Buy now to get the main key ideas from Pip Williams's The Dictionary of Lost Words The Dictionary of Lost Words (2020) by Pip Williams is an award-winning historical novel set in the late nineteenth and early twentieth century. The protagonist, Esme, spends her childhood in the Scriptorium of the Oxford English Dictionary, where her father works. She’s fascinated by words, particularly those that are excluded from the dictionary. As she grows older, Esme collects these “lost words,” often associated with women’s experiences. Esme’s personal life and her passion for words intertwine with major historical events such as the women’s suffrage movement and World War I. She falls in love with Gareth, a compositor at the Oxford Press. Their shared love for words strengthens their bond, and Gareth even creates a book from Esme's collection of lost words. Their happiness is short-lived, but the words live on.

"In 1901, the word bondmaid was discovered missing from the Oxford English Dictionary. This is the story of the girl who stole it. Motherless and irrepressibly curious, Esme spends her childhood in the Scriptorium, a garden shed in Oxford where her father and a team of lexicographers are gathering words for the very first Oxford English Dictionary. Esme’s place is beneath the sorting table, unseen and unheard. One day, she sees a slip containing the word bondmaid flutter to the floor unclaimed. Esme seizes the word and hides it in an old wooden trunk that belongs to her friend, Lizzie, a young servant in the big house. Esme begins to collect other words from the Scriptorium that are misplaced, discarded or have been neglected by the dictionary men. They help her make sense of the world. Over time, Esme realises that some words are considered more important than others, and that words and meanings relating to women’s experiences often go unrecorded. She begins to collect words for another dictionary: The Dictionary of Lost Words. Set when the women’s suffrage movement was at its height and the Great War loomed, The Dictionary of Lost Words reveals a lost narrative, hidden between the lines of a history written by men. It’s a delightful, lyrical and deeply thought-provoking celebration of words, and the power of language to shape our experience of the world."

NEW YORK TIMES BESTSELLER • REESE’S BOOK CLUB PICK • “Delightful . . . [a] captivating and slyly subversive fictional paean to the real women whose work on the Oxford English Dictionary went largely unheralded.”—The New York Times Book Review “A marvelous fiction about the power of language to elevate or repress.”—Geraldine Brooks, New York Times bestselling author of People of the Book Esme is born into a world of words. Motherless and irrepressibly curious, she spends her childhood in the Scriptorium, an Oxford garden shed in which her father and a team of dedicated lexicographers are collecting words for the very first Oxford English Dictionary. Young Esme’s place is beneath the sorting table, unseen and unheard. One day a slip of paper containing the word bondmaid flutters beneath the table. She rescues the slip and, learning that the word means “slave girl,” begins to collect other words that have been discarded or neglected by the dictionary men. As she grows up, Esme realizes that words and meanings relating to women’s and common folks’ experiences often go unrecorded. And so she begins in earnest to search out words for her own dictionary: the Dictionary of Lost Words. To do so she must leave the sheltered world of the university and venture out to meet the people whose words will fill those pages. Set during the height of the women’s suffrage movement and with the Great War looming, The Dictionary of Lost Words reveals a lost narrative, hidden between the lines of a history written by men. Inspired by actual events, author Pip Williams has delved into the archives of the Oxford English Dictionary to tell this highly original story. The Dictionary of Lost Words is a delightful, lyrical, and deeply thought-provoking celebration of words and the power of language to shape the world. WINNER OF THE AUSTRALIAN BOOK INDUSTRY AWARD

As World War One brings women unexpected new freedoms, bookbinder Peggy has the chance at a new future. 'Vivid and moving ... I absolutely loved it!' Ruth Hogan, author of The Keeper of Lost Things 'Charming, original and beautifully researched' Rachel Hore, author of A Beautiful Spy 'When the men leave for the Western Front, Peggy and her friends must shoulder the burden at home. As she moves between her narrowboat full of memories and the demands of the bookbindery where she works, Peggy’s dreams of escaping for a new life feel ever more remote. But the war brings people together in unexpected ways. New friends and lovers offer new opportunities but also present difficult choices – and Peggy must write her own story. 'A fresh, exciting new voice in historical fiction' Paula McLain, author of The Paris Wife 'A compelling homage to the transformational power of books' Daisy Wood, author of The Forgotten Bookshop in Paris

