"My American Harp" presents 1,169 poems written 2010-2014 by Surazeus that explore what it means to be an American in the modern world of an interconnected global civilization.

First published in 2011, this research study includes a biography section as well as the works of Gabriel Urbain Fauré born on 12 May 1845. Much of Fauré’s music, especially the late pieces, remain little played and little known—as a result, his reputation as a salon composer of pleasant music continues even among educated musicians. The author suggests that it is more likely that the difficulty of much of Fauré’s music for the listener and the demands it places upon him or her are the principal reasons for its omission from concert programs and for a misunderstanding of Fauré’s place in the history of French music

Do you love the harp? The French harpist Henriette Reni (18751956) asked this question of each student, and it remained her ideal throughout her life. This book explores the circumstances which surrounded the beginning of Henriette Renis career as a masterful harpist and composer. Through her celebrated performances of her Concerto en ut mineur, she gained acclaim simultaneously as a virtuosic performer and composer. In the wake of her success, several new masterpieces by respected composers appeared, including Pierns Concertstck and Ravels Introduction et Allegro. The elements of Renies virtuosity are traced through her famous Lgende, and her less-known Deux promenades matinales. Her compositional style is explored through her Scherzo-Fantaisie for harp and violin and her Concerto en ut mineur. As a teacher, Renis influence echoed throughout the world. Her profound influence has been evident through the vision of her own students, including Susann McDonald, Marcel Grandjany, Mildred Dilling, Odette Le Dentu, Odette de Montesquiou, Bertile Fournier, Emmy Hrlimann, Bertile Robet Auffray, and Marie Astrid DAuffray. The crystallization of Renis teaching practice is described through her Mthode complte de harpe (Complete Method for Harp) and her twelve volumes of harp transcriptions, Les classiques de la harpe. The amount of literature about Renis life and work is disproportionate to the deep imprint she made upon the harps history and repertoire. This book is a start to further recognizing her vast importance to the establishment of the harp.

This is the first volume of a series of compilations of music-archaeological bibliographic source material.

Written in a supportive, easy-to-follow style, this big book covers just about everything of interest to harpers, beginning through advanced, and is recommended by players and teachers as an excellent tool to better understand your instrument. It combines a reference on such topics as types of harps, maintenance, harmony and chords, ear playing, arranging, singing, improvising, instructions on how to simplify and personalize the music to suit your playing level and much more with a full range of harp arrangements from Celtic to Classic, including a special emphasis on Renaissance music. The 46 titles include Ash Grove, Greensleeves, Danny Boy, Gymnopedie No.3, Cielito Lindo, Amazing Grace, and more, with complete lyrics

This is a collection of nine familiar Sephardic folk songs, most dating to the 16th century or earlier, both religious and secular in nature, in attractive arrangements for voice with pedal or lever harp accompaniments of moderate difficulty. Texts are in Ladino, with translations provided. Arranged by a well-known arranger/transcriber, Nine Sephardic Songs is perfect for those preparing voice and harp programs and fills a specific niche in available harp music.

The harp is both the oldest and the newest of instruments. It has existed in some form in nearly all cultures since man has made music. The contemporary concert instrument has been known since the mid-19th century. This work is a compendium of the biographies of many notable harpists of the modern era. The biographies make clear how these performers shaped the contrasts in style and technique of harp playing that have developed over the past 150 years, as cultural, social, and psychological forces influenced individual performance. In addition to the biographical information, the A-Z entries include critical reviews, discographies, and selected bibliographies where possible. New material from the former Soviet states is included.