In 2001, Freestyle, a survey exhibition curated by Thelma Golden at the Studio Museum in Harlem, introduced both a young generation of artists of African descent and the ambitious yet knowingly opaque term post-black to a pre 9-11 and pre-Obama world. In Taking Stakes in the Unknown, Nana Adusei-Poku contextualizes the term post-black in its socio-historical and cultural context. Whilst exploring its present legacy and past potential, she examines works by artists who were defined as part of the post-black generation: Mark Bradford, Leslie Hewitt, Mickalene Thomas and Hank Willis Thomas - and, by expanding the scope of the definition, the Black German artist Philip Metz.

Archaeologist John Patton Jr. and his student assistant rush to save Ancestral Puebloan artifacts that are at risk of being destroyed, but can they survive an altercation with a relentless pursuer? This exciting adventure also includes real science facts and a bonus activities section! Super Science Showcase. Smart Adventures for Smart Kids.

The seventeen equations that form the basis for life as we know it. Most people are familiar with history's great equations: Newton's Law of Gravity, for instance, or Einstein's theory of relativity. But the way these mathematical breakthroughs have contributed to human progress is seldom appreciated. In In Pursuit of the Unknown, celebrated mathematician Ian Stewart untangles the roots of our most important mathematical statements to show that equations have long been a driving force behind nearly every aspect of our lives. Using seventeen of our most crucial equations -- including the Wave Equation that allowed engineers to measure a building's response to earthquakes, saving countless lives, and the Black-Scholes model, used by bankers to track the price of financial derivatives over time -- Stewart illustrates that many of the advances we now take for granted were made possible by mathematical discoveries. An approachable, lively, and informative guide to the mathematical building blocks of modern life, In Pursuit of the Unknown is a penetrating exploration of how we have also used equations to make sense of, and in turn influence, our world.

Anne Lafarre combines wide ranging empirical legal and economic research to analyse and understand the real role of the AGM in the European businesses and corporate governance frameworks today.

She was an unknown, a newborn baby, discarded in a dumpster on a bed of decaying garbage and lifeless rodents ? to die, trucked away, and forgotten. Yet, she survived. Through her childhood, teenage, and adult years, she wandered and hid, avoiding violent, unknown men driven to finish what they originally failed to do. What unknown secret drew these men to her? How did the ordinary ? an unopened letter, a homeless couple, tennis, swimming, horses, a corrupt friend, and a deck of cards ? change the unknown to the known, the hunted to ...? The path this story takes is not straight; it bends with mystery, intrigue, violence, the unexpected, and more than a few surprises.

This is an anthology of literature and graphic illustration that effectively defined a formative moment in the history of London.

This is an anthology of literature and graphic illustration that effectively defined a formative moment in the history of London.

An exploration of the darker corners of ancient Rome to spotlight the strange sorcery of anonymous literature. From Banksy to Elena Ferrante to the unattributed parchments of ancient Rome, art without clear authorship fascinates and even offends us. Classical scholarship tends to treat this anonymity as a problem or game—a defect to be repaired or mystery to be solved. Author Unknown is the first book to consider anonymity as a site of literary interest rather than a gap that needs filling. We can tether each work to an identity, or we can stand back and ask how the absence of a name affects the meaning and experience of literature. Tom Geue turns to antiquity to show what the suppression or loss of a name can do for literature. Anonymity supported the illusion of Augustus’s sprawling puppet mastery (Res Gestae), controlled and destroyed the victims of a curse (Ovid’s Ibis), and created out of whole cloth a poetic persona and career (Phaedrus’s Fables). To assume these texts are missing something is to dismiss a source of their power and presume that ancient authors were as hungry for fame as today’s. In this original look at Latin literature, Geue asks us to work with anonymity rather than against it and to appreciate the continuing power of anonymity in our own time.