A groundbreaking history of how women found synchronicity—and power—in water. “If you’re not strong enough to swim fast, you’re probably not strong enough to swim ‘pretty,’?” said a young Esther Williams to theater impresario Billy Rose. Since the nineteenth century, tensions between beauty and strength, aesthetics and athleticism have both impeded and propelled the careers of female swimmers—none more so than synchronized swimmers, for whom Williams is often considered godmother. In this revelatory history, Vicki Valosik traces a century of aquatic performance, from vaudeville to the Olympic arena, and brings to life the colorful cast of characters whose “pretty swimming” not only laid the groundwork for an altogether new sport but forever changed women’s relationships with water. Williams, who became a Hollywood sensation for her splashy “aquamusicals,” was just one in a long, bedazzled line of swimmers who began their careers as athletes but found greater opportunity, and often social acceptance, in the world of show business. Early starlets like Lurline the Water Queen performed “scientific” swimming, a set of moves previously only practiced by men—including Benjamin Franklin—that focused on form and exhibited mastery in the water. Demonstrating their fancy feats in aquariums and water tanks rolled onto music hall stages, these women stunned Victorian audiences with their physical dexterity and defied society’s rigid expectations of what was proper and possible for their sex. Far more than bathing beauties, they ushered in sensible swimwear and influenced lifesaving and physical education programs, helping to drop national drowning rates and paving the way for new generations of female athletes. When a Chicago physical educator matched their aquatic movements to music in the 1920s, young girls flocked to take part in “synchronized swimming.” But despite overwhelming love from audiences and the Olympic ambitions of its practitioners, “synchro” was long perceived as little more than entertaining pageantry, and its athletes would face a battle against the current to earn a spot at the highest echelons of sport. Now, on the fortieth anniversary of synchronized swimming’s elevation to Olympic status, Swimming Pretty honors its incredible history of grit, glamor, and sheer athleticism.

Watching women take home gold medals and sparkling trophies from sporting competitions was not always as commonplace as it is in today's society. Like in many aspects of our culture, women throughout history struggled against prejudice and dealt with condescending male counterparts before reaching their place in the spotlight of athletics. Before Venus Williams volleyed her way to her fourth Grand Slam, Lucy Diggs Slowe proved African-American women could win titles alongside men. Before Danica Patrick raced past the finish line in the Indy Japan 300, Odette Siko helped to pave the racetrack for women in auto-racing. And Madge Syers was breaking rules and changing the course of figure skating history long before Michelle Kwan spiraled onto the ice. Their names may have been forgotten in history, outshined by men like Babe Ruth, Michael Jordan, and Muhammed Ali, but the legacies of women in sports live on today through their predecessors. The athletic women of history have stories filled with dramatic struggles, game-changing firsts, and historic victories. They deserve to be told.

This book is an historical survey of women’s sport from 1850-1960. It looks at some of the more recent methodological approaches to writing sports history and raises questions about how the history of women’s sport has so far been shaped by academic writers. Questions explored in this text include: What are the fresh perspectives and newly available sources for the historian of women’s sport? How do these take forward established debates on women’s place in sporting culture and what novel approaches do they suggest? How can our appreciation of fashion, travel, food and medical history be advanced by looking at women’s involvement in sport? How can we use some of the current ideas and methodologies in the recent literature on the history and sociology of sport in order to look afresh at women’s participation? Jean Williams’s original research on these topics and more will be a useful resource for scholars in the fields of sports, women’s studies, history and sociology.

The evolving role of women in Aquatic Sports and Winter Sports is featured in 75 articles (124,000 words) in this volume of the Sports She Wrote series, written by women from 1879 to 1900, and accompanied by 100 images. Initially excluded from swimming due to societal norms, women began embracing the sport in response to drowning tragedies, leading to increased confidence and participation. The 28 swimming articles in this volume are written by 20 women. Kate Bennett emerged as an early advocate, teaching hundreds of women to swim, staging swimming exhibitions, and promoting public baths for accessibility. Clara Beckwith performed widely publicized endurance feats and her instructional book on swimming is included in this volume. Thirty-four articles written by 28 women span various boating activities, from the lifesaving heroics of lighthouse-keeper Ida Lewis, to rowing, canoeing, racing, yachting, boat clubs, pleasure boating, and dramatic shipwrecks. Thirteen articles on winter sports include ice skating, with its blend of grace, athleticism and socialization, a fictional story about ice hockey, and eight articles by seven women on the thrill of sledding and sports in the snow. Fashion is a prominent topic in several articles, including swimwear and skating costumes. Many more detailed descriptions of athleticwear are available in the volume entitled What to Wear. Sports She Wrote is a 31-volume time-capsule of primary documents written by more than 500 women in the 19th century.

