An extraordinary writer whose work has long been woefully neglected in English translation, Quiroga's tales - and the life of the writer behind them - are a fever dream of morbidity and horror. Frequently compared to the works of Edgar Allan Poe, this avant-garde collection is staggeringly modern in its content, and is suffused with the themes and settings of his later works. Quiroga's first published short-story collection, Tales of Love, Madness and Death is presented here in a brand-new translation, and also includes his lauded tongue-in-cheek 'Ten Commandments for Short-Story Writers', readying some of the great writer's finest work for a new generation of readers. 'Quiroga's stories are, like Poe's, full of psychological shocks and eerie effects, and are bracingly, if ruthlessly, realistic.' (John Updike, New Yorker)

Tales of love, madness and death is the result of that tormented life and it is where he displays all his gifts. In these stories, the mystery is master and lord, although always immersed in everyday situations, which increases the impact. Madness and love are constantly intertwined, to inevitably lead to death. His stories, charged with implicit violence, produce an asphyxiating tension that is only released with the most unexpected of endings. The jungle and wild setting of the Missions that he knew, frame his stories.

Tales of Love, Madness and Death is the most representative work of Horacio Quiroga. In these 15 short stories, Quiroga handles himself with absolute mastery in the field of horror narration (he is often compared to Poe and Maupassant, as can be seen when reading such shocking stories as "The Slaughtered Hen"), and offers us one of the greatest examples of Latin American modernism. Quiroga deals with some of the most dangerous aspects of the jungle of South America, such as poisonous snakes, ants that eat living human beings, and parasites that kill.

In Tales of Love madness and death, we find the solitary author who has personally met these same realities. This is a series of stories written in the jungle, in the border area of ​​missions, and also what you learned reading or Chekhov distanced Mauupassant. Some stories collected in the volume of 1917 we may seem insane and morbid, however, no longer a tribute to the master of a genre that is almost a literary heritage of Latin America. Despite the horrific episode that encapsulates the Gallina cutthroat, for example, it may be noted the overwhelming coldness of narration, an imperturbable logic and annihilating: the four idiots children have learned in the corral how to kill his own sister, the only normal home. In Lone obsessed with his work of goldsmith murder his wife man stabbing a pin in the heart ... Quiroga's stories, obsessive and hallucinating, remain the most precious narrative model for new generations of storytellers. best books to read of all time, best books to read 2018, fiction books everyone should read, fiction horror books, latest books, book recommendations fiction, best fiction books of all time, top fiction books 2018, horror fiction stories,

In Tales of Love madness and death, we find the solitary author who has personally met these same realities. This is a series of stories written in the jungle, in the border area of ​​missions, and also what you learned reading or Chekhov distanced Mauupassant.Some stories collected in the volume of 1917 we may seem insane and morbid, however, no longer a tribute to the master of a genre that is almost a literary heritage of Latin America. Despite the horrific episode that encapsulates the Gallina cutthroat, for example, it may be noted the overwhelming coldness of narration, an imperturbable logic and annihilating: the four idiots children have learned in the corral how to kill his own sister, the only normal home. In Lone obsessed with his work of goldsmith murder his wife man stabbing a pin in the heart ...Quiroga's stories, obsessive and hallucinating, remain the most precious narrative model for new generations of storytellers.

Tales of horror, madness, and death, tales of fantasy and morality: these are the works of South American master storyteller Horacio Quiroga. Author of some 200 pieces of fiction that have been compared to the works of Poe, Kipling, and Jack London, Quiroga experienced a life that surpassed in morbidity and horror many of the inventions of his fevered mind. As a young man, he suffered his father's accidental death and the suicide of his beloved stepfather. As a teenager, he shot and accidentally killed one of his closest friends. Seemingly cursed in love, he lost his first wife to suicide by poison. In the end, Quiroga himself downed cyanide to end his own life when he learned he was suffering from an incurable cancer. In life Quiroga was obsessed with death, a legacy of the violence he had experienced. His stories are infused with death, too, but they span a wide range of short fiction genres: jungle tale, Gothic horror story, morality tale, psychological study. Many of his stories are set in the steaming jungle of the Misiones district of northern Argentina, where he spent much of his life, but his tales possess a universality that elevates them far above the work of a regional writer. The first representative collection of his work in English, The Decapitated Chicken and Other Stories provides a valuable overview of the scope of Quiroga's fiction and the versatility and skill that have made him a classic Latin American writer.

This two-volume set offers comprehensive coverage of horror literature that spans its deep history, dominant themes, significant works, and major authors, such as Stephen King, Edgar Allan Poe, and Anne Rice, as well as lesser-known horror writers. Many of today's horror story fans—who appreciate horror through movies, television, video games, graphic novels, and other forms—probably don't realize that horror literature is not only one of the most popular types of literature but one of the oldest. People have always been mesmerized by stories that speak to their deepest fears. Horror Literature through History shows 21st-century horror fans the literary sources of their favorite entertainment and the rich intrinsic value of horror literature in its own right. Through profiles of major authors, critical analyses of important works, and overview essays focused on horror during particular periods as well as on related issues such as religion, apocalypticism, social criticism, and gender, readers will discover the fascinating early roots and evolution of horror writings as well as the reciprocal influence of horror literature and horror cinema. This unique two-volume reference set provides wide coverage that is current and compelling to modern readers—who are of course also eager consumers of entertainment. In the first section, overview essays on horror during different historical periods situate works of horror literature within the social, cultural, historical, and intellectual currents of their respective eras, creating a seamless narrative of the genre's evolution from ancient times to the present. The second section demonstrates how otherwise unrelated works of horror have influenced each other, how horror subgenres have evolved, and how a broad range of topics within horror—such as ghosts, vampires, religion, and gender roles—have been handled across time. The set also provides alphabetically arranged reference entries on authors, works, and specialized topics that enable readers to zero in on information and concepts presented in the other sections.