In this book, the king introduces his latest modules on human behaviour engineering and its management in order to resolve the lingering crisis in education, technology, economy, politics, systems restructuring & management. Thought, imagination, inspiration and revelation become real things. You will find in Psychoeconomix the relationship between the matter age and the mind or creative age, new currency modules for globalization, policy making and analysis and somewhat new ways of reasoning. The human mind is brought to vivid clarity as test results are brought to bear on seemingly insignificant things so that there is now the modules for determining such things as the Creative Intelligence Quotient (CIQ) and the renaming of the Intelligence Quotient (IQ) based on discovered errors for better applications. Can the human scourge of unemployment be solved? Yes! Can there be created new technologies to determine the mind tax systems so that the mind is proved as distinct from the brain? Yes! You will find out that this template & manifesto is the karst for the paradigm shift to the creative economy that we have all yearned and longed for. And then the opportunities that the study of Creative Sciences Professionalism presents to the world is made real beyond mere farce. Discover yourself! Call it whatever you may, it is a study of the Creative & Psycho - Social Sciences. Thanks. Peter Matthews - Akukalia

FACTS & FEATS OF MAKUPEDIA. 1.a. Universal Authority on Mind & Owner of the Solar Core Asset & Assets. b. Body of Knowledge, Fields of Study & Academic Disciplines for the invention-study: Faculty of Creative & Psycho-Social Sciences; Institute of Chartered Creative & Psycho-Social Scientists, Mind Universities and the Makupedia Business & Professionalism. 2.a. A comprehensive package for the worldwide study curriculum & certifications for the Administration of Creativity, Creative Governance, Creative Sciences, Creative Technologies, Creative & Psycho-Social Sciences, Creative Economy Practice & Professionalism. b.Assets, Assetbase, Assetbank, Data, Database, Databank & Benchmarks for the Makupedia Business & Everything Mind. 3.a.The Charter of De-Royal Makupedia is sacred. It is an invention study that comprises the Mind Sciences, Mindtech Systems, Makware development and Computational Creativity. b. It contains codes for the Faculty of Creative & Psycho-Social Sciences hinged on the knowledge and practice of the Creative Sciences professionalism. c.The seven pillars of Makupedia are all invention-studies waiting to be explored. They are listed as the Creative Sciences, Psychoeconomix, Naturecology, Psychoastronomy, Maktionary, BIQUR and the Makupedia Organization. 4. It outlines my breakthroughs in Creativity that include inventions, resources, values, aspirations and opportunities; intellectual property assets and now creativity property assets. Makupedia has long been at work developing thousands of concepts, principles, theories, strategies, studies, researches, laws and even systems within its system. 5. The results of this endeavor consists the invention and development of over 2,000 academic specializations for a lifetime career pursuit as a Creative Scientist, at least 1,000 inventions, 15million computations on Moon programming, billions of data on human energy and advance cosmic energy systems that characterizes our huge database. 6. Makupedia has 3 new genres of literature, 4 new departments in the faculty study, 4 new currencies classified as the Maks currency, 4 new languages, a new faith and still counting hence the planets as Earth become an inheritance. 7. Makupedia has discovered and tracked the Solar Core and its solar energy source, processes and modules. Discovered are the Planets, the Universe & Universes, the Mind and its dimensions, components, measurements and computations never known since the creation of Man. Makupedia has produced a multidisciplinary dimension of specialized knowledge that will span a career of over a 100 years in continued training. 8. Makupedia is not just a book it is the mobile mind, mobile universities, mobile institutions, mobile kingdoms, mobile cities, mobile nations, mobile planets, and mobile universes and fills the knowledge gap that existed hitherto between the abstract and the physical. 9.a. Our billion data generation systems has led to excellent discoveries and majestic inventions birthing an intellectual monarchy. b.This Mind Databank is founded in at least 10,000 concepts on Nature alone granting us a world authority status, a royalty, the power of the stars in our hands as predicted by Nastrademus, the ownership of the Mind taught by Skinner, the discovery of Nature written by Emerson, the fulfillment of Scriptures, an intellectual monarchy in absolute terms and ownership of the Mind assertively according to the Will of GOD. This ensures the smooth implementation of Creative Governance through collaborations with the appropriate organizations concerned with global administration. 10. It emerges the Creatocratic Nations of Paradise as the 1st Intellectual Nation of Creative Scientists, Creative Scientist Professionals, C3 Nations Organizations & De-Makupedian citizenry. It is only a God that can know the Mind of GOD and now we have proved it. 11. It introduces to the world economy the institutions that will institutionalize, promote, practice, develop and commercialize the Creative Economy, the Mindtech Industry, the Makupedia Sector, the Maks Civilizations and the Creative Age in all nations of the world. 12. This work provides guidance systems for all Nations. It is the Makupedia Business Package for Study, Database, Certifications, Marketing, Franchise, Licensing & Investment Opportunities for Businesses, Institutions, Corporations, Organizations & Governments. 13. Makupedia is promoting intellectual culture, institutionalizing creativity, reducing and possibly eliminating unemployment through the processes of the inherent faculties of the human mind by which one can make legacy through legitimate means. We have raised the expected job creation stake from seven hundred and fifty million to one billion through creativity. The body of knowledge is Makupedia, the faculty is the Creative & Psycho-Social Sciences, the academic discipline is the study departments for the Creative Scientist. 14. Knowledge is the new energy. Makupedia is the new knowledge and the Mind is the greatest asset. So welcome to the reality of human-capital development at the speed of mind, at the speed of thought. It can only get better. We are promoting intellectual culture and institutionalizing the creative economy. That's the reality of our purpose. De-Royal Makupedia...Discover. Develop. Connect.

