Jewish culture places a great deal of emphasis on texts and their means of transmission. At various points in Jewish history, the primary mode of transmission has changed in response to political, geographical, technological, and cultural shifts. Contemporary textual transmission in Jewish culture has been influenced by secularization, the return to Hebrew and the emergence of modern Yiddish, and the new centers of Jewish life in the United States and in Israel, as well as by advancements in print technology and the invention of the Internet. Volume XXXI of Studies in Contemporary Jewry deals with various aspects of textual transmission in Jewish culture in the last two centuries. Essays in this volume examine old and new kinds of media and their meanings; new modes of transmission in fields such as Jewish music; and the struggle to continue transmitting texts under difficult political circumstances. Two essays analyze textual transmission in the works of giants of modern Jewish literature: S.Y. Agnon, in Hebrew, and Isaac Bashevis Singer, in Yiddish. Other essays discuss paratexts in the East, print cultures in the West, and the organization of knowledge in libraries and encyclopedias.

Bringing together contributions from a diverse group of scholars, Volume XXX of Studies in Contemporary Jewry presents a multifaceted view of the subtle and intricate relations between Jews and their relationship to place. The symposium covers Europe, the Middle East, and North America from the 18th century to the 21st.

This collection is an introductory historical survey and selective cultural analysis of the development, coalescence, and eventual waning of a diasporic civilization—that of the Jews of the early modern period (ca. 1391–1789) in Europe, the Ottoman Empire, and key nodes of the Iberian Empires in the Americas. Each chapter explores key factors that shaped both distinctive early modern Jewish communities and a remarkably coalescent and far broader community-of-communities. The contributors engage and answer the following questions: What do historians mean by “early modernity,” and to what extent does the concept illuminate the history and culture(s) of Jews from the end of the Middle Ages to the Enlightenment? What were the general demographic contours of the Jewish diaspora over this period and how did they change? How did culture, politics, technology, economics, and gender shape diasporic Jewish communities across eastern and western Europe and the New World over the course of some 400 years? Ultimately, the work renders a portrait of coherence and diversity, continuity and discontinuity, in early modern Jewish life within and across temporal and geographic boundaries. Early Modern Jewish Civilization is essential reading for all students of Jewish history and civilization and early modern history more broadly.

As in all fields and disciplines of the humanities, Jewish Studies scholars find themselves confronted with the rapidly increasing availability of digital resources (data), new technologies to interrogate and analyze them (tools), and the question of how to critically engage with these developments. This volume discusses how the digital turn has affected the field of Jewish Studies. It explores the current state of the art and probes how digital developments can be harnessed to address the specific questions, challenges and problems that Jewish Studies scholars confront. In a field characterised by dispersed sources, and heterogeneous scripts and languages that speak to a multitude of cultures and histories, of abundance as well as loss, what is the promise of Digital Humanities methods--and what are the challenges and pitfalls? The articles in this volume were originally presented at the international conference #DHJewish - Jewish Studies in the Digital Age, which was organised at the Centre for Contemporary and Digital History (C2DH) at University of Luxembourg in January 2021. The first big international conference of its kind, it brought together more than sixty scholars and heritage practitioners to discuss how the digital turn affects the field of Jewish Studies.

This volume brings together the latest scholarship on Jewish literary products and the ways in which they can be interpreted from three different perspectives. In part 1, contributors consider texts as literature, as cultural products, and as historical documents to demonstrate the many ways that early Jewish, rabbinic, and modern secular Jewish literary works make meaning and can be read meaningfully. Part 2 focuses on exegesis of specific biblical and rabbinic texts as well as medieval Jewish poetry. Part 3 examines medieval and early modern Jewish books as material objects and explores the history, functions, and reception of these material objects. Contributors include Javier del Barco, Elisheva Carlebach, Ezra Chwat, Evelyn M. Cohen, Naftali S. Cohn, William Cutter, Yaacob Dweck, Talya Fishman, Steven D. Fraade, Dalia-Ruth Halperin, Martha Himmelfarb, Marc Hirshman, Tamar Kadari, Israel Knohl, Susanne Klingenstein, Katrin Kogman-Appel, Jon D. Levenson, Paul Mandel, Annett Martini, Jordan S. Penkower, Annette Yoshiko Reed, Jeffrey L. Rubenstein, Shalom Sabar, Raymond P. Scheindlin, Seth Schwartz, Sarit Shalev-Eyni, Moshe Simon-Shoshan, Peter Stallybrass, Josef Stern, Barry Scott Wimpfheimer, Elliot R. Wolfson, Azzan Yadin-Israel, and Joseph Yahalom.

