Taras Bulba is Gogol's longest short story. The work is non-fictional in nature with characters that are not exaggerated or grotesque as was common in Gogol's later work, though his characterizations of Cossacks are said by some scholars to be a bit exaggerated. This story can be understood in the context of the romantic nationalism movement in literature, which developed around a historical ethnic culture which meets the romantic ideal.

The works of Gogol are compiled here with a biography about his life and times. Works include: The Calash The Cloak Dead Souls The Inspector-General The Mantle A May Night Memoirs of a Madman The Mysterious Portrait The Nose St. John’s Eve The Tale of How Ivan Ivanovich Quarreled with Ivan Nikiforovich Taras Bulba The Viy

"The Nose" is a satirical short story by Nikolai Gogol. Written between 1835 and 1836, it tells of a St. Petersburg official whose nose leaves his face and develops a life of its own. Dmitri Shostakovich's opera The Nose, first performed in 1930, is based on this story. A short film based on the story was made by Alexandre Alexeieff and Claire Parker in 1963 and used pinscreen animation.

The Government Inspector, also known as The Inspector General , is a satirical play by the Russophone Ukrainian playwright and novelist Nikolai Gogol. Originally published in 1836, the play was revised for an 1842 edition. Based upon an anecdote allegedly recounted to Gogol by Pushkin, the play is a comedy of errors, satirizing human greed, stupidity, and the extensive political corruption of Imperial Russia. According to D. S. Mirsky, the play "is not only supreme in character and dialogue in it is one of the few Russian plays constructed with unerring art from beginning to end. The great originality of its plan consisted in the absence of all love interest and of sympathetic characters. The latter feature was deeply resented by Gogol's enemies, and as a satire the play gained immensely from it. There is not a wrong word or intonation from beginning to end, and the comic tension is of a quality that even Gogol did not always have at his beck and call. The dream-like scenes of the play, often mirroring each other, whirl in the endless vertigo of self-deception around the main character, Khlestakov, who personifies irresponsibility, light-mindedness, absence of measure. "He is full of meaningless movement and meaningless fermentation incarnate, on a foundation of placidly ambitious inferiority" (D.S. Mirsky). The publication of the play led to a great outcry in the reactionary press. It took the personal intervention of Tsar Nicholas I to have the play staged, with Mikhail Shchepkin taking the role of the Mayor.

This story takes place in a bucolic small town of Mirgorod (Myrhorod in Ukrainian), written in the style featuring grotesque, realistic portrayals of the characters. The two Ivans are gentlemen landowners, neighbors and great friends, each one almost being the opposite image of the other. Ivan Ivanovich is tall, thin, and well-spoken, for example, while Ivan Nikiforovich is short, fat, and cuts to the point with a biting honesty. One day, Ivan Ivanovich notices his friend's servant hanging some clothes out to dry as well as some military implements, especially a Turkish rifle that interests him. He goes over to Nikiforovich's house and offers to trade it for a brown pig and two sacks of oats, but his friend is unwilling to part with it and calls Ivan Ivanovich a goose, which terribly offends him. After this, they begin to hate each other.

Jones, Barry Owen (1932– ). Australian politician, writer and lawyer, born in Geelong. Educated at Melbourne University, he was a public servant, high school teacher, television and radio performer, university lecturer and lawyer before serving as a Labor MP in the Victorian Parliament 1972–77 and the Australian House of Representatives 1977–98. He took a leading role in reviving the Australian film industry, abolishing the death penalty in Australia, and was the first politician to raise public awareness of global warming, the ‘post-industrial’ society, the IT revolution, biotechnology, the rise of ‘the Third Age’ and the need to preserve Antarctica as a wilderness. In the Hawke Government, he was Minister for Science 1983–90, Prices and Consumer Affairs 1987, Small Business 1987–90 and Customs 1988–90. He became a member of the Executive Board of UNESCO, Paris 1991–95 and National President of the Australian Labor Party 1992–2000, 2005–06. He was Deputy Chairman of the Constitutional Convention 1998. His books include Decades of Decision 1860– (1965), Joseph II (1968), Age of Apocalypse (1975), and he edited The Penalty is Death (1968). Sleepers, Wake!: Technology and the Future of Work was published by Oxford University Press in 1982, became a bestseller and has been translated into Chinese, Japanese, Korean, Swedish and braille. The fourth edition was published in 1995. Knowledge Courage Leadership, a collection of speeches and essays, appeared in 2016. He received a DSc for his services to science in 1988 and a DLitt in 1993 for his work on information theory. Elected FTSE (1992), FAHA (1993), FAA (1996) and FASSA (2003), he is the only person to have become a Fellow of four of Australia’s five learned Academies. Awarded an AO in 1993, named as one of Australia’s 100 ‘living national treasures’ in 1997, he was elected a Visiting Fellow Commoner of Trinity College, Cambridge in 1999. His autobiography, A Thinking Reed, was published in 2006 and The Shock of Recognition, about music and literature, in 2016. In 2014 he received an AC for services ‘as a leading intellectual in Australian public life’. What Is to Be Done was published by Scribe in 2020.

This is the first volume of a seven-volume project, The Encyclopedia Russian Jewry. Volume I concerns itself with personalities who e made a contribution to Russian culture. This is an extremely important project; one could even call it historic. The Editor-in-Chief is Herman Branover.

A study of the works of Gogol, Turgenief, and Tolstoi.