether simple or complex. Eighth, ancient and modern ways in writing-reading processes complement each other. Ninth, Western and Eastern perspectives become complementary. Tenth, the Greek text and its English version (by the author) are used interactively. Eleventh, analysis and discussion are brought to complement one another.

Style is a fundamental and ubiquitous aspect of the human experience: Everyone instantly and constantly assesses people and things according to their individual styles, academics establish careers by researching musical, artistic, or architectural styles, and entire industries maintain themselves by continuously creating and marketing new styles. Yet what exactly style is and how it works are elusive: We certainly know it when we see it, but there is no shared and clear understanding of the diverse phenomena that we call style. The Structure of Style explores this issue from a computational viewpoint, in terms of how information is represented, organized, and transformed in the production and perception of different styles. New computational techniques are now making it possible to model the role of style in the creation of and response to human artifacts—and therefore to develop software systems that directly make use of style in useful ways. Argamon, Burns, and Dubnov organize the research they have collected in this book according to the three roles that computation can play in stylistics. The first section of the book, Production, provides conceptual foundations by describing computer systems that create artifacts—musical pieces, texts, artworks—in different styles. The second section, Perception, explains methods for analyzing different styles and gleaning useful information, viewing style as a form of communication. The final section, Interaction, deals with reciprocal interaction between style producers and perceivers, in areas such as interactive media, improvised musical accompaniment, and game playing. The Structure of Style is written for researchers and practitioners in areas including information retrieval, computer art and music, digital humanities, computational linguistics, and artificial intelligence, who can all benefit from this comprehensive overview and in-depth description of current research in this active interdisciplinary field.

The essays in this 1983 volume present an innovative and unified approach to the archaeological analysis and interpretation of art and design.

A unique set of complementary hands-on tools for learning about and applying a deeper and practical theory for diagnosis and design. This edition has been significantly updated and rewritten to make it easier to read.

Offers a structuralist critique of the relationship between pragmatism and liberalism in American legal thought.