Bradby's efforts as an activist and "race leaderby examining the role the minister played in high-profile events, such as the organizing of Detroit's NAACP chapter, the Ossian Sweet trial of the mid-1920s, the Scottsboro Boys trials in the 1930s, and the controversial rise of the United Auto Workers in Detroit in the 1940s.

Press, Platform, Pulpit examines how early black feminism goes public by sheding new light on some of the major figures of early black feminism as well as bringing forward some lesser-known individuals who helped shape various reform movements. With a perspective unlike many other studies of black feminism, Teresa Zackodnik considers these activists as central, rather than marginal, to the politics of their day, and argues that black feminism reached critical mass well before the club movement’s national federation at the turn into the twentieth century . Throughout, she shifts the way in which major figures of early black feminism have been understood. The first three chapters trace the varied speaking styles and appeals of black women in the church, abolition, and women’s rights, highlighting audience and location as mediating factors in the public address and politics of figures such as Jarena Lee, Zilpha Elaw, Amanda Berry Smith, Ellen Craft, Sarah Parker Remond and Sojourner Truth. The next chapter focuses on Ida B. Wells’s anti-lynching tours as working within “New Abolition” and influenced by black feminists before her. The final chapter examines feminist black nationalism as it developed in the periodical press by considering Maria Stewart’s social and feminist gospel; Mary Shadd Cary’s linking of abolition, emigration, and woman suffrage; and late-nineteenth-century black feminist journalism addressing black women’s migration and labor. Early black feminists working in reforms such as abolition and women’s rights opened new public arenas, such as the press, to the voices of black women. The book concludes by focusing on the 1891 National Council of Women, Frances Harper, and Anna Julia Cooper, which together mark a generational shift in black feminism, and by exploring the possibilities of taking black feminism public through forging coalitions among women of color. Press, Platform, Pulpit goes far in deepening our understanding of early black feminism, its position in reform, and the varied publics it created for its politics. It not only moves historically from black feminist work in the church early in the nineteenth century to black feminism in the press at its close, but also explores the connections between black feminist politics across the century and specific reforms.

In this book, scholar and preacher Cleophus J. LaRue brings together the voices of twelve of America's most influential African-American preachers. Each of these renowned preachers describes his or her method of sermon preparation and includes a sample sermon for illustration. An excellent how-to manual for pastors and students,Power in the Pulpitis both sage wisdom on the art of preaching and an inspiring look at some of the most prominent figures in the black church.

Dancing with Metaphors in the Pulpit is a prequel to the writing and delivery of the sermon. The work of invention which includes the gathering of material is the primary focus of the book. The hard work of preaching takes place in the thinking, reading, and writing. The cross-disciplinary study provided here covers lessons learned by preachers and by novelists, poets, philosophers, and rhetoricians.

""Wimberly's latest work presents pastors, church lay leaders and scholars with a new lens to think critically and joyously about how Christian education undergirds and supports the worship experience in nurturing faith and hope in black parishioners."" --David L. Wallace, Sr., Dean, Johnson C. Smith Theological Seminary The Interdenominational Theological Center, Atlanta, Georgia ""This highly recommended work provides a thoughtful yet comprehensive framework of the black Christian worshipping community as the context where faith and hope are nurtured."" --Marsha Snulligan Haney, Associate Professor of Missiology and Religions of the World, The Interdenominational Theological Center, Atlanta, Georgia ""This is a must read for all pastors and worship designers who desire to make worship relevant for African American Congregations."" --Cecelia M. Long, former General Secretariat of the General Commission on the Status and Role of Women in the United Methodist Church ""Innovative, dynamic, thought provoking, and inspiring. A must read for pastors, church leaders, Christian educators, and anyone interested in revitalizing Christian education in the 21st Century."" --Yolanda Y. Smith, Assistant Professor of Christian Education, Yale University Divinity School, and author of Reclaiming the Spirituals: New Possibilities for African American Christian Education ""Dr. Wimberly has seized upon the, heretofore, unspoken wisdom of the black church . . . Local church laity and clergy will easily access this fine work for local churches."" --Lynne Westfield, Assistant Professor of Christian Education, Drew Theological School, Madison, New Jersey ""Wimberly understands comprehensively the ways education is embodied in congregational life. Indeed, she invites us to nurture faith and hope."" --Jack L. Seymour, Professor of Religious Education and Academic Dean, Garrett-Evangelical Theological Seminary, Evanston. Illinois Anne E. Streaty Wimberly is Professor of Christian Education at The Interdenominational Theological Center in Atlanta, Georgia. She is the author of several books including Soul Stories: African American Christian Education (1994).