Elvis Presley and Bill Haley. Sam Cooke and the Shirelles. The Crows and the Chords. American Bandstand and Motown. From its first rumblings in the outland alphabet soup of R&B and C&W, rock & roll music promised to change the world--and did it. Combining social history with a treasure trove of trivia, Richard Aquila unleashes the excitement of rock's first decade and shows how the music reflected American life from the mid-1950s through the dawn of Beatlemania. His year-by-year timelines and a photo essay place the music in historical perspective by linking artists and their hits to the news stories, movies, TV shows, fads, and lifestyles. In addition, he provides a concise biographical dictionary of the performers who made the charts between 1954 and 1963, along with the label and chart position of each of their hit songs.

An appreciation of Rock-n-Roll, song by song, from its roots and its inspriations to its divergent recent trends. A work of rough genius; DeanOCOs attempt to make connections though time and across genres is laudable."

The Teacher Edition outlines lesson plans and correlates all the books in the 21st Century Guitar Library. Listening, teaching and performance suggestions are included, and the book is especially useful for teachers who are not principally guitarists. Book 1 includes lesson plans and correlates all books in Level 1. [SPANISH] Correlativo a todos los volúmenes de la Biblioteca de Guitarra Belwin 21st Century. Plan de lecciones para el curso: Sugerencias para la ejecución.

In Rock, Roll, and Ruin, twenty-seven mystery writers serve up musically-themed crime stories around situations as unique as your inky fingerprints. There’s the bad-boy rock star, dumber than dirt, evading all attempts to keep him out of jail. Casino robbers undone by tribal flutes. A 1950’s jukebox that summons the dead and disappears the living. Jealousy drives girl band shenanigans, while a victim of botched plastic surgery seeks vengeance. Untimely deaths abound: at the prom, on a soap opera set, on a mountain-side hike. Several domestic “disagreements” are far from cliche: one wife is impatient and greedy; another wants her Stevie Nicks albums back; a third is desperate to get her husband to turn down the volume. Elvis fans will be tickled by the many mentions of the King himself, including an over-the-top fan club and a side-kick named after his dog. Whether trudging through snow in an Alaska forest, humming country music at a boatyard in Florida, playing sleuth at an assisted living facility, or stumbling backstage at the opera, irate, despairing, and deceived characters step into crime with barely a second thought. Rock, Roll, and Ruin is a music-themed anthology of the Triangle, North Carolina chapter of Sisters in Crime. Some stories are cackling-out-loud funny, others are wickedly dark, but all are entertaining, original, un-putdownable. As Hank Phillippi Ryan writes in the Introduction, “Dip in to this concert of mystery, open to any story, and you’ll sing a chorus of approval.” Praise for Rock, Roll, and Ruin: “Double-crosses, divas, detectives, and divorces—all set against the soundtrack of our lives. Rock, Roll, and Ruin takes us on a rollicking musical trip down memory lane with Buddy Holly, Chuck Barry, Elvis, and a host of musical delights. Oh, and a murder or ten.” —Susan Van Kirk, President of the Guppy Chapter of Sisters in Crime and author of the Endurance Mysteries “The clever theme of this delightful anthology leads to a plethora of fine short stories featuring music from rock and roll through gospel, country, ole time rock and roll, and opera. Sleuths range from teachers to physicians to waitresses to musicians. Authors are new and veteran. Rock, Roll, and Ruin indeed offers something for any mystery lover.” —Molly Weston, Mystery Writers of American Raven Award for Meritorious Mysteries “From self-important bands through a high school sock hop to rabid fans, these 27 stories follow music-obsessed individuals as their lives descend into crime and mayhem. A fascinating look at danger in our music culture.” —KM Rockwood, author of the Jesse Damon crime novel series “A rollicking good collection of crime stories powered by lyrics, strains, beats, and bop (on the head) malice.” —Molly MacRae, author of The Highland Bookshop Mysteries and The Haunted Yarn Shop Mysteries “When the combination of mystery and music runs amok, the result is Rock, Roll, and Ruin—a book you can’t put down!” —Debra Goldstein, author of the Sarah Blair mysteries

Throughout the 1970s and 1980s, Hollywood studios and record companies churned out films, albums, music videos and promotional materials that sought to recapture, revise, and re-imagine the 1950s. Breaking from dominant wisdom that casts the trend as wholly defined by Ronald Reagan's politics or the rise of postmodernism, Back to the Fifties reveals how Fifties nostalgia from 1973 to 1988 was utilized by a range of audiences for diverse and often competing agendas. Films from American Graffiti to Hairspray and popular music from Sha Na Na to Michael Jackson shaped - and were shaped by - the complex social, political and cultural conditions of the Reagan Era. By closely examining the ways that "the Fifties" was remade and recalled, Back to the Fifties explores how cultural memories were fostered for a generation of teenagers trained by popular culture to rewind, record, recycle and replay.

‘A triumph’ – Time Out Transformer is the only complete and comprehensive telling of the Lou Reed story.

The record of each copyright registration listed in the Catalog includes a description of the work copyrighted and data relating to the copyright claim (the name of the copyright claimant as given in the application for registration, the copyright date, the copyright registration number, etc.).