Are you a man feeling crushed by the weight of feminist supremacism in your relationship? Are you being dragged to couples therapy, not knowing how to handle the onslaught of your partner's relational aggression and verbal abuse? Are you tired of being made to feel guilty and responsible for everything, while your rights and freedoms are being stripped away in a rigged system? This book is your lifeline. It gives you the tools to resist the tide of social justice ideology that threatens to drown you. It walks you through the minefield of modern gender dynamics, equipping you to maintain your position and stand your ground. It helps you understand the psychology behind the relentless double binds and word salads, and provides strategies to navigate them successfully. - Learn how female supremacism can evolve and how to counter it - Discover the psychology of relational aggression and how to defuse it - Understand why female therapists might not always be your ally - Gain insight into the flawed family court system and how to protect your rights - Recognize the impact of verbal abuse and learn effective coping strategies - Grasp the concept of equality and why it's not about unequal responsibilities - Understand traditionalism vs. modernism in family dynamics - Learn about the devastating impact of parental rights deprivation - Get practical advice and resources for self-care and coping If you want to regain your power and control your narrative in your relationship and in therapy, then buy this book today. It's your survival guide in a world that's increasingly stacked against you.

This volume examines contemporary reformulations of the ‘Final Girl’ in film, TV, literature and comic, expanding the discussion of the trope beyond the slasher subgenre. Focusing specifically on popular texts that emerged in the 21st century, the volume asks: What is the sociocultural context that facilitated the remarkable proliferation of the Final Girls? What kinds of stories are told in these narratives and can they help us make sense of feminism? What are the roles of literature and media in the reconsiderations of Carol J. Clover’s term of thirty years ago and how does this term continue to inform our understanding of popular culture? The contributors to this collection take up these concerns from diverse perspectives and with different answers, notably spanning theories of genre, posthumanism, gender, sexuality and race, as well as audience reception and spectatorship.

`A remarkable reframing of action research that engages the spirit as well as the mind, in inquiry that matters, shared among inquirers who matter. "Validity" as we once knew it will never be the same after these improvements. Wonderfully provocative!' - Karl Weick, University of Michigan `This is truly a significant work. Not only has action research reached maturity, but in the context of the postmodern constructionist debates its scope has been dramatically expanded, its conceptual underpinnings deepened, and its forms of practice enormously enriched. The present confluence of humanism and pragmatism has inspired lively conversations between us; the work has the potential to transform the very idea of socia

The Handbook of Urban Studies provides the first comprehensive, up-to-date account of the urban condition, relevant to a wide readership from academics to researchers and policymakers. It provides a theoretically and empirically informed account embracing all the different disciplines contributing to urban studies. Leading authors identify key issues and questions and future trends for further research and present their findings so that, where appropriate, they are relevant to the needs of policymakers. Using the city as a unifying structure, the Handbook provides an holistic appreciation of urban structure and change, and of the theories by which we understand the structure, development and changing character

Wadsworth's political career occurred during the upheaval of progressivism, two world wars, the Depression and the New Deal, Korea and the early Cold War. This is the story of his life and career. He was a player in the New York State Republican party before age 30. He served as a U.S. Senator for two terms and a Congressman from 1932 to 1950. His aristocratic heritage made him a strong internationalist and a lifelong advocate of military preparedness by Universal Military Training. As chairman of the Senate Military Affairs during and after WWI, he fought against isolationism and for the UMT. in domestics politics he was a strict consitutional conservative, opposing social or regulatory legislation. His campaign against prohibition, chiefly on constitutional grounds, cost him his Senate seat in 1926. As a Congressman he opposed the Roosevelt and Truman domestic programs, but supported their foreign policy.

Crafting Feminism develops a dynamic study of craft and art-making in modern and contemporary feminist writing. In evocative readings of literary works from Virginia Woolf to Zadie Smith, this book expands our sense of transartistic modernist scholarship to encompass process-oriented and medium-specific analyses of textile arts, digital design, collage, photography, painting, and sculpture in literary culture. By integrating these craft practices into the book's enlightening archive, Elkins's theoretical argument extends a reading of craft metaphors into the material present. Crafting Feminism demonstrates how writers have engaged with handiwork across generations and have undertaken the crafting of a new modernity, one that is queer and feminist-threaded, messy, shattered, cut-up, pasted together, preserved, repaired, reflected, and spun out. An avant-garde work of scholarship, this book interweaves queer research methods and interdisciplinary rigor with a series of surprising archival discoveries. Making visible the collaborative, creative features of craft, Elkins captivates readers with generous illustrations and a series of "Techne" interchapters-interludes between longer chapters, which powerfully convey the symbiosis between feminist theory and method, and detail the network of archival influences that underpin this volume's hybrid approach. Foregrounding the work of decentering patriarchal and Eurocentric legacies of artistic authority, Elkins champions the diverse, intergenerational history of craft as a way to reposition intersectional makers at the heart of literary culture. An original and compelling study, Crafting Feminism breaks new ground in modernist and visual studies, digital humanities, and feminist, queer, and critical race theory.

