There's no such thing as a day off for a sheriff. Even in a small Texas town like Clearview, there's always something going on for law enforcement. Still, most days don't involve a run-in with an alligator. And that's not the worst of Sheriff Dan Rhodes's troubles, either. There's a dead man in Billy Bacon's barn, though Bacon swears he doesn't know how the body got there. Rhodes is a bit skeptical, given that the intruder has been shot twice and that Bacon has recently removed a sign from a fencepost near the barn, a sign that says "Trespassers will be shot. Survivors will be shot again." The citizens of Clearview have been complaining about a rash of thefts, and Rhodes suspects that the dead man may have been involved in them. But before he can solve that crime, he also has to deal with a number of other puzzling crimes in the community, ranging from a holdup at a convenience store to the disappearance of a loaf of bread. And then there's the dang gator. In Bill Crider's Survivors Will Be Shot Again, Sheriff Dan Rhodes learns that, as the old saying goes, crime doesn't pay. But it also doesn't take a vacation.

This big, informed, witty, and entertaining book, actually several books in one, covers all the aspects of the secular holiday unlike any other. Only the exhaustive is interesting. - Thomas Mann HALLOWEEN HISTORY AND TRADITION, THE JACK-O- LANTERN, TRICK OR TREAT, HOLIDAY FOLKLORE, MASKS AND VARIOUS COSTUMES, HALLOWEEN BUSINESS, HALLOWEEN AROUND THE WORLD, HALLOWEEN PARADES AND PARTIES, HALLOWEEN RECIPES AND PARTY IDEAS, HALLOWEEN STORIES AND OTHER LITERATURE, HUNDREDS OF BIG AND SMALL SCREEN DELIGHTS FOR YOUR WATCHING AT HALLOWEEN WITH A FULL, CASUAL, GIANT ANNOTATED FILMOGRAPHY, & COMMENTS ON HORROR IN ARTS OF YESTERDAY AND TODAY.

a grim faerie tale of murder, money laundering, buggery, incest, insecticide and lycanthropy-- an account of life within a disorganized and dysfunctional crime family.

The third Virgil Flowers novel by internationally bestselling author John Sandford While competing in a fishing tournament in a remote area of northern Minnesota, Virgil Flowers gets a call from his old friend Lucas Davenport to investigate a murder at a nearby resort, where a woman has been shot while kayaking. The resort is for women only: a place to relax, get fit, recover from plastic surgery, commune with nature, and sometimes get to know each other a little better. As Flowers begins investigating, he finds a web of connections between the people at the resort, the victim, and some local women: notably a talented country singer. And the more he digs, the move he discovers a multitude of motivations for murder: jealousy, greed, anger, and blackmail. And then Flowers learns that this is not the first death at this particular resort. Someone else died there, a year ago. And that there's about to be a third, definitely related death, any time now. And as for the fourth... well, Virgil better hope he can catch the killer before that happens. Because it could be his own. * * * Praise for John Sandford and the Virgil Flowers novels * * * ‘Along the way to the satisfying ending, Virgil displays the rough humor and rough justice that make him such an appealing character’ Publishers Weekly on Deep Freeze ‘A knowing portrait of small-town life layered into a very well plotted mystery. Virgil understands that, in small towns, no one ever outgrows high school... One of the very best novels in a superior series’Booklist (starred review) on Deep Freeze ‘Add a gripping storyline, a generous helping of exquisitely conceived characters and laugh-out-loud humor that produce explosive guffaws, not muted chuckles, and you’re in for the usual late-night, don’t-even-think-of-stopping treat when Flowers hits town’ Richmond Times-Dispatch on Deep Freeze ‘An outstanding novel’ Publishers Weekly (starred review) on Escape Clause ‘Perfect entertainment’ Kirkus Reviews on Escape Clause

"On March 6, 1998, a disgruntled employee went on a rampage at the Connecticut Lottery Corporation, killing four executives before turning the gun on himself. The tragedy made headlines and topped newscasts across the country for weeks. In The Unspeakable, Denise Brown, who lost her husband in the shootings, gives voice to the deeper part of the story left untold by the tabloids." "The Unspeakable is based on the author's journal entries of the year following her husband's death - a record of debilitating nightmares and fears, of fruitless encounters with cooperation and state officials, of the struggle to help her children cope with the loss of a devoted father. It charts a path from bitterness to hope, and reveals the difficult steps that a survivor must take to move beyond rage and rise above the profound and complicated grief that is the legacy of violence."--BOOK JACKET.

