Tallinn ’67 Jazz Festival: Myths and Memories explores the legendary 1967 jazz gathering that centered Tallinn, Estonia as the jazz capital of the USSR and marked both the pinnacle of a Soviet jazz awakening as well as the end of a long series of evolutionary jazz festivals in Estonia. This study offers new insights into what was the largest Soviet jazz festival of its time through an abundance of collected materials – including thousands of pages of archival documents, more than a hundred hours of interviews and countless media reviews and photographs – while grappling with the constellation of myths integral to jazz discourse in an attempt to illuminate ‘how it really was’. Accounts from musicians, jazz fans, organisers and listeners bring renewed life to this transcultural event from more than half a century ago, framed by scholarly discussions contextualizing the festival within the closed conditions of the Cold War. Tallinn ’67 Jazz Festival details the lasting international importance of this confluence of Estonian, Soviet and American jazz and the ripple effects it spread throughout the world.

Only a few people foresaw the sudden and momentous events of 1989: within months the seemingly unshakable communist regimes of Eastern Europe were washed away and with them the postwar international order. This book gives an overview over the national revolutions and external reactions. It contains chapters on the revolutions in all major countries of the former communist bloc as well as on the responses of all major international players. The first part examines the revolutionary events - from above and from below - in Eastern Europe as well as China and their backgrounds. The second part deals with Soviet and Western perceptions and responses. The third part focuses on the aftermath of the revolutions, on societal transformations, the acceptance of the new Central European democracies to NATO and the EU, and on the memory of 1989.

Drawing on research in the USSR, interviews with Soviet jazz musicians, and rare recordings, this study explores the widespread popularity and appreciation of jazz in the Soviet Union despite longstanding official condemnation and harassment.

The New Grove Dictionary of Jazz, second edition is the largest, most comprehensive and accurate reference work on jazz ever published, putting the world of jazz at your fingertips. With articles on every aspect of the field, from jazz groups, composers and arrangers to instruments, terms, record labels and venues, the new edition is the ideal companion for scholars and enthusiasts in this rapidly growing field.The New Grove Dictionary of Jazz, second edition is unique: No other title covers jazz to this extent across all forms and styles The only way to be completely up-to-date with the full scope of writing in this field Provides new perspectives to established areas of study--musicology, film and media, American studies, modern social history, women's studies and cultural studies, to name a few Offers a one-stop resource to all the key names in the jazz world

Tallinn ’67 Jazz Festival: Myths and Memories explores the legendary 1967 jazz gathering that centered Tallinn, Estonia as the jazz capital of the USSR and marked both the pinnacle of a Soviet jazz awakening as well as the end of a long series of evolutionary jazz festivals in Estonia. This study offers new insights into what was the largest Soviet jazz festival of its time through an abundance of collected materials – including thousands of pages of archival documents, more than a hundred hours of interviews and countless media reviews and photographs – while grappling with the constellation of myths integral to jazz discourse in an attempt to illuminate ‘how it really was’. Accounts from musicians, jazz fans, organisers and listeners bring renewed life to this transcultural event from more than half a century ago, framed by scholarly discussions contextualizing the festival within the closed conditions of the Cold War. Tallinn ’67 Jazz Festival details the lasting international importance of this confluence of Estonian, Soviet and American jazz and the ripple effects it spread throughout the world.

Includes "Directory: Foreign."