Preserved Smith, Ph.D. (1880 - 1941) was an American historian best known for his works on the Protestant Reformation. "The Age of the Reformation" is his greatest work, as it is a comprehensive analysis of the economic, intellectual, and social aspects of Protestantism in the 16th Century. [Facsimile reprint edition.]

Study of the students of 9th standard in government and private schools in the Union Territory of Delhi.

In this final volume in a series sponsored by the World Health Organization and the University of Uppsala, a distinguished international team of doctors, scientists and administrators examines the research into the mental and physical effects of old age and describes the medical and social measures taken to ameliorate them. The subjects include the mental and physical effects of retirement and work; illness at home versus illness in the hospital; social and family structures in different communities, including America, rural France, Africa, and the Soviet Union.

Imagining the Woman Reader in the Age of Dante brings to light a new character in medieval literature: that of the woman reader and interlocutor. It does so by establishing a dialogue between literary studies, gender studies, the history of literacy, and the material culture of the book in medieval times. From Guittone d'Arezzo's piercing critic, the 'villainous woman', to the mysterious Lady who bids Guido Cavalcanti to write his grand philosophical song, to Dante's female co-editors in the Vita Nova and his great characters of female readers, such as Francesca and Beatrice in the Comedy, all the way to Boccaccio's overtly female audience, this particular interlocutor appears to be central to the construct of textuality and the construction of literary authority. This volume explores the figure of the woman reader by contextualizing her within the history of female literacy, the material culture of the book, and the ways in which writers and poets of earlier traditions imagined her. It argues that these figures are not mere veneers between a male author and a 'real' male readership, but that, although fictional, they bring several advantages to their vernacular authors, such as orality, the mother tongue, the recollection of the delights of early education, literality, freedom in interpretation, absence of teleology, the beauties of ornamentation and amplification, a reduced preoccupation with the fixity of the text, the pleasure of making mistakes, dialogue with the other, the extension of desire, original simplicity, and new and more flexible forms of authority.

This book explores shifting representations and receptions of the arms-bearing woman on the British stage during a period in which she comes to stand in Britain as a striking symbol of revolutionary chaos. The book makes a case for viewing the British Romantic theatre as an arena in which the significance of the armed woman is constantly remodelled and reappropriated to fulfil diverse ideological functions. Used to challenge as well as to enforce established notions of sex and gender difference, she is fashioned also as an allegorical tool, serving both to condemn and to champion political and social rebellion at home and abroad. Magnifying heroines who appear on stage wielding pistols, brandishing daggers, thrusting swords, and even firing explosives, the study spotlights the intricate and often surprising ways in which the stage amazon interacts with Anglo-French, Anglo-Irish, Anglo-German, and Anglo-Spanish debates at varying moments across the French revolutionary and Napoleonic campaigns. At the same time, it foregrounds the extent to which new dramatic genres imported from Europe –notably, the German Sturm und Drang and the French-derived melodrama– facilitate possibilities at the turn of the nineteenth century for a refashioned female warrior, whose degree of agency, destructiveness, and heroism surpasses that of her tragic and sentimental predecessors.

The Age of Capitalism, Consumer Culture, and the Collapse of Nature in the Anthropocene argues that the stability of post-industrial, postmodern society is threatened by the convergence of three distinct, yet interrelated, crises: environmental degradation, capitalist economic development, and the primacy of consumption and self-absorption as the basis for economic development at the expense of community and social relationships. Jack Thornburg contrasts advanced modern society with indigenous cultures in terms of nature and conceptions of the communal self. The complex nature of capitalist-oriented society has influenced how individuals conceptualize themselves. The outcome, the author contends, is a competitive society in which individuals are alienated living in uncertain times. One consequence of these crises (all of which derive from the Enlightenment and the concomitant appearance and evolution of capitalism) has been the destruction of a worldview balancing and connecting well-being with prosperity of the natural world. Money and materialism cannot buy happiness as capitalist narrative asserts. Thornburg claims that the happiness sought by individuals seeking meaning through consumption can only be realized by reintegrating nature with the human spirit.