Lily is an accomplished ballet dancer living on her families Island estate. She spends her days looking after her families affairs on the Island and hunting on her beloved Friesian, Calabos, with her two wolfhound companions. She spends her nights plagued by dreams of her abduction and death of her lover. The peace of the Island is interrupted, first by the terror of hell hounds, released to wreak havoc on the Islands inhabitants. And secondly, by Oliver, a visitor sent to the Island to stay out of trouble, who becomes the hounds first victim. Bit by bit her world starts to unravel. In her efforts to help the damaged Oliver, she sets up events that will lead them all to the brink of death. A gathering has been called. The family will converge on the Island and she will be forced to face the Matriarch. The nights events will determine the fate of all, her secrets will be exposed and she will be forced to choose between old love and new.

Reprint of the original, first published in 1867.

Approaching the end of her life, Alice Mayes, notorious caretaker of the anomaly known as The Garden of Sunray, is eager to tie up one last loose end before moving on. The last loose end. For decades she’s been dreaming of finding someone to share her secret with, someone worthy of her truth, and in twenty-year-old Emily Newell, she thinks she finally has. On a momentous stroll through her massive garden with her young friend, Alice delves back into the past, back to those five horrific, mind-bending days in the summer of 1944 when she was sixteen, and for the first time in over seventy-five years, gives voice to her role in the Nazi prisoner internment camp tragedy that befell the small town of Sunray, Texas. In revealing all she witnessed, confessing all she did, she hopes to pass on a wondrous legacy as well as validate and honor the mysterious man she knew as Karl Wagner.

"Chungmi Kim explores the themes of longing and displacement in a culture she sees as both askew--like seeing 'the mountain upside down'--and engaging, as in her title poem, 'Glacier Lily, ' where identity is born not of the purity of nostalgia but of the coloring of age, vibrant and transforming, as are all of the poems in this collection." --James Ragan "Chungmi Kim's passion, empathy, and lyric voice bring us diverse communities: from Hollywood to South Central L.A.; from Korea to America. We see what she sees: 'the mountain upside down, ' but the very next moment we are lifted skyward by her words. Chungmi Kim's poems find us again and again, but never in the same way." --Russell C. Leong