This introduction to the Western esoteric traditions offers a concise overview of their historical development. The author explores these traditions, from their roots in Hermeticism, Neo-Platonism, and Gnosticism in the early Christian era up to their reverberations in modern day's scientific paradigms.

What have the Middle Ages got to do with us? For Jung, it seems, quite a lot, after all, he tells us: “I must catch up with a piece of the Middle Ages — within myself,” adding: “We have only finished the Middle Ages — of others.” In Wolfram von Eschenbach’s “Parzival” and the Grail as Transformation, Paul Bishop considers the significance for Jung of a masterpiece of medieval German literature, and a major work in the tradition of the legendary Holy Grail. Wolfram’s Parzival epic depicts a three-fold quest: for the hero’s identity, for vröude (“joy”), and for the mysterious Grail. In the course of this quest, Parzival himself is transformed from a fool into the lord of the Grail, and the power of the Grail brings about a collective transformation as well. This is the first volume in a series of books, examining key texts in German literature and thought that were, in Jung’s own estimation or by scholarly consent, highly influential on his thinking. The project of Jung and the Epic of Transformation consists of four titles, sequentially arranged to explore great works from a Jungian perspective and in turn to highlight their importance for interpreting The Red Book.

This volume of conference proceedings investigates the various ways and patterns with which esoteric writings and groups establish their own tradition. This involves concepts of origin and memory, ways of legitimising esoteric tradition as well as techniques and practices of knowledge transmission in esotericism.

Includes Part 1A: Books and Part 1B: Pamphlets, Serials and Contributions to Periodicals

A comprehensive look at the life and continuing influence of 16th-century scientific genius and occultist Dr. John Dee • Presents an overview of Dee’s scientific achievements, intelligence and spy work, imperial strategizing, and his work developing methods to communicate with angels • Pieces together Dee’s fragmentary Spirit Diaries and examines Enochian in precise detail and the angels’ plan to establish a New World Order • Explores Dee’s influence on Sir Francis Bacon, modern science, Rosicrucianism, and 20th-century occultists such as Jack Parsons, Aleister Crowley, and Anton LaVey Dr. John Dee (1527-1608), Queen Elizabeth I’s court advisor and astrologer, was the foremost scientific genius of the 16th century. Laying the foundation for modern science, he actively promoted mathematics and astronomy as well as made advances in navigation and optics that helped elevate England to the foremost imperial power in the world. Centuries ahead of his time, his theoretical work included the concept of light speed and prototypes for telescopes and solar panels. Dee, the original “007” (his crown-given moniker), even invented the idea of a “British Empire,” envisioning fledgling America as the new Atlantis, himself as Merlin, and Elizabeth as Arthur. But, as Jason Louv explains, Dee was suppressed from mainstream history because he spent the second half of his career developing a method for contacting angels. After a brilliant ascent from star student at Cambridge to scientific advisor to the Queen, Dee, with the help of a disreputable, criminal psychic named Edward Kelley, devoted ten years to communing with the angels and archangels of God. These spirit communications gave him the keys to Enochian, the language that mankind spoke before the fall from Eden. Piecing together Dee’s fragmentary Spirit Diaries and scrying sessions, the author examines Enochian in precise detail and explains how the angels used Dee and Kelley as agents to establish a New World Order that they hoped would unify all monotheistic religions and eventually dominate the entire globe. Presenting a comprehensive overview of Dee’s life and work, Louv examines his scientific achievements, intelligence and spy work, imperial strategizing, and Enochian magick, establishing a psychohistory of John Dee as a singular force and fundamental driver of Western history. Exploring Dee’s influence on Sir Francis Bacon, the development of modern science, 17th-century Rosicrucianism, the 19th-century occult revival, and 20th-century occultists such as Jack Parsons, Aleister Crowley, and Anton LaVey, Louv shows how John Dee continues to impact science and the occult to this day.

A groundbreaking reading of Duchamp's work as informed by Asian “esoterism, ” energetic spiritual practices identifying creative energy with the erotic impulse. Considered by many to be the most important artist of the twentieth century, the object of intensive critical scrutiny and extensive theorizing, Marcel Duchamp remains an enigma. He may be the most intellectual artist of all time; and yet, toward the end of his life, he said, “If you wish, my art would be that of living: each second, each breath is a work which is inscribed nowhere, which is neither visual or cerebral.” In Marcel Duchamp and the Art of Life, Jacquelynn Baas offers a groundbreaking new reading of Duchamp, arguing in particular that his work may have been informed by Asian “esoterism, ” energetic spiritual practices that identify creative energy with the erotic impulse. Duchamp drew on a wide range of sources for his art, from science and mathematics to alchemy. Largely overlooked, until now, have been Asian spiritual practices, including Indo-Tibetan tantra. Baas presents evidence that Duchamp's version of artistic realization was grounded in a western interpretation of Asian mind training and body energetics designed to transform erotic energy into mental and spiritual liberation. She offers close readings of many Duchamp works, beginning and ending with his final work, the mysterious, shockingly explicit Étant donnés: 1° la chute d'eau 2° le gaz d'éclairage, (Given: 1. The Waterfall, 2. The Illuminating Gas). Generously illustrated, with many images in color, Marcel Duchamp and the Art of Life speculates that Duchamp viewed art making as part of an esoteric continuum grounded in Eros. It asks us to unlearn what we think we know, about both art and life, in order to be open to experience.