Longlisted for the 2022 ARA Historical Novel Prize. ‘From a few shimmering strands of truth, Lauren Chater has spun an intriguing story of love, loss and fulfilment.’ Pip Williams, bestselling author of The Dictionary of Lost Words Two women separated by centuries but connected by one beautiful silk dress. A captivating novel based on a real-life shipwreck discovered off Texel Island by the bestselling author of Gulliver's Wife, Lauren Chater. The brightness of silk in that dull room was like the heavens parting after a storm ... She saw herself remade, no longer a poor laundress but a woman with means. Jo Baaker, a textiles historian and Dutch expat is drawn back to the island where she was born to investigate the provenance of a 17th-century silk dress. Retrieved by local divers from a sunken shipwreck, the dress offers tantalising clues about the way people lived and died during Holland's famous Golden Age. Jo's research leads her to Anna Tesseltje, a poor Amsterdam laundress turned ladies’ companion who served the enigmatic artist Catharina van Shurman. The two women were said to share a powerful bond, so why did Anna abandon Catharina at the height of her misfortune? Jo is convinced the truth lies hidden between the folds of this extraordinary dress. But as she delves deeper into Anna’s history, troubling details about her own past begin to emerge. On the small Dutch island of Texel where fortunes are lost and secrets lie buried for centuries, Jo will finally discover the truth about herself and the woman who wore the Winter Dress. Praise for The Winter Dress 'Chater has delivered a beautifully told story that takes an intriguing historical mystery and weaves it into a richly imagined tale that is every bit as breathtaking and beguiling as the remarkable dress it is based on.' Better Reading ‘Vivid, expansive and richly imagined, The Winter Dress weaves together a fascinating historical mystery and an uncompromising portrait of the possibility and price of female autonomy with remarkable and deeply affecting results.’ James Bradley, author of Wrack 'Wrap yourself in Chater's prose. The Winter Dress is a captivating tale of discovery and obsession by one of Australia's very best historical fiction authors. Absolutely essential reading.' Melissa Ashley, author of The Birdman’s Wife

Are you looking for one book that gives a comprehensive account of primary/elementary and early years English, language and literacy teaching? Based on robust research evidence and practical examples of effective teaching, this essential textbook critically evaluates curriculum policies and provides guidance for teachers on implementation of evidence-based teaching in classrooms. This fully revised fifth edition has a brand new chapter on Reading for Pleasure, and has substantially rewritten chapters to reflect recent developments in research, evaluations of new policy directions, and new practical examples of teaching and learning. The authors draw on their research, scholarship and practice to offer advice on: inclusion and equality, including working effectively with multilingual pupils the importance of talk and interaction developing reading, including motivating children to read and phonics teaching improving writing, including grammar and punctuation planning and assessing the latest educational policy and practice This authoritative book is an essential introduction for anyone who teaches English, language and literacy from the early years to primary school level, and seeks to improve their professional practice. Designed to help inform trainee teachers and tutors, but also of great use to those teachers wanting to keep pace with the latest developments in their specialist subject, this is an indispensable guide to the theory and practice of teaching English, language and literacy.

Written as a textbook for LIS students taking reference courses, this fully updated and revised seventh edition of Reference and Information Services: An Introduction also serves as a helpful handbook for practitioners to refamiliarize themselves with particular types and formats of sources and to refresh their knowledge on specific service topics. The first section grounds the rest of the textbook with an overview of the foundations of reference and an introduction to the theories, values, and standards that guide reference service. The second section provides an overview of reference services and techniques for service provision, establishing a foundation of knowledge on reference service and extending ethical and social justice perspectives. The third part offers an overview of the information life cycle and dissemination of information, followed by an in-depth examination of information sources by type as well as by broad subject areas. Finally, the concluding section guides the reader through the process of developing and maintaining their own vision of reference practice. This textbook is essential reading for all preservice and working librarians, particularly those concerned with ethical and social justice perspectives on reference work.

