The fifth title in the Docalogue series, this book examines Ahmir “Questlove” Thompson’s 2021 documentary, Summer of Soul (...Or, When the Revolution Could Not Be Televised). The award-winning film draws on archival footage and interviews to examine the legacy of the Harlem Cultural Festival, a showcase of Black music staged weekly throughout the summer of 1969. The film interrogates this event as a piece of “forgotten” history and prompts critical reflection on why this history was lost while also raising important questions related to archival preservation and cultural memory. Combining five different perspectives, this book acts both as an intensive scholarly treatment and as a pedagogical guide for how to analyze, theorize, and contextualize a documentary. Together, the essays in this book touch upon key topics related to the study of popular music, musical performance, and audiences; the discovery and reuse of archives and archival documents; and Black studies and American cultural history more broadly. This book will be of interest to students and scholars in multiple areas including but not limited to archival studies, Black studies, cultural studies, documentary studies, historiography, and music studies.

The history of rock and roll music can be seen in a long arc of Western civilization's struggle for both greater individual expression and societal stability. In the 1960s, the West's relationship with authority ruptured, in part due to the rock revolution. The lessons and implications of this era have yet to be fully grasped. This book examines the key artists, music, and events of the classic rock era--defined here as 1964 to 1980--through a virtual psychoanalysis of the West. Over these years, important truths unfold in the stories of British Invaders, hippies, proto-punks, and more, as well as topics to include drugs, primal scream therapy, the occult, spirituality, and disco and its detractors, to name just a few. Through a narrative that is equal parts entertaining, scholarly, and even spiritual, readers will gain a greater appreciation for rock music, better understand the confusing world we live in today, and see how greater individuality and social stability may be better reconciled moving forward.

A compelling collection of iconic ghost stories from all across Canada. Time and place are infused with ghosts and hauntings. From coast to coast to coast, Canada’s provinces and territories teem with the supernatural—phantoms obscured in the mists of time, spectres that delight in wreaking terror, and spirits destined to linger forever at the edge of the veil. Visit the far-flung corners of Canada to discover the folklore and legends behind: the ghost of a Newfoundland outlaw that leads blizzard-blind men to safety A poltergeist infestation that gleefully tortured an entire Nova Scotia family A fleet of phantom ships that haunt the coastline of New Brunswick the haggard spectre of a murderous witch in historic Quebec City Saskatchewan’s ghost-ridden military cadet academy an Alberta cabbie’s encounter with a silent shadow of a man in black the headless railway brakeman of Vancouver a moaning, man-shaped mist that haunts a Yukon cabin From east to west to way up north, bestselling author and renowned storyteller Barbara Smith traverses Canada’s provinces and territories to unearth more than 100 supernatural tales that careen between heartwarming, horrifying, sorrowful, and spine-chilling.

The volume focuses on a wide range of thinkers, including Iris Murdoch on truth and art, Stanley Cavell on tragedy, Roland Barthes and Michel Foucault on "the death of the author," and Kendall Walton on fearing fictions. Also included is a consideration of the fifteenth-century Japanese playwright and drama teacher Zeami Motokiyo, the founding father of Noh theather.