TEXT-ISLES is an exhibition catalogue documenting the physical exhibition of visual poetry at the Art Park Gallery in Rhodes from 17–24 September 2021. It features a range of experimental poets, examines materiality through the lens of text and textiles. The work produced as part of its accompanying show are harnessed to retell, reimagine, and reorient our relationship to the environment and materials that stratify us.TEXT-ISLES is an exhibition catalogue documenting the physical exhibition of visual poetry at the Art Park Gallery in Rhodes from 17–24 September 2021. It features a range of experimental poets, examines materiality through the lens of text and textiles. The work produced as part of its accompanying show are harnessed to retell, reimagine, and reorient our relationship to the environment and materials that stratify us. The featured poets and artists take readers on a journey that ultimately enable us to understand some of the general properties of tangible poetry; its physical and spatial three-dimensionality and its perceptual and interactive features, and the way the use of the properties of materials and material science function as an artistic medium. Starring poets and artists including Susie Campbell, E.J. Coates, Madelaine Culver, Jade Cuttle, Alexis Fedorjaczenko, SJ Fowler, Geneviève Grant-Thompson, Storm Greenwood, Caroline Harris, Paul Hawkins, Briony Hughes, James Knight, Stephen Mooney, Martina O’Shea, Astra Papachristodoulou, Vilde B. Torset, Simon Tyrrell, Nadira Clare Wallace and Maria Wigley.

All students can learn about plot using a classic adventure passage written at four reading levels. Symbols on the pages represent reading-level ranges to help differentiate instruction. Provided comprehension questions complement the text.

In this second edition of The Repeating Island, Antonio Benítez-Rojo, a master of the historical novel, short story, and critical essay, continues to confront the legacy and myths of colonialism. This co-winner of the 1993 MLA Katherine Singer Kovacs Prize has been expanded to include three entirely new chapters that add a Lacanian perspective and a view of the carnivalesque to an already brilliant interpretive study of Caribbean culture. As he did in the first edition, Benítez-Rojo redefines the Caribbean by drawing on history, economics, sociology, cultural anthropology, psychoanalysis, literary theory, and nonlinear mathematics. His point of departure is chaos theory, which holds that order and disorder are not the antithesis of each other in nature but function as mutually generative phenomena. Benítez-Rojo argues that within the apparent disorder of the Caribbean—the area’s discontinuous landmasses, its different colonial histories, ethnic groups, languages, traditions, and politics—there emerges an “island” of paradoxes that repeats itself and gives shape to an unexpected and complex sociocultural archipelago. Benítez-Rojo illustrates this unique form of identity with powerful readings of texts by Las Casas, Guillén, Carpentier, García Márquez, Walcott, Harris, Buitrago, and Rodríguez Juliá.

This ground-breaking book challenges legal orthodoxy, presenting an original approach to the treatment of islands in international law. It offers a new perspective on how to define islands in international law, questioning how they differ from other maritime features. It focuses on the contextual factors that bear upon the legal treatment of islands, recognising that, in practice, islands have varied and unequal impacts and arguing that greater focus on context is needed to understand legal outcomes, particularly those concerning maritime boundary delimitation.

A short fiction of shipwreck and discovery written by the politician Henry Neville (1620-1694), The Isle of Pines is only beginning to draw critical attention, and until now no scholarly edition of the work has appeared. In the first full-length study of The Isle of Pines, supported by the first fully critical edition, John Scheckter discloses how Neville's work offers a critique of scientific discourse, enacts complicated engagements of race and gender, and interrogates the methods and consequences of European exploration. The volume offers a new critical model for applying post-colonial and postmodern examination strategies to an early modern work. Scheckter argues that the structure and publication history of the fiction, with its separate, unreliable narrators, along with its several topics-shipwreck survival, the founding of a new society, the initial phases of European colonization-are imbued with the sense of uncertainty that permeated the era.

In this follow-up to Islands and Snakes, this book contains 15 chapters describing diversity and conservation of snakes on islands, with foci on selected island systems not previously summarized. Attendant topics include biogeography, plasticity and evolutionary responses to insular conditions, invasive species, importance and collapse of trophic systems, threats to insular snake populations, and strategies of conservation to save them. Chapters include descriptions of snake faunas on larger islands such as Borneo and New Guinea; reproductive biology of insular snakes; phenotypic evolution; physiology and growth patterns related to diet and environment; patterns of endemism; taxonomy of snake radiations; and history of invasions by snakes on islands. The final chapter presents a discussion of prospects and overview of conservation of snakes on islands. Chapters are contributed by international authorities on respective island-and-snake systems. The latter include some islands or archipelagos that are young, or of high importance, or support snake populations that were previously not well known. The content includes colourful photographs, informative illustrations, and in some cases synthesis of new data relevant to the importance of islands for understanding the ecological underpinnings and genesis of biodiversity. Each chapter is appropriately referenced with citations to scientific literature, and where useful, footnotes, tables and graphic information supporting the narrative of the respective subject matter. The overall presentation is intended to provide readers with an enhanced appreciation for islands and the spectacular snakes that might live there.

Explore theories, readings and interpretations from island perspectives In this collection the authors focus on contextual, cultural, and postcolonial criticisms. This work seeks to move beyond simply reacting to, rejecting, or recasting biblical interpretations that misunderstand or mischaracterize island space. Instead it serves as an entry point to thinking biblically through the island. The contributors are Margaret Aymer, Randall C. Bailey, Roland Boer, Steed Vernyl Davidson, Jione Havea, Hisako Kinukawa, Grant Macaskill, Mosese Ma'ilo, J. Richard Middleton, Althea Spencer Miller, Aliou C. Niang, Andrew Mein, Daniel Smith-Christopher, Nasili Vaka'uta, and Elaine M. Wainwright. Features: Sixteen essays by islanders rooted in Asia, America, the Caribbean, Europe, and Oceania Essays that invite a conversation on how being islanders and islandedness condition the way islanders read biblical texts Three sections of articles, two of which engage the first

Theorising Literary Islands is a literary and cultural study of both how and why the trope of the island functions within contemporary popular Robinsonade narratives. It traces the development of Western “islomania” – or our obsession with islands – from its origins in Daniel Defoe’s Robinson Crusoe right up to contemporary Robinsonade texts, focusing predominantly on American and European representations of fictionalized Pacific Island topographies in contemporary literature, film, television, and other media. Theorising Literary Islands argues that the ubiquity of island landscapes within the popular imagination belies certain ideological and cultural anxieties, and posits that the emergence of a Western popular culture tradition can largely be traced through the development of the Robinsonade genre, and through early European and American fascination with the Pacific region.