NEW YORK TIMES BESTSELLER • REESE’S BOOK CLUB PICK • “Delightful . . . [a] captivating and slyly subversive fictional paean to the real women whose work on the Oxford English Dictionary went largely unheralded.”—The New York Times Book Review “A marvelous fiction about the power of language to elevate or repress.”—Geraldine Brooks, New York Times bestselling author of People of the Book Esme is born into a world of words. Motherless and irrepressibly curious, she spends her childhood in the Scriptorium, an Oxford garden shed in which her father and a team of dedicated lexicographers are collecting words for the very first Oxford English Dictionary. Young Esme’s place is beneath the sorting table, unseen and unheard. One day a slip of paper containing the word bondmaid flutters beneath the table. She rescues the slip and, learning that the word means “slave girl,” begins to collect other words that have been discarded or neglected by the dictionary men. As she grows up, Esme realizes that words and meanings relating to women’s and common folks’ experiences often go unrecorded. And so she begins in earnest to search out words for her own dictionary: the Dictionary of Lost Words. To do so she must leave the sheltered world of the university and venture out to meet the people whose words will fill those pages. Set during the height of the women’s suffrage movement and with the Great War looming, The Dictionary of Lost Words reveals a lost narrative, hidden between the lines of a history written by men. Inspired by actual events, author Pip Williams has delved into the archives of the Oxford English Dictionary to tell this highly original story. The Dictionary of Lost Words is a delightful, lyrical, and deeply thought-provoking celebration of words and the power of language to shape the world. WINNER OF THE AUSTRALIAN BOOK INDUSTRY AWARD

This book provides an accessible, research-informed text for social work educators, students, and practitioners interested in the use of story to engender the connection of human experiences with ideas, theories, and skills. A broad lens is also taken to the ways in which fiction has been used as a teaching tool in other degrees, ranging from medicine to engineering to philosophy and economics. Although the research explored is social work specific, this text has applicability for any educator looking for creative methods to teach complex theories, skills, and concepts. Showing how fiction can be used in social work education, it explains why story matters to social work and how fiction can emulate these stories, as well as the capacity of fiction to evoke empathy. Ways in which educators can enlist fiction to create a ‘safe space’ for the exploration of complex emotional terrain are explored, as are the ways in which a community of practice can be created through fiction. Woven within the end of every chapter are some practice examples and author conversations which work to locate the research into a practice context. The text concludes with examples of how fiction has been effectively utilised by the authors, in order to provide a starting point for those interested in exploring this pedagogical approach further.

An evocative novel of love and art, and one man’s journey to find his place in the world. Where Light Meets Water is a moving debut traversing nineteenth-century London, Melbourne and New Zealand’s rugged South Island. Where the sailor ends the artist begins . . . London, 1847: On shore leave while his ship is being repaired, sailor Thomas Rutherford is restless, waiting to return to sea. At twenty-eight years old, Tom knows nothing but life on tall ships and is determined to captain his own. But Tom has a second passion: painting. And so he passes time with his paintbox and sketchbook... until he is struck by the discovery of a delicate glove laced with the unmistakable scent of turpentine. The owner is Catherine Ogilvie – captivating, headstrong and a talented artist in her own right. Intrigued by this singular woman, Tom finds himself swept into Catherine’s privileged yet stifling world. As Tom and Catherine grow closer, Tom’s eyes are opened to a new way of life. But his ambitions remain and, when the sea calls to Tom, he must face an impossible choice. In her stunning debut, Susan Paterson explores the power of art to transform a life and to connect us to others. Where Light Meets Water is a multi-stranded novel of love – of a man and a woman, of a sailor and the sea, and of an artist and his gift. Praise for Where Light Meets Water: ‘A splendidly engaging tale of the inner lives of artists’ Gail Jones ‘Susan Paterson wields her pen like an artist’s brush and the result is beautiful and evocative’ Pip Williams ‘Perfectly paced and sumptuously visual … A stunning debut’ Catherine Chidgey ‘This book is utterly magnificent. Susan Paterson is a wonder’ Eliza Henry-Jones ‘Sure to delight and dazzle readers’ Melissa Ashley ‘A shimmering, beautiful and deftly told story’ Michelle Scott Tucker ‘An extraordinary debut’ Kristina Olsson