‘Captures both Barbara and her writing so miraculously’ JILLY COOPER Picked as a Book to Look Forward to in 2021 by the Guardian, The Times and the Observer A Radio 4 Book of the Week, April 2021

This book analyses Barbara Pym’s published and unpublished work through a new image, that of the troublesome woman. It details the political nature of her work, highlighting her feminist ideas which are hidden in village-like settings and revealed by troublesome women. By exploring Pym’s written work, published, and unpublished, diaries and notebooks, the book shows that this material gives credence to Hilary Pym’s interpretation of her sister as a complex person.

The Making of Barbara Pym offers new insights into Pym’s formative years as a writer, during which she honed a complex view of the necessity of change on individual and cultural levels. Supported by newly published archival material, this comprehensive study of Pym’s early work explores her personal and fictional pre-war and wartime writing, including unpublished and posthumously published works, before looking closely at Some Tame Gazelle and Excellent Women, published during Britain’s post-war austerity period. Of central importance is a new recognition of Pym’s use of social roles, particularly those of women, as proper avenues for change. The book traces how Pym came to devise characters whose individual development can be seen as analogous to or representative of larger cultural movements. Pym uses the spinster figure to embody the forward-looking cultural perspectives that she endorsed and then, finally, in Jane and Prudence, to figure the end of Britain’s austerity period.

The Testing of Barbara Pym, a companion volume to The Making of Barbara Pym (Palgrave Macmillan, 2021), completes a comprehensive analysis of Pym’s novels and her life, focusing on her complex view of the necessity of change at both the individual and cultural levels. Newly published archival material supports this treatment of Pym’s vision of a changing world – a vision premised upon the principle of continuity, a linking together of past, present, and future. In her novels published from 1955-1980, beginning with Britain’s emergence from post-war austerity, Pym portrays, in an optimistic fashion, several changing aspects of British culture: expansion of the suburbs, acceptance of homosexual men, erosion of the class system, inclusivity in the Anglican Church. But with these changes, new strains emerge as well; the principle of continuity undergoes radical testing and is then emphatically reasserted. Likewise, despite upheavals to established patterns in her life, chiefly the inability to publish her work, Pym persisted in cultivating such elements of continuity as she could, an effort rewarded, while she was in rural retirement, by a return to the publishing world. Thus, in both Pym’s novels and her life, continuity survives the duress of testing circumstances.

Points out how British novelist Pym (1913-80) parodied the conventions of romance novels by deflating characters, hyperbole, and exaggeration, or emphasizing meticulously the mundane elements of everyday life. Shows how she used food, clothes, heroin and hero characterizations, and marriage customs to portray her characters,' and perhaps her own, skepticism about the whole business. Paper edition (764-0), $18.95. Annotation copyrighted by Book News, Inc., Portland, OR

Whereas most literary biographies concentrate on the productive years of their subjects, this book takes a wider view, examining both the early influence of reading and the later effects of aging on Pym's creative development and on her career. Combining psychoanalytic insights, literary analysis, and gerontological and writing theories, Wyatt-Brown provides a deeper understanding of Pym's work. Reading Pym's novels in the context of her letters, diaries, and early manuscripts, Wyatt-Brown examines the forces that hindered Pym's early career and disrupted her success at midlife, when she became discouraged by her inability to extend her readership. Ironically, in her last years, ill-health provided Pym with a new subject and unexpectedly salvaged her foundering career.

A leading economic historian presents a new history of financial crises, showing how some led to greater globalization while others kept nations apart "[A] fascinating book."--Martin Wolf, Financial Times, "Best Books of 2023--Economics" The eminent economic historian Harold James presents a new perspective on financial crises, dividing them into "good" crises, which ultimately expand markets and globalization, and "bad" crises, which result in a smaller, less prosperous world. Examining seven turning points in financial history--from the depression of the 1840s through the Great Depression of the 1930s to the Covid-19 crisis--James shows how crashes prompted by a lack of supply, like the oil shortages of the 1970s, lead to greater globalization as markets expand and producers innovate to increase supply. By contrast, crises triggered by a lack of demand--such as the Global Financial Crisis of 2007-2008--result in less globalization as markets contract, austerity measures are imposed, and skepticism of government grows. By considering not only the times but also the observers who shaped our understanding of each crisis--from Karl Marx to John Maynard Keynes to Larry Summers--James shows how the uneven course of globalization has led to new economic thinking, and how understanding this history can help us better prepare for the future.