Featuring an exciting new chapter on several aspects of speech acoustics by Raymond D. Kent, PhD! With a new chapter, the classic textbook, Introduction to Sound: Acoustics for the Hearing and Speech Sciences, is back in a fifth edition and continues its aim to teach fundamental concepts of acoustics to students in communication sciences and disorders and related disciplines. Students of speech-language-hearing science must have a thorough understanding of the elements of acoustics before they can successfully embark on more advanced study of both normal and disordered human communication. The text is known for how acoustical concepts have been made understandable for all students, not just those who are already grounded in mathematics and physics. Coverage includes the nature of sound waves, simple harmonic motion, acoustic impedance, scales of measure, logarithms and antilogarithms, sound intensity and pressure, complex waves, resonance and filtering, distortion, sound transmissions, speech acoustics, and room acoustics. Key Features: * Summaries, Notes, and Practice Problems end each chapter * Bolded key terms throughout with end-of-book glossary * Alphabetical listing of selected equations * The numerous equations are displayed in blue for easier reading New to the Fifth Edition: * A new chapter, Basic Principles of Speech Acoustics, written by Raymond D. Kent, PhD * A special emphasis on editing the content throughout for increased readability and comprehension Please note: Ancillary content such as practice problems and acoustic animations are not included as in the original print version of this work.

Béla Balázs’s two works, Visible Man (1924) and The Spirit of Film (1930), are published here for the first time in full English translation. The essays offer the reader an insight into the work of a film theorist whose German-language publications have been hitherto unavailable to the film studies audience in the English-speaking world. Balázs’s detailed analyses of the close-up, the shot and montage are illuminating both as applicable models for film analysis, and as historical documents of his key contribution – alongside such contemporaries as Arnheim, Kracauer and Benjamin – to critical debate on film in the ‘golden age’ of the Weimar silents.

First Published in 2001. In this collection of essays and interviews, Mark Poster examines theoretical approaches and develops his own position on our information based society. He contends that new communications media disrupt and transfigure the way identities are constituted in cultural exchanges. He looks in detail at several aspects of what might be called "internet culture", including virtuality and democracy. Poster advocates an awareness of the Internet and other new forms of communication, calling for a mobilization to ensure accessibility to all and to configure technology into vehicles of open cultural creation. For example, nothing is pure about the Internet politically, he points out, and it remains an open question as to who will transform the potentiality of new communications media into determinate cultural configurations. This book explores the rupture and potentiality between the electronic self and the face-to-face self inherent in new forms of technology and media.

This award-winning book, now available in paperback, is the first solid appraisal of the legendary career of the eminent Hungarian-born conductor Fritz Reiner (1888-1963). Personally enigmatic and often described as difficult to work with, he was nevertheless renowned for the dynamic galvanization of the orchestras he led, a nearly unrivaled technical ability, and high professional standards. Reiner's influence in the United States began in the early 1920s and lasted until his death. Reiner was also deeply committed to serious music in American life, especially through the promotion of new scores. In Fritz Reiner, Maestro and Martinet, Kenneth Morgan paints a very real portrait of a man who was both his own worst enemy and one of the true titans of his profession.

For thousands of years Hindu spirituality has understood the profound effect that sound has on our well-being. From this tradition comes The Yoga of Sound, which draws on yoga's long history of applying sound to reduce stress, maintain health, and invoke spiritual awakenings. In lucid exercises presented both in the book and on accompanying downloadable audio tracks, Russill Paul shows how everyone can learn the art of mantra and how these practices can help to optimize the flow of energy within the body and enhance emotional well-being.

In this path-breaking work, Mark Poster highlights the nature of the newly emerging forms of social life, in the current era. The flexibility of language which the computer allows makes the written word less certain and less concrete. The result of these changes, Poster argues, is a new communication experience, an interaction between humankind and a new kind of reality. Poster discusses the addictive properties of television and arcade video games, as well as the surveillance possibilities which the new communication technologies offer the state. His wide-ranging analysis incorporates the new language-based theories of mathematics, philosophy and literature in Wiener, Derrida and Barthes, among others. This work is a major new contribution to the debate surrounding the future of electronically mediated-experiences.