Get the Summary of Philip Norman's George Harrison in 20 minutes. Please note: This is a summary & not the original book. Philip Norman's biography of George Harrison delves into the life of the youngest Beatle, from his upbringing in a modest Liverpool home to his rise to global fame. Born in 1943, George's early life was marked by post-war austerity, but he never felt deprived. His first love was architecture, but music soon took precedence...

From the premiere Beatles biographer—author of the New York Times bestseller John Lennon: The Life and Shout!: The Beatles in Their Generation—a rare and “absorbing biography” (Wall Street Journal) of George Harrison, the most misunderstood and mysterious Beatle, based on decades-long research and unparalleled access to inside sources. Despite being hailed as one of the best guitarists of his era, George Harrison, particularly in his early decades, battled feelings of inferiority. He was often the butt of jokes from his bandmates owing to his lower-class background and, typically, was allowed to contribute only one or two songs per Beatles album out of the dozens he wrote. Now, Philip Norman examines Harrison through the lens of his numerous self-contradictions in this “keen and lovely tribute” (Booklist, starred review). Compared to songwriting luminaries John Lennon and Paul McCartney he was considered a minor talent, yet he composed such masterpieces as “While My Guitar Gently Weeps” and “Here Comes the Sun,” and his solo debut album All Things Must Pass appears on many lists of the 100 best rock albums ever. Modern music critics place him in the pantheon of sixties guitar gods alongside Eric Clapton, Jimi Hendrix, Keith Richards, and Jimmy Page. Harrison railed against the material world yet wrote the first pop song complaining about income tax. He spent years lovingly restoring his Friar Park estate as a spiritual journey, but quickly mortgaged the property to help rescue a film project that would be widely banned as sacrilegious, Monty Python’s Life of Brian. Harrison could be fiercely jealous, but not only did he stay friends with Eric Clapton when Clapton fell in love with Harrison’s wife, Pattie Boyd, the two men grew even closer after Clapton walked away with her. Unprecedented in scope and filled with numerous color photos, this rich biography captures George Harrison at his most multi-faceted: devoted friend, loyal son, master guitar player, brilliant songwriter, cocaine addict, serial philanderer, global philanthropist, student of Indian mysticism, self-deprecating comedian, and, ultimately, iconic artist and man beloved by millions.

This collection brings new voices and new perspectives to the study of popular—and particularly rock—music. Focusing on a variety of artists and music forms, Rock Over the Edge asks what happens to rock criticism when rock is no longer a coherent concept. To work toward an answer, contributors investigate previously neglected genres and styles, such as “lo fi,” alternative country, and “rock en español,” while offering a fresh look at such familiar figures as Elvis Presley, the Beatles, and Kurt Cobain. Bridging the disciplines of musicology and cultural studies, the collection has two primary goals: to seek out a language for talking about music culture and to look at the relationship of music to culture in general. The editors’ introduction provides a backward glance at recent rock criticism and also looks to the future of the rapidly expanding discipline of popular music studies. Taking seriously the implications of critical theory for the study of non-literary aesthetic endeavors, the volume also addresses such issues as the affective power of popular music and the psychic construction of fandom. Rock Over the Edge will appeal to scholars and students in popular music studies and American Studies as well as general readers interested in popular music. Contributors. Ian Balfour, Roger Beebe, Michael Coyle, Robert Fink, Denise Fulbrook, Tony Grajeda, Lawrence Grossberg, Trent Hill, Josh Kun, Jason Middleton, Lisa Ann Parks, Ben Saunders, John J. Sheinbaum, Gayle Wald, Warren Zanes

George Harrison was one of the most prolific popular music composers of the late 20th century. During his tenure with the Beatles, he caught the wave of 1960s pop culture and began channeling its pervasive influence through his music. Often described as "The Invisible Singer," his solo recordings reveal him to be an elusive, yet essential, element in the Beatles’ sound. The discussion of George Harrison’s Beatle tracks featured in the text employs a Songscape approach that blends accessible music analysis with an exploration of the virtual space created on the sound recording. This approach is then used to explore Harrison’s extensive catalog of solo works, which, due to their varied cultural sources, seem increasingly like early examples of Global Pop. In that sense, the music of George Harrison may ultimately be viewed as an important locus for pan-cultural influence in the 20th century, making this book essential reading for those interested in the history of songwriting and recording as well as the cultural study of popular music.