"In Dundas' assured hands, one man's search for answers makes for a lyrical, riveting meditation on memory."--EW One man knows the connection between two extraordinary acts of arson, fifteen years apart, in his Montana hometown--if only he could remember it. Having lost much of his memory from a traumatic brain injury sustained in Iraq, army veteran Matthew Rose is called back to Montana after his father's death to settle his affairs, and hopefully to settle the past as well. It's not only a blank to him, but a mystery. Why as a teen did he suddenly become sullen and vacant, abandoning the activities and people that had meant most to him? How did he, the son of hippy activists, wind up enlisting in the first place? Then on his first night back, Matthew sees a house go up in flames, and it turns out a local college student has died inside. And this event sparks a memory of a different fire, an unsolved crime from long ago, a part of Matthew's past that might lead to all the answers he's been searching for. What he finds will connect the old fire and the new, a series of long-unsolved mysteries, and a ruthless act of murder.

American Landscapes: Meditations on Art and Literature in a Changing World is a major contemporary survey of landscapes in art and literature of the United States, especially the American South. Inspired by William Dunlap’s extraordinary landscape Meditations on the Origins of Agriculture in America and a collection of forty paintings and photographs by Southern artists, this volume brings together artists, authors, and scholars to present new perspectives on art and literature both past and present. The volume includes art and text from artists John Alexander, Jason Bouldin, William Dunlap, Carlyle Wolfe Lee, Ke Francis, Linda Burgess, Randy Hayes; photographers Sally Mann, Ed Croom, and Huger Foote; museum directors Betsy Bradley, Jane Livingston, and Julian Rankin; and authors W. Ralph Eubanks, John Grisham, J. Richard Gruber, Jessica B. Harris, Lisa Howorth, Julia Reed, Natasha Trethewey, Curtis Wilkie, Joseph M. Pierce, and Drew Gilpin Faust. This diverse group explores major eras of American history portrayed in Dunlap’s painting, a landscape that evokes the displacement and genocide of Native Americans, the enslavement of Africans, the Civil War, and William Faulkner’s fiction. They examine the history of landscape art in America, connecting art with the works of major writers like William Faulkner, Eudora Welty, Natasha Trethewey, and Jesmyn Ward. In eighteen new essays written during the pandemic and since the events of January 6, 2021, the essayists emphasize how the key issues Dunlap addressed in his 1987 artwork have become part of the national discourse and make his work even more vital today.

"A documentary is being filmed. A cell phone rings, playing the "Rocky" theme song. The filmmaker is told she must pay $10,000 to clear the rights to the song. Can this be true? "Eyes on the Prize," the great civil rights documentary, was pulled from circulation because the filmmakers' rights to music and footage had expired. What's going on here? It's the collision of documentary filmmaking and intellectual property law, and it's the inspiration for this new comic book. Follow its heroine Akiko as she films her documentary, and navigates the twists and turns of intellectual property. Why do we have copyrights? What is "fair use"? Bound By Law reaches beyond documentary film to provide a commentary on the most pressing issues facing law, art, property and an increasingly digital world of remixed culture"--

NATIONAL BESTSELLER • A Pulitzer Prize-winning war correspondent takes us on an explosive adventure into the soul of the unvanquished South, where Civil War reenactors, battlefield visitors, and fans of history resurrect the ghosts of the Lost Cause through ritual and remembrance. "The freshest book about divisiveness in America that I have read in some time. This splendid commemoration of the war and its legacy ... is an eyes–open, humorously no–nonsense survey of complicated Americans." —The New York Times Book Review For all who remain intrigued by the legacy of the Civil War—reenactors, battlefield visitors, Confederate descendants and other Southerners, history fans, students of current racial conflicts, and more—this ten-state adventure is part travelogue, part social commentary and always good-humored. When prize-winning war correspondent Tony Horwitz leaves the battlefields of Bosnia and the Middle East for a peaceful corner of the Blue Ridge Mountains, he thinks he's put war zones behind him. But awakened one morning by the crackle of musket fire, Horwitz starts filing front-line dispatches again this time from a war close to home, and to his own heart. Propelled by his boyhood passion for the Civil War, Horwitz embarks on a search for places and people still held in thrall by America's greatest conflict. In Virginia, Horwitz joins a band of 'hardcore' reenactors who crash-diet to achieve the hollow-eyed look of starved Confederates; in Kentucky, he witnesses Klan rallies and calls for race war sparked by the killing of a white man who brandishes a rebel flag; at Andersonville, he finds that the prison's commander, executed as a war criminal, is now exalted as a martyr and hero; and in the book's climax, Horwitz takes a marathon trek from Antietam to Gettysburg to Appomattox in the company of Robert Lee Hodge, an eccentric pilgrim who dubs their odyssey the 'Civil Wargasm.' Written with Horwitz's signature blend of humor, history, and hard-nosed journalism, Confederates in the Attic brings alive old battlefields and the new 'classrooms, courts, country bars' where the past and the present collide, often in explosive ways.