It’s the horrifying finale of the Cameron Brothers’ quest to defy death! But for a team of scientists aiming to improve human life, their mortality rate is shockingly high. Perhaps it’s true what they say, three can keep a secret, but only if two of them are dead... Don’t miss the conclusion to R.L. Stine’s first original comic book series for older audiences!

A shocking exposé of the reckless proliferation of bio-weapon research and the threat this poses to everyday Americans. Battling a new generation of corporate giants and uncovering threats right in our own backyard, Kenneth King’s Germs Gone Wild reveals the massive expansion of America's bio-defense research labs and the culture of deception surrounding hundreds of facilities that have opened since 9/11. King experienced the menace of bio-defense research firsthand when local government and business leaders tried to lure a new facility to his hometown in Kentucky. Researching the safety claims, he not only found many of them to be completely false, but was also horrified by the lack of oversight and the recklessness with which these labs genetically modified pathogens like smallpox, Ebola, and influenza without a care for what happened to the public if there was ever a “leak.” And yet the greed that drove the development of these labs has effectively counteracted any cautionary checks by the government and universities. All have been seduced by the economic gains and corporate stipends that come with compliance and turning a blind eye. But now, the reality of these labs and the germs they manipulate will finally be brought to light, as King examines the controversies surrounding plants from Maryland to Boston and Utah, to the Department of Homeland Security’s dubious National Bio-and-Agro-Facility (NBAF) project, and the precautions—or lack thereof—being taken to protect us all from a deadly pandemic.

Did Luke intend Peter's visionary command to eat 'unclean animals' in Acts 10 to suggest the dissolution of the Jewish Law? Whilst scholars have argued over sources, inconsistent redaction and later reception, many have failed to notice here the novel use of a type of transgression anxiety dream. John Moxon shows how by the incorporation of such naturalistic motifs, Luke takes "revelation" in a new and decidedly psychological direction, probably imitating similar developments in Graeco-Roman biography. If the vision reveals an illegitimate transfer of disgust within an exaggerated halakha of separation, then its target is prejudice and inconsistency, not the Jew-Gentile divide as such, as underlined by the ironic contrast with the pious Cornelius. In this reading, Luke's non-supercessionism is maintained, whilst showing him acutely aware of the kinds of nightmare holding many back from the nascent Gentile mission.

Spanish Vampire Fiction since 1900: Blood Relations, as that subtitle suggests, makes the case for considering Spanish vampire fiction an index of the complex relationship between intercultural phenomena and the specifics of a time, place, and author. Supernatural beings that drink blood are found in folklore worldwide, Spain included, and writers ranging from the most canonical to the most marginal have written vampire stories, Spanish ones included too. When they do, they choose between various strategies of characterization or blend different ones together. How much will they draw on conventions of the transnational corpus? Are their vampires to be local or foreign; alluring or repulsive; pitiable or pure evil, for instance? Decisions like these determine the messages texts carry and, when made by Spanish authors, may reveal aspects of their culture with striking candidness, perhaps because the fantasy premise seems to give the false sense of security that this is harmless escapism and, since metaphorical meaning is implicit, it is open to argument and, if necessary, denial. Part I gives a chronological text-by-text appreciation of all the texts included in this volume, many of them little known even to Hispanists and few if any to non-Spanish Gothic scholars. It also provides a plot summary and brief background on the author of each. These entries are free-standing and designed to be consulted for reference or read together to give a sense of the evolution of the paradigm since 1900. Part II considers the corpus comparatively, first with regard to its relationship to folklore and religion and then contagion and transmission. Spanish Vampire Fiction since 1900: Blood Relations will be of interest to Anglophone Gothic scholars who want to develop their knowledge of the Spanish dimension of the mode and to Hispanists who want to look at some canonical texts and authors from a new perspective but also gain an awareness of some interesting and decidedly non-canonical material.

The War Criminal's Son brings to life hidden aspects of the Civil War through the sweeping saga of the firstborn son in the infamous Confederate Winder family, who shattered family ties to stand with the Union. Gen. John H. Winder was the commandant of most prison camps in the Confederacy, including Andersonville. When Winder gave his son William Andrew Winder the order to come south and fight, desert, or commit suicide, William went to the White House and swore his allegiance to President Lincoln and the Union. Despite his pleas to remain at the front, it was not enough. Winder was ordered to command Alcatraz, a fortress that became a Civil War prison, where he treated his prisoners humanely despite repeated accusations of disloyalty and treason because the Winder name had become shorthand for brutality during an already brutal war. John Winder died before he could be brought to justice as a war criminal. Haunted by his father's villainy, William went into a self-imposed exile for twenty years and eventually ended up at the Rosebud Reservation in South Dakota, to fulfill his longstanding desire to better the lot of Native Americans. In The War Criminal's Son Jane Singer evokes the universal themes of loyalty, shame, and redemption in the face of unspeakable cruelty.

A fascinating look at how your wiser, inner self sends you dreams that target your anxieties yet hold positive messages to guide you through obstacles. What causes our worst nightmares? Stase Michaels applies her signature out-of-the-box perspective on dreams that shake us out of sleep and mirror our real-life worries, breaking down their symbolism, trajectory, and unspoken logic. She supplies the tools for nuanced readings of each nightmare, as well as fascinating thoughts on nightmares of trauma victims and ones that occur in troubling times. She also offers strategies for shaking yourself free of recurring nightmares and preventing your daily anxieties from translating into invasive bad dreams.

Contemporary feminist advocacy in human rights, international criminal law, and peace and security is gripped by the issue of sexual violence in conflict. But it hasn't always been this way. Analyzing feminist international legal and political work over the past three decades, Karen Engle argues that it was not inevitable that sexual violence in conflict would become such a prominent issue. Engle reveals that as feminists from around the world began to pay an enormous amount of attention to sexual violence in conflict, they often did so at the cost of attention to other issues, including the anti-militarism of the women's peace movement; critiques of economic maldistribution, imperialism, and cultural essentialism by feminists from the global South; and the sex-positive positions of many feminists involved in debates about sex work and pornography. The Grip of Sexual Violence in Conflict offers a detailed examination of how these feminist commitments were not merely deprioritized, but undermined, by efforts to address the issue of sexual violence in conflict. Engle's analysis reinvigorates vital debates about feminist goals and priorities, and spurs readers to question much of today's common sense about the causes, effects, and proper responses to sexual violence in conflict.