With gentleman sleuth Albert Campion on the case and plenty of European intrigue, “Sweet Danger is for the connoisseur of detective fiction” (Sunday Times). Nestled along the Adriatic coastline, the kingdom of Averna has suddenly—and suspiciously—become the hottest property in Europe, and Albert Campion is given the task of recovering the long-missing proofs of ownership. His mission takes him from the French Riviera to the sleepy village of Pontisbright, where he meets the flame-haired Amanda Fitton. Her family claim to be the rightful heirs to the principality, and insist on joining Campion's quest. Unfortunately for them, a criminal financier and his heavies are also on the trail. The clock is ticking for Campion and his cohorts to outwit the thugs and solve the mystery of Averna. “Margery Allingham stands out like a shining light. And she has another quality, not usually associated with crime stories, elegance.” —Agatha Christie “The best of mystery writers.” —The New Yorker

Containing full pedigree of all the imported thorough-bred stallions and mares, with their produce.

On the centenary of Fontane’s death and at the turn of the century these essays take a new look at this supreme chronicler of Prussia and of the Germany that emerges after 1871. Written by scholars from different countries and disciplines, they focus on novels and theatre reviews from the perspectives of philosophy, sociology, comparative literature and translation theory, and in the contexts of topography and painting. Connections and crosscurrents emerge to reveal new aspects of Fontane’s poetics and to produce contrasting but complementary readings of his novels. He appears in the company of predecessors and contemporaries, such as Scott, Thackeray, Saar, Ibsen, Turgenev, but also in that of writers he has rarely, if ever, been seen beside, such as E.T.A. Hoffmann, Stendhal, Trollope, Henry James and Edith Wharton, Beckett and Faulkner. The historical novel and the social position of women are each a recurring focus of interest. Fontane emerges as receptive to other voices, as a precursor of developments in modern narrative, and confirmed as the novelist who brings the nineteenth-century German novel closest to the broad traditions of European realism.

"The Dangerous Lover takes seriously the ubiquity of the brooding romantic hero - his dark past, his remorseful and rebellious exile from comfortable everyday living. Deborah Lutz traces the recent history of this figure, through the melancholy iconoclasm of the Romantics, the lost soul redeemed by love of the Brontes, and the tormented individualism of twentieth-century love narratives. The Dangerous Lover is the first book-length study of this pervasive literary hero; it also challenges the tendency of sophisticated philosophical readings of popular narratives and culture to focus on male-coded genres. In its conjunction of high and low literary forms, this volume explores new historical and cultural framings for female-coded popular narratives."--BOOK JACKET.