The universe is a secret mine of twelve energy assets concealed in planetary dimensions Endless resources in search to discover develop and connect our core innate potentials Big data processed on these mines are derived through science equations and formulas From a multidisciplinary complex of objective algorithms to a simple smart code on Mind The World Encyclopedia on Creative Sciences and Mind Computing can only be Makupedia.

The four-volume set LNCS 13311 - 13314 constitutes the refereed proceedings of the 14th International Conference on Cross-Cultural Design, CCD 2022, which was held as part of HCI International 2022 and took place virtually during June 26 - July 1, 2022. The papers included in the HCII-CCD volume set were organized in topical sections as follows: Part I: Cross-Cultural Interaction Design; Collaborative and Participatory Cross-Cultural Design; Cross-Cultural Differences and HCI; Aspects of Intercultural Design Part II: Cross-Cultural Learning, Training, and Education; Cross-Cultural Design in Arts and Music; Creative Industries and Cultural Heritage under a Cross-Cultural Perspective; Cross-Cultural Virtual Reality and Games Part III: Intercultural Business Communication; Intercultural Business Communication; HCI and the Global Social Change Imposed by COVID-19; Intercultural Design for Well-being and Inclusiveness Part IV: Cross-Cultural Product and Service Design; Cross-Cultural Mobility and Automotive UX Design; Design and Culture in Social Development and Digital Transformation of Cities and Urban Areas; Cross-Cultural Design in Intelligent Environments.

This book details how research and development in art and design can be formulated, progressed, measured, and reviewed. It explores the challenges of interdisciplinary research and highlights its importance and significance for the future of research in art and design and its relationship to science and technology. The author looks at how creative processes and ideas are devised and how technology and its applications are changing these processes and the way in which research is developed and advanced. The use of digital environments in art and design, and the application of new frameworks, tools, and opportunities for the expression of new ideas and design are discussed. Research and Development in Art, Design and Creativity is an essential read for anyone interested in the concept of collaboration and communication and how this applies to art and its creation.

This timely book explores the nature and value of creative citizenship in our age of digital communication and social media. A stellar roster of contributors addresses the crucial question of what the place of creative citizenship is in the struggle to remake democratic institutions and procedures in ways that can take full advantage of the tools and connections made available through online, social communications.

Craft Economies provides a wide-ranging exploration of contemporary craft production, situating practices of amateur and professional making within a wider creative economy. Contributors address a diverse range of practices, sites and forms of making in a wide range of regional and national contexts, from floristry to ceramics and from crochet to coding. The volume considers the role of digital practices of making and the impact of the maker's movement as part of larger trends around customisation, on-demand production, and the possibilities of 3D printing and digital manufacturing.

Creative and cultural industries, broadly defined, are now considered by many policy makers across Europe at the heart of their national innovation and economic development agenda. Similarly, many European cities and regions have adopted policies to support and develop these industries and their local support infrastructures. However this policy-making agenda implicitly incorporates (and indeed often conflates) elements of cultural and creative industries, the creative class and so on, which are typically employed without due consideration of context. Thus a better understanding is required. To this end, this book features eight research papers, split evenly with regard to geographical focus between the UK and continental Europe (the latter covering Spain, Germany, France, Luxemburg and Belgium individually and in combination). There is also a similar division in terms of those focusing primarily on the policy level (the chapters of Clifton and Macaulay, Mould and Comunian, Pareja-Eastaway and Pradel i Miquel, Perrin) and those of the individual creative actor (the chapters of Alfken et al, Bennett et al, Wedemeier and Brown). This book was previously published as a special issue of European Planning Studies.

The Routledge Companion to the Cultural Industries is collection of contemporary scholarship on the cultural industries and seeks to re-assert the importance of cultural production and consumption against the purely economic imperatives of the ‘creative industries’. Across 43 chapters drawn from a wide range of geographic and disciplinary perspectives, this comprehensive volume offers a critical and empirically-informed examination of the contemporary cultural industries. A range of cultural industries are explored, from videogames to art galleries, all the time focussing on the culture that is being produced and its wider symbolic and socio-cultural meaning. Individual chapters consider their industrial structure, the policy that governs them, their geography, the labour that produces them, and the meaning they offer to consumers and participants. The collection also explores the historical dimension of cultural industry debates providing context for new readers, as well as critical orientation for those more familiar with the subject. Questions of industry structure, labour, place, international development, consumption and regulation are all explored in terms of their historical trajectory and potential future direction. By assessing the current challenges facing the cultural industries this collection of contemporary scholarship provides students and researchers with an essential guide to key ideas, issues, concepts and debates in the field.

This book advances an environmental approach to enhancing creativity in schools, by interweaving educational creativity theory with creative industries environmental approaches. Using Anna Craft’s last book Creativity and Education Futures as a starting point, the book sets out an up-to-date argument for why education policy should be supporting a birth-to-workplace approach to developing creative skills and capacities that extends across the education lifespan. The book also draws on the voices of school teachers, students and leaders who suggest directions for the next generation of creative teachers and learners in a rapidly evolving global education landscape. Overall, the book argues that secondary schools must find a way to make more room for creative risk, innovation and imagination in order to adequately prepare students for creative workplaces and publics.