Body art can tell personal stories. When linked to a difficult or traumatic life, it can even restore one’s sense of well-being. As director of a community health center for twenty-seven years and as a nurse practitioner for over forty years, Donna Torrisi became fascinated with the stories behind her patients’ tattoos. When she began to ask her female patients about their markings, themes of trauma, pain, and loss emerged, and it became clear that the art indelibly marked on their bodies had played a part in their healing and redemption. The women featured in Tattoo Monologues demonstrate vulnerability and courage as they share both their personal tattoo narratives and photos of the images on their bodies. These women represent diverse cultures, ethnicities, and professional contexts, but they are united by their use of tattoos as a tool for processing traumatic life experiences. The images, stories, emotions, and journeys in this book collectively tell a compelling story. A story of skin and ink. A story of trauma and adversity. A story of courage and resilience.

Actors of colour need the best speeches to demonstrate their skills and hone their craft. Roberta Uno has carefully selected monologues that represent African-American, Native American, Latino, and Asian-American identities. Each monologue comes with an introduction and notes on the characters and stage directions to set the scene for the actor. This new edition now includes more of the most exciting and accomplished playwrights to have emerged over the 15 years since the Monologues for Actors of Color books were first published, from new, cutting edge talent to Pulitzer winners.

Lawrence Harbison has selected 100 terrific monologues for men – from contemporary plays, all by characters between the ages of 18 and 35 – perfect for auditions or class. There are comic monologues (laughs) and dramatic monologues (no laughs). Most have a compelling present-tense action for actors to perform. A few are story monologues – and they're great stories. Actors will find pieces by star playwrights such as Don Nigro, Itamar Moses, Stephen Adly Guirgis, and Terence McNally; by exciting up-and-comers such as Nicole Pandolfo, Peter Sinn Nachtrieb, Crystal Skillman, Greg Kalleres, Reina Hardy, and J. Thalia Cunningham; and information on getting the complete text of each play. This is a must-have resource in the arsenal of every aspiring actor hoping to knock 'em dead with his contemporary piece after bowling over teachers and casting directors alike with a classical excerpt.

Lawrence Harbison has selected 100 terrific monologues for women – from contemporary plays, all by characters between the ages of 18 and 35 – perfect for auditions or class. There are comic monologues (laughs) and dramatic monologues (no laughs). Most have a compelling present-tense action for actors to perform. A few are story monologues – and they're great stories. Actors will find pieces by star playwrights such as Don Nigro, Itamar Moses, Adam Bock, and Jane Martin; by exciting up-and-comers such as Nicole Pandolfo, Peter Sinn Nachtrieb, Crystal Skillman, Greg Kalleres, and Frances Ya-Chu Cowhig; and information on getting the complete text of each play. This is a must-have resource in the arsenal of every aspiring actor hoping to knock 'em dead with her contemporary piece after bowling over teachers and casting directors alike with a classical excerpt.

Learn to interview people of all ages and write their life stories, experiences, highlights, and turning points as events and rites of passages in plays, skits, and monologues. Write radio and Internet-broadcast plays and make videobiographies. Interview people, and write dramatizations for the high-school or older adult audience with performers of all ages. Write for radio, interactive education, multimedia, netcasting, and the stage, video or film...using excerpts from the life stories of real people, current events, social issues, and history. Learn to adapt and write multi-cultural, ethnic, and specific niche audience plays, skits, and monologues for the stage. Perform or write life stories from diaries and journals. Choose an audience--older adult, all ages, children, junior and senior high schools/teens, or college students. Then interview people and select excerpts from life stories or news to turn into plays, skits, monologues or videobiographies. Make time capsules or broadcast drama on the Web. Your playwriting skills now can use personal and oral history to develop powerful drama, motivate, and inspire memories. Perform the original three-act play, Coney Island, in this book or the monologue that follows. Write, adapt, or perform plays with multi-ethnic themes for a variety of audiences of all ages.