The Routledge Handbook of Judaism in the 21st Century is a cutting-edge volume that addresses central questions and issues animating Judaism, Jewish identity, and Jewish society in a global, integrated, and forward-looking way. It introduces readers to the complexity of Judaism as it has developed and continues to develop throughout the 21st century through the prism of three contemporary sets of issues: identities and geographies; structures and power; and knowledge and performances. Within these sections, international contributors examine central issues, topics, and debates, including: individual and collective identity; globalization and localization; Jewish demography; diversity, denominations, and pluralism; interreligious relations; political orientations; community organization; family and gender; the Bible and Talmud today; Jewish philosophy and authority in Jewish thought; digital Judaism; antisemitism; Jewish spirituality and rituals; memory; language; religious education; material culture, literature, music, and art; approaches to the environment; and contemporary Zionism and Israel. The handbook also includes an extensive bibliography to help orient readers to the most important and leading work in the field. The Routledge Handbook of Judaism in the 21st Century is essential reading for students and researchers in religious studies and Jewish studies. It will also be useful for those in related fields, such as cultural studies, literature, sociology, anthropology, and history, as well as Jewish professionals and lay leaders.

An investigation of the connections between the parallel rise of modern Hebrew and modern media After lying dormant for two millennia as a mainly written language, Hebrew awoke from its literary slumber to become a living modern vernacular. This revitalization is unique and unprecedented in world history, and its success has been studied in fields from linguistics to cultural history. However, the role of modern technologies in mediating this revival has not yet been considered. What happens when an ancient language meets modern technology? Lingua Ex Machina explores such a moment in its investigation of the role media technologies—including typewriters, phonographs, and computers—played in the revitalization and modernization of Hebrew from the end of the nineteenth century into the present day. Ido Ramati examines the role sound recording technologies played in shaping the reemergence of modern Hebrew speech, reveals how the Hebraized typewriter pushed for the modernization of writing in Hebrew, and ultimately argues that these media—whose development and adoption paralleled the revitalization of Hebrew—were an active force in shaping the language as a modern communicative medium. This case study of Hebrew furnishes researchers with a rare opportunity to investigate the complex relation between language, its speakers, and technology at a decisive moment, and sheds new light on the study of media technologies and their theoretical, lingual, and social implications.

Hebrew encyclopedias have an intriguing history. The genre, which began as modest initiatives to disseminate general knowledge and strengthen literacy among Russian Jews, quickly became the most popular in modern Hebrew literature, with tens of thousands of subscribers to publications such as Encyclopaedia Hebraica and Encyclopaedia Biblica. The makers of these vast bodies of knowledge hoped to demonstrate Hebrew’s mimetic power and the vitality of newly created Jewish research institutions. They also hoped that the encyclopedias would be an essential tool in shaping and reshaping Zionist national culture and nurturing an ideal national persona. Thus, the printed pages of the encyclopedias give us unique access to what Zionists were saying about themselves, how they perceived their neighbors, and what they were hoping for the future, thereby going beyond the official Zionists documents, newspaper articles, and the writings of intellectuals that have been used extensively by historians to narrate national consciousness. By bringing to the fore these unique texts, The Book of the People presents common perceptions of memory and collective identity that often do not fit with the narratives offered by historians of Zionism. In doing so, the book also exposes ethical codes that regulated the production of Zionist knowledge and endowed the encyclopedias with a rare status as a bona fide source for truths by people from diverse political and social backgrounds.

"Golden Ages: Hasidic Singers and Cantorial Revival in the Digital Era is an ethnographic study of young singers in the Brooklyn Hasidic community who look to the gramophone-era cantorial golden age for the stylistic basis of their own aesthetic explorations. The book proposes a view of their work as a nonconforming social practice within the conservative contemporary Hasidic community. Hasidic cantorial revivalists call upon the sounds and structures of Jewish sacred musical heritage to stage a disruption in the aesthetics and power hierarchies of their community and the aesthetics of prayer in contemporary American Jewish synagogue life outside the Hasidic world. Beyond its role as a desirable art form, "golden age" cantorial music offers a model for aspiring Hasidic singers of a form of Jewish cultural productivity in which artistic excellence, maverick outsider status, and sacred authority were aligned. The musical lives of contemporary cantorial revivalists suggest new ways of thinking about the meaning of the work of gramophone-era cantors. Hasidic cantorial revivalists call upon the cantors of the golden age as a precedent for musical and social practices that defy institutional authority and push at normative boundaries of sacred and secular by foregrounding artist's voices in the culturally intimate space of prayer"--

This volume abandons the document-based approach of standard introductions and investigates aggregates of classical rabbinic texts through three broad perspectives – intertextuality, east and west, halakhah and aggadah – generating fresh insights that will reset the scholarly agenda.