Ibrahim Dellal is a leading Muslim figure and key person in Muslim history in post- WWII Australia. Born in Cyprus in 1932, Ibrahim established or helped establish many religious, educational, and cultural organizations, holding major roles in each since he moved to Australia in 1950. This book is a biographical work on the fascinating life of a person who devoted himself to community service and interfaith dialogue.

A Broad Survey Of Political, Social, Economic And Cultural Developments In India Between 1206 And 1526 With Emphasis On Economic, Social And Cuoltural Aspects. Attempts To Bridge The Gap Between Current Hisotrical Research And Popular Perception Of The Controversial Phase. 14 Chapters And Matters.

In memoirs, Arab writers have invoked solitude in moments of deep public involvement. Focusing on Taha Hussein, Sonallah Ibrahim, Assia Djebar, Latifa al-Zayyat, Mahmoud Darwish, Mourid Barghouti, Edward Said, Haifa Zangana, and Radwa Ashour, this book reads a range of autobiographical forms, sources, and affinities with other literatures.Taking a comparative approach, Nasser shows the local sources of contemporary Arab autobiography, adaptations of a global genre, and cultural exchange. She also examines different aspects of the contemporary autobiography as it has evolved in the Arab world during the past half-century, focusing on the particularity of the genre written in different languages but pertaining to one overarching Arab culture. Drawing on memoirs, testimonies, autobiographical novels, poetic autobiography, journals, and diaries, she examines solitude and national struggles in contemporary Arab autobiography.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1973.

This volume is designed as an introduction to the contemporary Egyptian author Sonallah Ibrahim, one of the most important Arabic novelists of the modern era, with an unrivalled reputation for independence and integrity among contemporary Egyptian writers. The first study in any language devoted exclusively to Sonallah Ibrahim, the volume discusses each of the author's novels individually, beginning with the seminal Tilka al-ra'iha [That Smell] (1966) and ending with al-Jalid [Ice] (2011). Each work is discussed individually in its literary, social, historical and political context. The volume traces the evolution of Sonallah Ibrahim's work in terms both of their themes and of their literary technique, and concludes with an attempt at an overall evaluation of the author's contribution to the contemporary Egyptian novel. Paul Starkey's account shows how innovative and stylistically rich the Arabic novel has become over a period of some fifty years, beyond the better-known work of writers such as Naguib Mahfouz and Yusuf Idris. As such, the volume will serve as an introduction not only to the individual author but also to the development of Egyptian (and, more generally, Arabic) literature over the last half century.

Almost invisibly, numerous activists are presently engaged in ongoing, nonviolent efforts to build peace and bring about an end to the Israeli/Palestinian conflict. Beginning in 2004, after the mainstream peace movement collapsed, Maia Hallward spent most of a year observing the work of seven such groups on both sides of the conflict. She returned in 2008 to examine the progress they had made in working for a just and lasting peace. Although small, these grassroots organizations provide valuable lessons regarding how peacebuilding takes place in times of ongoing animosity and violence. By raising awareness of these groups’ existence, Hallward provides a much richer investigation of available options for peacemaking in Israel, which is otherwise dominated by violence and armed strategies. Challenging the official diplomatic presumption that peace is about working out lines on a map, she relocates the question into social, cultural, political, and geographic contexts that affect people’s daily lives. In the end, Struggling for a Just Peace offers a critical look at the realities on the ground, focusing on what has been successful for groups engaged in working for peace in times of conflict and how they have adapted to changing circumstances.

Under Stalin’s totalitarian leadership of the USSR, Soviet national identities with historical narratives were constructed. These constructions envisaged how nationalities should see their imaginary common past, and millions of people defined themselves according to them. This book explains how and by whom these national histories were constructed and focuses on the crucial episode in the construction of national identities of Ukraine, Azerbaijan and Kazakhstan from 1936 and 1945. A unique comparative study of three different case studies, this book reveals different aims and methods of nation construction, despite the existence of one-party rule and a single overarching official ideology. The study is based on work in the often overlooked archives in the Ukraine, Azerbaijan, and Kazakhstan. By looking at different examples within the Soviet context, the author contributes to and often challenges current scholarship on Soviet nationality policies and Stalinist nation-building projects. He also brings a new viewpoint to the debate on whether the Soviet period was a project of developmentalist modernization or merely a renewed ‘Russian empire’. The book concludes that the local agents in the countries concerned had a sincere belief in socialism—especially as a project of modernism and development—and, at the same time, were strongly attached to their national identities. Claiming that local communist party officials and historians played a leading role in the construction of national narratives, this book will be of interest to historians and political scientists interested in the history of the Soviet Union and contemporary Eastern Europe, the Caucasus and Central Asia.

Since the middle of the twentieth century, Turkish playwriting has been notable for its verve and versatility. This two-volume anthology is the first major collection of plays in English of modern Turkish drama, a selection dealing with ancient Anatolian mythology, Ottoman history, contemporary social issues and family dramas, ribald comedy from Turkey’s cities and rural areas. It also includes several plays set outside Turkey. The two volumes together will feature seventeen plays by major playwrights published or produced from the late 1940s to the present day, with volume 1,“Ibrahim the Mad” and Other Plays, encompassing plays from the 1940s through the 1960s, and volume 2, "I, Anatolia" and Other Plays, including plays from the 1970s through the 1990s. They grant to English readers the pleasure of riveting drama in translations that are colloquial as well as faithful. For producers, directors, and actors they provide a wealth of fresh, new material, with characters ranging from Ottoman sultans to a Soviet cosmonaut, from the Byzantine Empress Theodora to a fisherman's wife, from residents of an Istanbul neighborhood to King Midas, from Montezuma to a Turkish cabinet minister.