The American Girl's Handy Book was one of the earliest works written primarily for girls' amusement and enjoyment. It introduced original and novel ideas to open new routes for enterprise and entertainment for girls. The main goal was to engrave upon the girls' minds that they all have talent and the ability to achieve more than what they think is possible. During the time of this book's publication, it was unusual to promote girls to be inventive. But the writer desired to awaken this creative side in them by giving detailed methods of new tasks and amusements, to put them on the road they could travel and explore alone. Anyone curious about knowing the initiatives taken for girls' empowerment in the olden days will find this work beneficial.

HIS is the children’s own day, and no assumption of dignity on the part of their elders can deter them from exercising the privileges granted to them by acknowledged custom and precedent. “April fool! April fool!” cries my little nephew, as he dances with delight to see his aunt walk out of the room with a piece of white paper dangling from a hooked pin, attached to her dress. “April fool! April fool!” shout the children in the street, thus announcing the success of some practical joke. “April fool!” laughs everyone at the table, when some unfortunate bites into a brown, wholesome-looking cruller, only to find it a delusion and a snare, the coat of a cruller, but the inside of cotton. “April fool! April fool!” is what even the little sparrows seem to chirp, as with a “s-w-h-e-r-r” they sweep down from the tree and, frightening away the kitten, take forcible possession of her bone. What does all this mean? Why is the first day of April called “All-Fools-Day,” and when or where did the custom of the day originate? Who can tell? No one seems to know. Even the derivation of the word April does not appear to have been definitely settled, and this saucy month, with her mischievous tricks and pranks, her surprises and mysteries, fools and puzzles our wisest men. Through many centuries the observance of All-Fools-Day has descended to us. In many climes and many countries this day is chosen as the proper time for playing tricks on the unsuspecting. “Festum Fatuorum,” or “Fools’ Holiday,” is what it was called in England at the time of the arrival of the early Christians in that country. Easily caught like the mackerel, which are plentiful on the French coast in April and are said to be deficient in understanding, the April fool in France derives his name from that fish, and is called “Poisson d’Avril” or “April Fish,” and again, “Silly Mackerel.” From the cuckoo, a bird that does not know enough to build its own nest, the appellation of “gowk” is taken, and is given to the foolish one in Scotland who allows himself to be duped on this day.

For good old-fashioned fun, nothing beats this 1887 gem and its illustrated explanations of hobbies and games. Handmade dolls, bookshelf building, and other projects use common household items, encouraging imaginations and creativity.

These descriptions of leisure-time activities for Victorian girls were designed to cultivate their curiosity and inventiveness, and to help them gain self-confidence regarding their competence and talents.

A little Italian boy with a beautiful voice, who comforted Mrs. Burnett when she mourned for her son at San Remo, is the hero of the first story. It is slightly autobiographical, introducing the writer and her tender reminiscences of her lost boy. "The boy who became a Socialist" is a pleasant sketch of " Geof,' her second son. The other stories deal with children she has met all over the world—princes and peasants—and are full of a delightful humor.

When she is orphaned, the star pupil of Miss Minchin's boarding school in London becomes a penniless, friendless ward of the cruel Miss Minchin.

"Dolls are not a luxury. They are as necessary to a child's life as a loaf of bread . . . What a doll does for a little girl is develop her capacity to love others and herself." -Madame Alexander A wonderful offering for young doll enthusiasts and women's history buffs alike This fascinating book tells the stories of courageous dollmakers, all of whom were-and continue to be-filled with passion, vision, and determination. They are the unsung heroines behind some of the most important dolls of the last hundred years-such as Barbie (Ruth Handler) and Madame Alexander's collection (Beatrice Alexander). Entrepreneurs and feminists of their time, these strong women displayed both creative genius and astute business acumen, serving as excellent role models for today's young female readers.