First published in 1990, this is the first book-length study of Susan Sontag: essayist and analyst of culture, author of ‘Notes on Camp’ and Illness as Metaphor, novelist, reviewer, and filmmaker. It was modernism, and the excitement it created in her, that "rescued" Sontag from childhood in Southern California and sent her abroad in the 1950s. Sohnya Sayres looks into the foundations and directions of Sontag’s imposing work and in doing so discovers a unity of design and subject that Sontag has only recently acknowledged to have been an ambition all along. Sayres’s Sontag is the "elegiac modernist", committed to a modernism whose high noon has long since passed. And yet Sayres finds in Sontag’s lifelong indebtedness to modernism’s aesthetic an inherent conservatism. While guiding us through the work of a brilliant critic, Sayres questions whether Sontag is not herself caught in the paradoxes of the modernism she herself so much admires. A comprehensive analysis of the work of a remarkable intellectual, this title will be of value to any student of American modernism and literary life.

First published in 1983, this book focuses on the twentieth-century writer as both a product, and an interpreter, of his or her society. It explores the social basis of our conceptions of literature and the ways in which writing is affected by the media, institutional and technical, through which it reaches readers. The text looks at experiences of the period in terms of domestic and world affairs, sexuality, and philosophical and religious attitudes. It discusses the social and economic structures which specifically affect the act of writing, and considers the dominant developments of the period in three genres: novels, poetry and writing for theatre.

Continuities, first published in 1968, is a collection of reviews by Frank Kermode that appeared from 1962 to 1967. Kermode discusses a variety of novelists, poets, and critics, including T. S. Eliot, Northrop Frye, Wallace Stevens, Edmund Wilson, and Wallace Stevens. History and politics are two important aspects that are discussed in regards to these writers. This book is ideal for students of English literature.

First published in 1987, this collection of essays, from one of the leading historians in the field, is concerned with the central debates about German history from Bismarck to Hitler. David Blackbourn questions many previously held assumptions, whether about the natural conservatism of the German peasantry of the ‘feudalization’ of the middle classes, and offers an innovative approach to such subjects as liberalism, anti-semitism and the continuing importance of religion in German history. Bringing together social, economic, cultural and political history, each essay is concerned with the social and political flux that characterized the period, and with the problems and opportunities it presented. This reissue will be of great value to any students and academics with an interest in the history of modern Germany.

First published in 1982, The Sociology of Art considers all forms of the arts, whether visual arts, literature, film, theatre or music from Bach to the Beatles. The last book to be completed by Arnold Hauser before his death in 1978, it is a total analysis of the spiritual forces of social expression, based upon comprehensive historical experience and documentation. Hauser explores art through the earliest times to the modern era, with fascinating analyses of the mass media and current manifestations of human creativity. An extension and completion of his earlier work, The Social History of Art, this volume represents a summing up of his thought and forms a fitting climax to his life’s work. Translated by Kenneth J. Northcote.

First published in 1990, this title explores the nature of the interaction between Shakespeare and American culture. Shakespeare stands at the center of an elaborate institutional reality, closely tied to both cultural and ideological production. His plays, Michael Bristol asserts, help to constitute a primary affirmative theme of much American culture criticism, specifically the celebration of individuality and the values of expressive autonomy. This reissue will be of particular value to Literature students and researchers with an interest in Shakespeare, as well as those interested in American cultural history more generally.

First published in 1978, this book represents a study of the ways in which Shakespeare exploits the possibilities of metaphor. In a series of studies ranging from the early to the mature Shakespeare, the author concentrates on metaphor as a controlling structure — the extent to which a certain metaphoric idea informs and organises the drama. These studies turn constantly to the relations between symbol and metaphor, literal and figurative, and examine key plays such as Richard III, King John, Henry V, Romeo and Juliet, Troilus and Cressida, and Coriolanus. They also provide a key to The Tempest which is analysed in terms of power and possession — the dominant motif.

First published in 1981, this book offers a study of British and American popular fiction in the 1970s, a decade in which the quest for the superseller came to dominate the lives of publishers on both sides of the Atlantic. Illustrated by examples of the lurid incidents that catapult so many books into the bestseller charts, this comprehensive study covers the work of Robbins, Hailey and Maclean, the 'bodice rippers', the disaster craze, horror, war stories and media tie-ins such as The Godfather, Jaws and Star Wars.

First published in 1984, this groundbreaking title explores the concept of fatherhood, by following a hundred men who become fathers for the first time. The book is addressed to men who are discovering fatherhood and to women who wish to hear what a man feels and thinks about having a child. Many men experience the strange problems of the male couvade. They have everything from mysterious back ache to inexplicable stomach pains. Later they frequently find that the white-coated professionals shut the door on their doubts and needs and their shy search for information. Brian Jackson’s book cautiously explores changing attitudes to fatherhood emerging at the time of the book’s initial publication. In recent years we have gone through a unique revolution in man’s experience of woman and child. There is surprise at the costs and demands of parenthood, so much so that both parents may move from a honeymoon phase of parenthood into the birth of the blues. Previously this has been thought of as a female, hormonal readjustment, but since men speak of identical symptoms, this study suggests that, at the roots, lies the strain of unprepared parenthood. The traditional father is still there – showing off his medals, his tattoos, his rugby triumphs and his unconcern for the gentler aspects of life. So is the man who simply hunts in the economic jungle, and expects his home to service him. But most of these men now waver and hedge their bets. They look at their child as they return from their working day, or as they slump into unemployment, and wonder if they could be more positive, more creative, more licensed to care.

Annotation What might be the outcome for philosophy if its texts were subjected to the powerful techniques of rhetorical close-reading developed by current deconstructionist literary critics? When first published in 1983, Christopher Norris book was the first to explore such questions in the context of modern analytic and linguistic philosophy, opening up a new and challenging dimension of inter-disciplinary study and creating a fresh and productive dialogue between philosophy and literary theory.