George Harrison met Muhammad Ali in 1964, when both men were on the cusp of worldwide fame. Ten years later, the two men simultaneously staged comebacks, demonstrating just how much they embodied the promises and perils of their era. In doing so, Tracy Daugherty suggests, they revealed the scope and the limits of political courage and commitment to faith in the modern world. We Shook Up the World is the story of these two larger-than-life figures at a momentous time. A unique blend of biography and cultural history, this book goes to the very heart of the zeitgeist that each man inhabited and reinvented in profound and enduring ways. In 1974, deep in the Pennsylvania woods, thirty-two-year-old Muhammad Ali was seeking renewal, training to regain his heavyweight boxing title in a fight with George Foreman, and exploring questions about his politics, his career, and his life. Meanwhile, George Harrison was thirty-one years old. With the Beatles disbanded, his marriage ending, and the loss of his mother still fresh, he traveled to India to revitalize his faith, energy, and musical spirit, seeking renewal at the Hindu holy city of Varanasi. In contemplating how these two complex figures managed to carry the cultural rebelliousness and spiritual yearning of the 1960s into a new era of cataclysmic political, economic, and social change, We Shook Up the World offers an intimate perspective on two outsize figures in the nation’s and the world’s cultural history, and a new understanding of their unique contributions to the consciousness of their time and ours.

When Paul McCartney told the world in 1970 that he had no plans to work with the Beatles again, it was widely viewed as a cultural tragedy by the media and public alike. But one of the most fascinating phases of the Beatles' story was just about to begin. Now, for the first time, You Never Give Me Your Money tells the dramatic story of the Fab Four post 1969. It charts the almost Shakespearean rivalry of the Lennon and McCartney families, the conflict in George Harrison's life between spirituality and fame, and Richard Starkey's efforts to conquer his personal demons. It also chronicles the transformation of their multi-media company, Apple Corps, from a bastion of 1960s counter-culture into a corporate behemoth. From court battles to chart success, the best of rock'n'roll writers, Peter Doggett traces the untold story of a group and a legacy that will never be forgotten.

As a devoted fan of the lads from Liverpool, Mark considers himself an expert on their songs, both with the Beatles and during their solo careers. He has selected his favorite forty songs and tells their story in each chapter.

The Beatles are considered the most influential popular music act of the twentieth century, widely recognized for their influence on popular culture. The inability of other bands and artists to imitate their fame has prompted questions such as: How did the Beatles become so successful? What factors contributed to their success? Why did they break up? The Beatles and Economics: Entrepreneurship, Innovation, and the Making of a Cultural Revolution answers these questions using the lens of economic analysis. Economics provides the prism for explaining why their success—while legendary in scale—is not mythic. This book explores how the band’s commercial achievements were intimately tied to the larger context of economic globalization and rebuilding post-World War II. It examines how the Beatles’ time in Hamburg is best understood as an investment in human capital, and why the entrepreneurial growth mindset was critical to establishing a scalable market niche and sustaining the Beatles’ ability to lead and shape emerging markets in entertainment and popular music. Later chapters consider how the economics of decision making and organizational theory helps us to understand the band’s break-up at its economic peak. This essential text is of interest to anyone interested in the economic dynamics and social forces that shape cultural change.

This book offers a comprehensive assessment of the music of George Harrison, revealing him as one of the most gifted and authentic singer-songwriters of his generation. The Words and Music of George Harrison is an in-depth appreciation of this often underappreciated musician, following Harrison's development as a singer-songwriter from his earliest songs with The Beatles through his final album, Brainwashed, released after his 2001 death from brain cancer. The Words and Music of George Harrison sheds new light on Harrison's 40-year career, examining his music output in the context of the enormous personal and professional changes he underwent, from the early days in Liverpool and the global explosion of Beatlemania through a solo career marked by spiritual concerns, political activism, and high-profile collaborations. As the book shows, at every stage, George Harrison's songs posed questions, provided commentaries, and looked for solutions, with results that add up to a remarkable music legacy.

Given the phenomenal fame and commercial success that the Beatles knew for the entire course of their familiar career, their music per se has received surprisingly little detailed attention. Not all of their cultural influence can be traced to tong hair and flashy clothing; the Beatles had numerous fresh ideas about melody, harmony, counterpoint, rhythm, form, colors, and textures. Or consider how much new ground was broken by their lyrics alone -- both the themes and imagery of the Beatles' poetry are key parts of what made (and still makes) this group so important, so popular, and so imitated. This book is a comprehensive chronological study of every aspect of the Fab Four's musical life -- including full examinations of composition, performance practice, recording, and historical context -- during their transcendent late period (1966-1970). Rich, authoritative interpretations are interwoven through a documentary study of many thousands of audio, print, and other sources.