The American Drug Culture uses sociological and other perspectives to examine drug and alcohol use in U.S. society. The text is arranged topically, rather than by categories of drugs, and explores diverse contexts of drug use including popular culture; sexuality; the legal and criminal justice systems; other social institutions; and mental and physical health. It features more coverage of alcohol, the most widely-used drug in the U.S., than other texts for this course. Authors Thomas S. Weinberg, Gerhard Falk, and Ursula Falk include case studies from their field research to give you empathetic insights into the situation of those with substance and alcohol use disorders.

Seminar paper from the year 2021 in the subject English Language and Literature Studies - Other, grade: 1,0, Ernst Moritz Arndt University of Greifswald (Anglistik & Amerikanistik), course: Drug Cultures, language: English, abstract: Drugs have been a part of virtually every society that ever existed and I guess it is safe to say that that will continue to be the case in the future. But societies relationship with drugs has also always be a complicated one. While attitudes towards certain drugs have shifted over time, in post-industrial societies drug use became a mass phenomena – and with it addiction. Since then, cultural references to the effects of drugs have been plentiful and seem to have grown more frequent as well as more explicit over time, especially in popular music. While these references had been limited to metaphorical allusions during the 1960s and 70s, modern music listeners will hardly be surprised to hear mentions of drugs in popular songs that play on the radio or to see a wide variety of soft and hard drugs in music videos of almost every genre (cf. Primack 2008). Many politicians, critics and anti-drug advocates blamed this escalation on the emergence of rap music. Past analyses mostly focused on quantitative surveys of drug references in popular music, or tried to answer the question to which extent listener's musical preferences influence their relationship with drugs. Rather than gathering even more quantitative information, this paper will explore how legal and illegal drugs are depicted in rap music. It will utilize a broad definition of rap music – regardless of sub-genres – in order to examine drug references from early rap recorded in the 1980s up to the present day. It will argue that – although based in reality – popular criticism is due to misinterpretations which distort rap and hip hop culture's representation. Furthermore, they hinder our chances as a society to improve how we deal with drugs and addiction as well as to find a healthy way of approaching them. As it will show, in addition to rappers encouraging drug use, they also effectively lay bare the impact drugs have on themselves, their friends, their families, and their communities.

Not an essay in normative political philosophy, but a discussion of the present-day developments in American political thought as they focus on community. Fowler (political science, U. of Wisconsin) tells the story of the coming of age of community in the thought of American political intellectuals and provides measured analysis and reflection on some of the directions in which thinking about community has proceeded. Annotation copyrighted by Book News, Inc., Portland, OR