Women find it can be tough to balance changes in our bodies, career moves, family and all our other obligations and activities. The five principles of the Defiant Woman show how to defy outdated stereotypes, self-defeating behaviors and limitations, while maintaining inner peace: • Recognize that your body is changing and be thankful that it continues to work as well as it does • Understand that your relationships are ever evolving and you're a work in progress too • Treasure your friends and draw strength from the community of women • Seek positive role models and strive to be a like example for those younger than you • Know that the world too is continuing to develop and be content because there is always something new and exciting to learn The Tao of the Defiant Woman is a unique and invigorating approach to the challenges modern women face that combines Taoism, the ancient Chinese philosophy of acceptance, with a healthy dose of defiance.

Women and Positive Aging: An International Perspective presents the noted research in the fields of psychology, gerontology, and gender studies, reflecting the increasingly popular and pervasive positive aging issues of women in today's society from different cohorts, backgrounds, and life situations. Each section describes a bridge between the theoretical aspects and practical applications of the theory that is consistent with the scientist-practitioner training model in psychology, including case studies and associated intervention strategies with older women in each chapter. In addition to incorporating current research on aging women's issues, each section provides the reader with background about the topic to give context and perspective. - Examines a comprehensive range of issues for aging women - Details current research trends - Encompasses a holistic model of women's aging - Ranges from physical and mental health in response to aging changes, to social relationships and sexuality - Presents a "how to put research into practice" section in each chapter - Focuses on topical issues that are relevant to women wanting to optimize their life outcomes as they live, on average, longer than ever before

Gu Changge, a noble lady from a wealthy family, is a well-known business legend in Yuncheng, going into business at 15, taking over as President of Gu Group at 18 and becoming Chairman of the family business at 30. She is murdered by her husband Shao Tianze, just to give his mistress Gu Changle a healthy heart. But a premeditated car accident makes Gu Changge revive in a new guise and settle into an 18-year-old girl, Song Yunxuan. The new face, young body and experienced soul become her weapons of revenge. In her struggle with the four big families in Yuncheng, can Gu Changge shrink back? Will she open her broken heart again? Can she always head off dangers in power struggles? Let¡¯s find out if Gu Changge can revenge herself and create glory again.

Critiquing the fictive nature of socially accepted values about gender, the authors unravel the strategies adopted by writers and filmmakers in (de)constructing the gendered self in mainland China, Taiwan and Hong Kong.

The Ming–Qing dynastic transition in seventeenth-century China was an epochal event that reverberated in Qing writings and beyond; political disorder was bound up with vibrant literary and cultural production. Women and National Trauma in Late Imperial Chinese Literature focuses on the discursive and imaginative space commanded by women. Encompassing writings by women and by men writing in a feminine voice or assuming a female identity, as well as writings that turn women into a signifier through which authors convey their lamentation, nostalgia, or moral questions for the fallen Ming, the book delves into the mentality of those who remembered or reflected on the dynastic transition, as well as those who reinvented its significance in later periods. It shows how history and literature intersect, how conceptions of gender mediate the experience and expression of political disorder. Why and how are variations on themes related to gender boundaries, female virtues, vices, agency, and ethical dilemmas used to allegorize national destiny? In pursuing answers to these questions, Wai-yee Li explores how this multivalent presence of women in different genres provides a window into the emotional and psychological turmoil of the Ming–Qing transition and of subsequent moments of national trauma. 2016 Joseph Levenson Book Prize, Pre-1900 Category, China and Inner Asia Council of the Association for Asian Studies

This volume of the Biographical Dictionary of Chinese Women completes the four-volume project and contains more than 400 biographies of women active in the Tang through Ming dynasties (618-1644). Many of the entries are the result of original research and provide the only substantial information on women available in English. Of note is the inclusion of a large number of women who reached positions of authority during this period as well as women artists and writers, especially poets, during this period of increased female literacy and more liberal social attitudes to women's cultural roles. Wherever possible, entries incorporate translations of poems and sometimes prose works so as to let the women speak for themselves. The book also includes a multitude of entertainers and actresses. The volume includes a Guide to Chinese Words Used, a Chronology of Dynasties and Major Rulers, a Finding List by Background or Fields of Endeavor, and a Glossary of Chinese Names. It will prove to be a useful tool for research and teaching.

A reading of contemporary women's fiction in Spanish America in which space, rather than time, is seen as the driver of the narrative. Space is critical to imaginative writing. As English novelist Elizabeth Bowen has observed: 'nothing can happen nowhere'. This book offers an interdisciplinary framework for reading novels, and in particular women's fiction in Spanish America, with a focus on geoplot, on space rather than time as the narrative engine. Following the work of Lefebvre and Friedman, the author examines recent works by Spanish America's most visible women novelists - Angeles Mastretta [Mexico], Isabel Allende [Chile], Rosario Ferré [Puerto Rico], Sara Sefchovich [Mexico] and Laura Restrepo [Colombia] -and the ways in which their female protagonists challenge the spatial barriers erected by capitalist hegemony. Margins, borders, liminal spaces, the chora-space, and the body are emphasized as potential sites of transgression. The analysis identifies spatial negotiation as a mechanism both for cementing and for undermining authority, thus exposing the strategies through which literature constructs and represents power. SUSAN CARVALHO is Associate Professor of Hispanic Studies at the University of Kentucky, and Director of the Middlebury College Spanish School.

"Lose yourself: Swoon has wicked fun answering that age-old query: What do women want?"—Chicago Tribune Contrary to popular myth and dogma, the men who consistently beguile women belie the familiar stereotypes: satanic rake, alpha stud, slick player, Mr. Nice, or big-money mogul. As Betsy Prioleau, author of Seductress, points out in this surprising, insightful study, legendary ladies’ men are a different, complex species altogether, often without looks or money. They fit no known template and possess a cache of powerful erotic secrets. With wit and erudition, Prioleau cuts through the cultural lore and reveals who these master lovers really are and the arts they practice to enswoon women. What she discovers is revolutionary. Using evidence from science, popular culture, fiction, anthropology, and history, and from interviews with colorful real-world ladykillers, Prioleau finds that great seducers share a constellation of unusual traits. While these men run the gamut, they radiate joie de vivre, intensity, and sex appeal; above all, they adore women. They listen, praise, amuse, and delight, and they know their way around the bedroom. And they’ve finessed the hardest part: locking in and revving desire. Women never tire of these fascinators and often, like Casanova’s conquests, remain besotted for life. Finally, Prioleau takes stock of the contemporary culture and asks: where are the Casanovas of today? After a critique of the twenty-first-century sexual malaise—the gulf between the sexes and women’s record discontent—she compellingly argues that society needs ladies’ men more than ever. Groundbreaking and provocative, Swoon is underpinned with sharp analysis, brilliant research, and served up with seductive verve.

This book takes a fresh look at this underappreciated artist in the context of a nascent Chinese modernism.