Winner of the 2023 National Outdoor Book Award for History/Biography Finalist for the Reading the West Book Award in Memoir/Biography A Booklist Top of the List Winner for Nonfiction in 2023 A New Yorker Best Book of 2023 "Thrilling, expertly paced, warmhearted." —Peter Fish, San Francisco Chronicle The riveting tale of two pioneering botanists and their historic boat trip down the Colorado River and through the Grand Canyon. In the summer of 1938, botanists Elzada Clover and Lois Jotter set off to run the Colorado River, accompanied by an ambitious and entrepreneurial expedition leader, a zoologist, and two amateur boatmen. With its churning waters and treacherous boulders, the Colorado was famed as the most dangerous river in the world. Journalists and veteran river runners boldly proclaimed that the motley crew would never make it out alive. But for Clover and Jotter, the expedition held a tantalizing appeal: no one had yet surveyed the plant life of the Grand Canyon, and they were determined to be the first. Through the vibrant letters and diaries of the two women, science journalist Melissa L. Sevigny traces their daring forty-three-day journey down the river, during which they meticulously cataloged the thorny plants that thrived in the Grand Canyon’s secret nooks and crannies. Along the way, they chased a runaway boat, ran the river’s most fearsome rapids, and turned the harshest critic of female river runners into an ally. Clover and Jotter’s plant list, including four new cactus species, would one day become vital for efforts to protect and restore the river ecosystem. Brave the Wild River is a spellbinding adventure of two women who risked their lives to make an unprecedented botanical survey of a defining landscape in the American West, at a time when human influences had begun to change it forever.

Female Olympian and Paralympian Events is a groundbreaking book that examines women’s sports in the Olympic and Paralympic Games, which have long been underappreciated and under-analyzed. The book begins with a brief background on women’s participation in the Olympic Games and their role relative to the International Olympic Committee, then introduces the underlying Gendered Critical Discourse Analysis theory used throughout the book’s analysis before delving into a literature review of female Olympians and Paralympians’ events. It includes a listing of noteworthy “firsts” in the field, followed by individual discussions of twenty-eight Summer and seven Winter events, analyzed according to their historical, rhetorical, and popular cultural representations. Women’s unique role(s) in the various events are discussed, particular athletes and Paralympic events are highlighted, and original tables are also included. At the end of each section, affiliated organizations and resources are included in this invaluable referential volume.

Sixteen essays ranging from lyric essays to narrative journalism address how we make sense of what we cannot know, how we make change in the world, how we heal, and how we know when we are home. Collectively, these essays convey the longing for agency and connection, particularly among women. They will resonate with readers of all ages, but perhaps especially with women in the second half of life, those dealing with aging parents, retirement, illness, and accompanying vulnerabilities. Here readers will find comfort within keen reflection upon life's ambiguities.

Sara Adeline Mazzolini is the playwright of theatre plays, which dramatize the protagonist's life. Lifestyle is the drama staging Melanie Carole Allen as the main character in the plot. Melanie's successful life is the comedy with the happy ending, whereas the antagonist's life is the tragedy ending in death.

The first in-depth study of its subject, this book seeks to account for a type of modernist film that revolves around bereavement. Identifying the roots of the genre in classical melodrama and horror cinema, and tracing perennial themes and aesthetic devices through to the European and American "intellectual melodramas" of the postwar decades, the book provides a taxonomy of characteristics. In the course of detailed case studies, the book deploys the film theory of Gilles Deleuze and Daniel Frampton while making use of Freudian psychoanalysis and present-day grief counseling theory. In making its case for the new genre, the book reflects upon the ways in which the very notion of genre has, in the post-classical period, responded to changing exhibition patterns, the rise of domestic spectatorship and the proliferation of Web-based film literature.

Built in 1927, the German ocean liner SS Cap Arcona was the greatest ship since the RMS Titanic and one of the most celebrated luxury liners in the world. When the Nazis seized control in Germany, she was stripped down for use as a floating barracks and troop transport. Later, during the war, Hitler's minister, Joseph Goebbels, cast her as the "star" in his epic propaganda film about the sinking of the legendary Titanic. Following the film's enormous failure, the German navy used the Cap Arcona to transport German soldiers and civilians across the Baltic, away from the Red Army's advance. In the Third Reich's final days, the ill-fated ship was packed with thousands of concentration camp prisoners. Without adequate water, food, or sanitary facilities, the prisoners suffered as they waited for the end of the war. Just days before Germany surrendered, the Cap Arcona was mistakenly bombed by the British Royal Air Force, and nearly all of the prisoners were killed in the last major tragedy of the Holocaust and one of history's worst maritime disasters. Although the British government sealed many documents pertaining to the ship's sinking, Robert P. Watson has unearthed forgotten records, conducted many interviews, and used over 100 sources, including diaries and oral histories, to expose this story. As a result, The Nazi Titanic is a riveting and astonishing account of an enigmatic ship that played a devastating role in World War II and the Holocaust.