Asserting a critical sociological perspective, Human Rights Praxis and the Struggle for Survival reveals the contested historical processes through which fundamental human needs are constructed as “rights” under international law, and how those rights are confronted by the ruling relations and crises inherent to contemporary global capitalism and the waning American hegemonic world order. Put simply, the book explores why human rights as a formal legal project has failed to deliver on guaranteeing human survival, let alone universal human dignity. Rather than stopping at critique, the authors propose a specific, materialist intellectual and political agenda for the preservation of collective human survival that can achieve the historically unique notions of common humanity and human emancipation. The authors build on previous work, further developing the sociology of human rights as a distinct field at the intersection of Social Sciences and International Law. They take on several provocative theoretical debates, such as those over connections between racism and capitalism; the existence of a global or “transnational” police state; the control, growth, and exploitation of migrants/migration; and the complex relationship between political repression and various forms of domination. Human Rights Praxis and the Struggle for Survival offers critical analysis of contemporary politics and options for students, scholars, organizers, and stakeholders to grapple with some of the most pressing social problems of human history.

Black Internationalist Feminism examines how African American women writers affiliated themselves with the post-World War II Black Communist Left and developed a distinct strand of feminism. This vital yet largely overlooked feminist tradition built upon and critically retheorized the postwar Left's "nationalist internationalism," which connected the liberation of Blacks in the United States to the liberation of Third World nations and the worldwide proletariat. Black internationalist feminism critiques racist, heteronormative, and masculinist articulations of nationalism while maintaining the importance of national liberation movements for achieving Black women's social, political, and economic rights. Cheryl Higashida shows how Claudia Jones, Lorraine Hansberry, Alice Childress, Rosa Guy, Audre Lorde, and Maya Angelou worked within and against established literary forms to demonstrate that nationalist internationalism was linked to struggles against heterosexism and patriarchy. Exploring a diverse range of plays, novels, essays, poetry, and reportage, Higashida illustrates how literature is a crucial lens for studying Black internationalist feminism because these authors were at the forefront of bringing the perspectives and problems of black women to light against their marginalization and silencing. In examining writing by Black Left women from 1945–1995, Black Internationalist Feminism contributes to recent efforts to rehistoricize the Old Left, Civil Rights, Black Power, and second-wave Black women's movements.

The Film Theory in Practice series fills a gaping hole in the world of film theory. By marrying the explanation of a film theory with the interpretation of a film, the volumes provide discrete examples of how film theory can serve as the basis for textual analysis. Feminist Film Theory and Cléo from 5 to 7 offers a concise introduction to feminist film theory in jargon-free language and shows how this theory can be deployed to interpret Agnes Varda's critically acclaimed 1962 film Cléo from 5 to 7. Hilary Neroni employs the methodology of looking for a feminist alternative among female-oriented films. Through three key concepts-identification, framing the woman's body, and the female auteur-Neroni lays bare the debates and approaches within the vibrant history of feminist film theory, providing a point of entry to feminist film theory from its inception to today. Picking up one of the currents in feminist film theory - that of looking for feminist alternatives among female-oriented films - Neroni traces feminist responses to the contradictions inherent in most representations of women in film, and she details how their responses have intervened in changing what we see on the screen.

For all of you humming “I Will Survive” while watching the political debacles gracing the evening news, when getting an earful from your Limbaugh-loving brother-in-law, or as you’re ducking into the bathroom to avoid the date espousing the wisdom of those Mars versus Venus books, this book is for you. It’s a Jungle Out There gives all you smart, independent women out there the funny pranks, witty comebacks, and stalwart sources of strength you need in these trying times. With her tongue firmly in cheek and her middle finger stuck straight up in the air, Amanda Marcotte (of Pandagon.net) takes you on a tour through the perils that await any feminist who must navigate day-to-day life in the U.S., from the abstinence-only classrooms to the glass-ceiling of the office world. Drawing on her personal experiences of dealing with anti-feminists—from her years of blogging about feminism and living in the woman-unfriendly state of Texas—Marcotte brings her wit and distinct lack of patience to the topic of surviving while feminist. She doles out priceless advice along the way on how not only survive but also thrive, and even how to carve out a space for your feminist self in these oft-times hostile environments.