Josh seemed to have the perfect childhood: a loving family and an apartment-like bedroom setting for him and his sister. There was always something to do, someone to see, or a neighborhood pick-up football game. Then one year everything changed just before Christmas. "Rob, come meet Mr. Rich and his son, Josh." These words changed his life forever.

Ten-year-old Skeeter comes of age following the murder of two young girls in her east Texas college town.

Drawing on an extensive study of the primary sources, Damian Smith explores the relationship between the Roman Curia and Aragon-Catalonia in the late 12th and early 13th centuries. His focus is the pontificate of Innocent III, the most politically influential medieval Pope, and the reign of King Peter II of Aragon and the first years of King James I. By analysing the practical example of papal actions towards one of its closest secular allies, the work deepens our understanding of the objectives and limits of the Papacy, while making clear the Pope's profound influence on the realm's political development. Marriage affairs and politics, the Spanish Reconquista, with the campaign of Las Navas, and the Albigensian Crusade, in which King Peter met his death at the battle of Muret, are all covered. The final chapters turn more specifically to Church affairs, looking at the relations between the papacy and the bishops of the province of Tarragona, and at the success of Innocent III's mission to reform religious life.

He was my boyfriend's best friend-and the bane of my existence. I wanted to hate Luke Taylor. I did hate him. I just never hated him enough. Now, a decade later, tragedy has brought us back to the place where it all happened-my best times, and my worst. Our lives have changed, but that pull between us is just as strong as ever. Only this time, it's more dangerous too.

The Innocent Moon (1961) was the ninth volume in Henry Williamson's great roman-fleuve, A Chronicle of Ancient Sunlight. It is the early 1920s and Phillip Maddison, out of the army, is determined to become a writer. When his career as a journalist founders, he retires to Devon on his motorcycle to share a cottage with a friend and devote himself to his work. But this arrangement does not succeed and before long Phillip finds himself alone. Meanwhile, his heart is assailed by what he takes for love - but not until he has shed certain illusions does he discover what he seeks, from a source that is least expected. Set against the London literary world as well as the superbly drawn Devon landscape, The Innocent Moon paints an unforgettable picture of its times.

The pontificate of Innocent II (1130-1143) has long been recognized as a watershed in the history of the papacy, marking the transition from the age of reform to the so-called papal monarchy, when an earlier generation of idealistic reformers gave way to hard-headed pragmatists intent on securing worldly power for the Church. Whilst such a conception may be a cliché its effect has been to concentrate scholarship more on the schism of 1130 and its effects than on Innocent II himself. This volume puts Innocent at the centre, bringing together the authorities in the field to give an overarching view of his pontificate, which was very important in terms of the internationalization of the papacy, the internal development of the Roman Curia, the integrity of the papal state and the governance of the local church, as well as vital to the development of the Kingdom of Sicily and the Empire.

A good life is when you smile often, dream big, laugh a lot, and realize how blessed you are for what you have.If you are an introvert or someone who experiences bouts of depression, do you want to laugh more and be more engaging with people in your life? If so, then this book is for you. I hope some of these stories, poems, and facts about overcoming deep challenges may encourage you too.Ralph Waldo Emerson says, "The only person you are destined to become is the person you decide to be."I have researched the Bible and other sources on laughter. In this book, I share personal stories that will have you seeking more avenues on how to laugh yourself out of times that are most difficult. Even with depression or anxiety, you can make changes that create a positive spin in your life.Laughter is necessary to our well-being and to our aliveness. Some people think it is a waste of time. They say it's something to indulge in only sporadically. I say: laughter every day keeps the doctor away. If you are not well, laughter helps us to get better; if we are well, it helps us to stay well. Choosing to laugh gives us power to affect how we feel.

Readers of Sue Grafton's fiction know she never writes the same book twice, and "I" Is For Innocent is no exception. Her most intricately plotted novel to date, it is layered in enough complexity to baffle even the cleverest among us. Lonnie Kingman is in a bind. He's smack in the middle of assembling a civil suit, and the private investigator who was doing his pretrial legwork has just dropped dead of a heart attack. In a matter of weeks the court's statute of limitations will put paid to his case. Five years ago David Barney walked when a jury acquitted him of the murder of his rich wife, Isabelle. Now Kingman, acting as attorney for the dead woman's ex-husband and their child (and sure that the jury made a serious mistake), is trying to divest David Barney of the profits of that murder. But time is running out, and David Barney still swears he's innocent. Patterned along the lines of a legal case, "I" Is For Innocent is seamlessly divided into thirds: one-third of the novel is devoted to the prosecution, one-third to the defense, and a final third to cross-examination and rebuttal. The result is a trial novel without a trial and a crime novel that resists solution right to the end. When Kinsey Millhone agrees to take over Morley Shine's investigation, she thinks it is a simple matter of tying up the loose ends. Morley might have been careless about his health, but he was an old pro at the business. So it comes as a real shock when she finds his files in disarray, his key informant less than credible, and his witnesses denying ever having spoken with him. It comes as a bigger shock when she finds that every claim David Barney has made checks out. But if Barney didn't murder his wife, who did? It would seem the list of candidates is a long one. In life, Isabelle Barney had stepped on a lot of toes. In "I" Is For Innocent, Sue Grafton once again demonstrates her mastery of those telling details that reveal our most intimate and conflicted relationships. As Kinsey comments on the give-and-take by which we humans deal with each other, for better and sometimes for worse, the reader is struck yet again by how acute a social observer Ms. Grafton can be. Frequently funny and sometimes caustic, she is also surprisingly compassionate-- understanding how little in life is purely black and white. Except for murder. Somewhere out there, a killer waits to see just what Kinsey will find out. Somewhere out there, someone's been getting away with murder, and this time it just might turn out to be Kinsey's. "I" Is For Innocent is Sue Grafton in peak form. Fast-paced. Funny. And very, very devious. "A" Is for Alibi "B" Is for Burglar "C" Is for Corpse "D" Is for Deadbeat "E" Is for Evidence "F" Is for Fugitive "G" Is for Gumshoe "H" Is for Homicide "I" Is for Innocent "J" Is for Judgment "K" Is for Killer "L" is for Lawless "M" Is for Malice "N" Is for Noose "O" Is for Outlaw "P" Is for Peril "Q" Is for Quarry "R" Is for Ricochet "S" Is for Silence "T" Is for Trespass "U" Is for Undertow "V" Is for Vengeance "W" Is for Wasted "X"

Ingmar Bergman (1918), by now responsible for about a hundred stage performances, forty radio productions, fifty feature films and fifteen TV productions, has for more than half a century combined an impressive versatility with a very marked individual signature. None of the many books on Bergman has so far attempted to compare Bergman's stage and screen activities - despite the fact that he has been an outstanding and very productive director in both areas and despite his own statement that 'the distance between the theater and the film studio has always been a short one'.