The Allies’ Fairy Book contains a selection of traditional fairy tales from the participants of World War One – compiled and edited by Edmund Gosse in 1916. It includes the tales of: ‘Jack the Giant Killer’ (English); ‘The Battle of the Birds’ (Scottish); ‘Lludd and Llevelys’ (Welsh); ‘The Sleeping Beauty (French); ‘Cesarino and the Dragon’ (Italian); ‘What came of picking flowers’ (Portuguese); ‘The Tongue-Cut Sparrow’ (Japanese); ‘Frost’ (Russian); ‘The Golden Apple-Tree and the Nine Peahens’ (Serbian), and many more. The book further contains a series of dazzling colour and black-and-white illustrations – by a master of the craft; Arthur Rackham (1867-1939). One of the most celebrated painters of the British Golden Age of Illustration (which encompassed the years from 1850 until the start of the First World War), Rackham’s artistry is quite simply, unparalleled. Throughout his career, he developed a unique style, combining haunting humour with dream-like romance. Presented alongside the text of the ‘Allied Fairy Book’, his illustrations further refine and elucidate Gosse’s carefully compiled anthology. Pook Press celebrates the great ‘Golden Age of Illustration‘ in children’s literature – a period of unparalleled excellence in book illustration from the 1880s to the 1930s. Our collection showcases classic fairy tales, children’s stories, and the work of some of the most celebrated artists, illustrators and authors.

The tale of The Sleeping Beauty is here retold by C. S. Evans, and illustrated by Arthur Rackham. Charles Seddon Evans (1883 – 1944) was an immensely well respected writer, editor and folklorist, who brings this magical story to life. He wrote this version of The Sleeping Beauty as a companion volume to Cinderella, also illustrated by Arthur Rackham. Evans expanded Charles Perrault’s original story of Cendrillon ou, La Petite Pantoufle de verre, and followed the later version recorded by the Brothers Grimm in giving his heroine the name of Briar-Rose. His version of Sleeping Beauty is similarly thought-through. It is a tale sure to delight both young and old – unique in its truly captivating narrative. This story of The Sleeping Beauty is further told with Rackham's wonderfully intricate black-and-white and colour silhouette illustrations. Arthur Rackham (1867-1939)is one of the most celebrated painters of the British Golden Age of Illustration (which encompassed the years from 1850 until the start of the First World War). Rackham's artistry is quite simply, unparalleled. Throughout his career, he developed a unique style, combining haunting humour with dream-like romance. Presented alongside the text, his illustrations further refine and elucidate Evan’s enchanting storytelling. Pook Press celebrates the great ‘Golden Age of Illustration‘ in children’s literature – a period of unparalleled excellence in book illustration from the 1880s to the 1930s. Our collection showcases classic fairy tales, children’s stories, and the work of some of the most celebrated artists, illustrators and authors.

Comus – Illustrated by Arthur Rackham and written by John Milton is considered one of Milton’s timeless pieces. John Milton (9 December 1608 – 8 November 1674) was an English poet, polemicist, man of letters, and a civil servant for the Commonwealth of England under Oliver Cromwell. He wrote at a time of religious flux and political upheaval, and is best known for his epic poem Paradise Lost(1667), written in blank verse. Milton’s poetry and prose reflect deep personal convictions, a passion for freedom and self-determination, and the urgent issues and political turbulence of his day. Writing in English, Latin, Greek, and Italian, he achieved international renown within his lifetime, and his celebrated Areopagitica (1644)—written in condemnation of pre-publication censorship—is among history’s most influential and impassioned defenses of free speech and freedom of the press. Arthur Rackham (1867-1939) was one of the premier illustrators of the early 20th Century. He illustrated many books, the first of which was published in 1893. Throughout his career he had developed a very individual style that is was to influence a whole generation of children, artists and other illustrators. His haunting humour and dreamlike romance adds to the enchantment and fantasy of children’s literature. Pook Press celebrates the great 'Golden Age of Illustration' in children's classics and fairy tales - a period of unparalleled excellence in book illustration. We publish rare and vintage Golden Age illustrated books, in high-quality colour editions, so that the masterful artwork and story-telling can continue to delight both young and old.

This exciting new collection examines the relationships between warfare, myths, and fairy tales, and explores the connections and contradictions between the narratives of war and magic that dominate the ways in which people live and have lived, survived, considered and described their world. Presenting original contributions and critical reflections that explore fairy tales, fantasy and wars, be they "real" or imagined, past or present, this book looks at creative works in popular culture, stories of resistance, the history and representation of global and local conflicts, the Holocaust, across multiple media. It offers a timely and important overview of the latest research in the field, including contributions from academics, story-tellers and artists, thereby transcending the traditional boundaries of the disciplines, extending the parameters of war studies beyond the battlefield.

This collection gathers breathtaking art from early editions of "Sleeping Beauty," "Cinderella," and other classics. 180 elegant images — most in color — include works by Rackham, Dore, Dulac, Nielsen, and others.

One of the most renowned and best-loved illustrators of his day, English artist Arthur Rackham (1867–1939) brought countless stories and fairy tales to life though his vivid imagination and eye for telling details. Combining a sensitive use of line and subdued watercolors, he skillfully depicted forests of startling trees with claw-like roots, wholesome fairy maidens, monsters, and demons, and backgrounds filled with obscure figures. His inspired illustrations for the fairy tales of the Brothers Grimm (1900) brought him his first great success, with a long and distinguished career to follow. This collection of 55 full-color plates, reproduced from rare early editions, contains a rich selection of Rackham's best fairy tale images: a giant terrorizing the inhabitants of an isolated village in English Fairy Tales, a wicked witch greeting two lost children on her doorstep in Hansel and Gretel, a young maiden beset by snarling wolves in Irish Fairy Tales, and many more, including illustrations from Snowdrop and Other Tales, Little Brother and Little Sister, and The Allies' Fairy Book.

A stunning treasury of 86 full-page plates span the famed English artist's career, from Rip Van Winkle (1905) to masterworks such as Undine, A Midsummer Night’s Dream, and Wind in the Willows (1939).

The first major biography of Arthur Rackham, this 1960 profile contains hard-to-find concept sketches and developmental work, early line illustrations, and over 30 color plates that span his entire career.