The 20th Anniversary Retrospective from Miami’s Locust Projects comprehensively documents and celebrates 20 years of ground-breaking contemporary art from the Southeast’s leading alternative art space with a playful and sophisticated graphic design. Locust Projects, the Southeast’s leading alternative art space, documents its first 20 years in The 20th Anniversary Retrospective. The cutting-edge art space offers contemporary visual artists the freedom to experiment with new ideas. Locust’s ethos of encouraging exploration and breaking boundaries has, at times, extended to the very integrity of its physical space (think jackhammered floors). This volume includes a comprehensive visual record of over 150 exhibitions and projects, essays and commentary, a written timeline, and extensive quotes. Included are works by renowned artists such as Daniel Arsham, Hernan Bas, Nathan Carter, Francesa DiMattio, Jim Drain, Jon Pylypchuk, Retna, and Cristina Lei Rodriguez. The book includes text by director Lorie Mertes and board members Steve Lanster and Debra and Dennis Scholl. The innovative book design, like Locust Projects itself, experiments with convention. Visually referencing a calendar, the volume leads readers on a voyage of discovery through the organization’s history, with each year’s images visually bleeding into the next across French-fold pages. The cover’s thin strips of images are details from installation photos. This book will appeal to anyone interested in contemporary art, including artists, art lovers, collectors, students, curators, gallerists, and arts administrators.

Artist and writer Steve Reinke is best know for his video work, an acerbic oeuvre that spans over a decade and includes his most famous piece, The Hundred Videos, literally a hundred short videos in which he explores the myriad permutations of identity, sexuality and art. The titles of his videos - In the Realm of Perpetual Embarrassment, Sad Disco Fantasia, How Photographs Are Stored in the Brain are some examples - encapsulate the tenor of Reinke's work: deadpan, self-deprecating, personal and always funny. Composed of original and found footage (from home movies, training films, porn flicks), the videos are typically diaristic, often philosophical, even elegaic. The writing itself is extremely well-crafted, possessing a wit and intelligence that translated well to the page; what seems improvisatory on screen is in fact very polished and precise prose. Everybody Loves Nothing contains Reinke's scripts from 1996 to the present, accompanied by numerous illustrative stills. An extensive interview with filmmaker Mike Holboom provides a broad overview of Reinke's career, themes and ambitions. Introduction by Lisa Steele, artistic director of Vtape.

Although Calisher's family eventually migrated north to New York City, the echoes of their days as a slave-owning Jewish family in the South still resonate with this acclaimed author, who uncovers a part of history never before so strongly and tenderly revealed.

The theme of deeply noticing the world of teaching and learning around us unifies the collected commentaries celebrated in this book. The contributing storytellers, teachers, researchers, poets, photographers, writers, mentors, and guides are integral to sustaining ‘the art of noticing deeply’ to foster wide-awakeness (as Maxine Greene termed it years ago), and engagement in teaching and learning settings and beyond. Such settings might be a forest, a global village, a virtual place, or a classroom. They may be places where skills of collaboration, social justice, problem-solving, critical thinking, ethical practice and lifelong learning are highlighted and celebrated. Together, the authors here explore the spaces where we teach and learn, spaces where we explore and interact, and the spaces where we pause and wonder. This book offers insight into ways in which the arts intersect teachers’ creative beings, and nudges the reader to think about refreshing and renewing what they ‘thought they knew’ about teaching and learning.

The not unusual story of a woman who loved more than she was loved, and who desired beyond the desire people had for her. With humor and rancor, a monologue about resentment as a form of self-love. The text humorously addresses the conflicting relationship between a woman and the marks of her past. It discusses not only about the repentance for a thoughtless tattoo, but of the emotional burden of love disappointments, of the time wasted on unrequited affections, and the impossibility of recovering the wasted time and love. Little Monologues for Women is a collection of theatrical texts intended for actresses and directors who want to show their work through short montages, but strikingly able to deal with themes such as jealousy, the desire for motherhood, the despise and the being despised and, love, with its contradictions, anguish and dazzles.