"The five volumes of A History of American Magazines constitute a unique cultural history of America, viewed through the pages and pictures of her periodicals from the publication of the first monthly magazine in 1741 through the golden age of magazines in the twentieth century"--Page 4 of cover.

In Civilized Creatures, Jennifer Mason challenges some of our most enduring ideas about how encounters with nonhuman nature shaped American literature and culture. Mason argues that in the second half of the nineteenth century the most powerful influence on Americans' understanding of their affinities with animals was not increasing separation from the pastoral and the wilderness; instead, it was the population's feelings about the ostensibly civilized animals they encountered in their daily lives. Americans of diverse backgrounds, Mason shows, found it attractive as well as politic to imagine themselves as most closely connected to those creatures who shared humans' aptitude for civilized life. And to the minds of many in this period, national prosperity depended less on periodic exposure to untamed, wild nature than it did on the proper care and keeping of such animals within suburban and urban environments. Combining literary analysis with cultural histories of equestrianism, petkeeping, and the animal welfare movement, Civilized Creatures offers new readings of works by Susan Warner, Nathaniel Hawthorne, Harriet Beecher Stowe, and Charles W. Chesnutt. In each case, Mason demonstrates that understanding contemporary relationships between humans and animals is essential for understanding the debates about gender, race, and cultural power enacted in these texts.

This volume argues that by focusing on British and American backgrounds, readers have underestimated the impact of Asia and "the East" on American novelist and short story writer Nathaniel Hawthorne's (1804-1864) writing. The central force in Hawthorne's intellectual development was New England Puritanism. It fascinated even when it sometimes repelled him. It exercised a pull on his imagination which a lifetime of varied experience did not loosen. The author recreates Hawthorne's heritage and examine his readings in material dealing with the East; he examines three of Hawthorne's "early tales" that were all written before 1830; and he looks at Hawthorne's "The Story Teller", the two-volume book of sketches and tales Hawthorne unsuccessfully tried to publish in 1834 and issued piecemeal thereafter in periodicals as annuals. The author also evaluates the role of the Eastern world in Hawthorne's view of Romance and studies some of Hawthorne's "remarkable" heroines -- Beatrice Rapaccini, Hester, Zenobia, and Miriam in particular. The author maintains that the Puritan element in Hawthorne's ancestry has been overstressed and that insufficient attention has been paid to the equally important travel-adventure-exploration aspect of Hawthorne's heritage and craft.

A collection of critical essays on Nathaniel Hawthorne's work.

From the colonial era to the onset of the Civil War, Magazines and the Making of America looks at how magazines and the individuals, organizations, and circumstances they connected ushered America into the modern age. How did a magazine industry emerge in the United States, where there were once only amateur authors, clumsy technologies for production and distribution, and sparse reader demand? What legitimated magazines as they competed with other media, such as newspapers, books, and letters? And what role did magazines play in the integration or division of American society? From their first appearance in 1741, magazines brought together like-minded people, wherever they were located and whatever interests they shared. As America became socially differentiated, magazines engaged and empowered diverse communities of faith, purpose, and practice. Religious groups could distinguish themselves from others and demarcate their identities. Social-reform movements could energize activists across the country to push for change. People in specialized occupations could meet and learn from one another to improve their practices. Magazines built translocal communities—collections of people with common interests who were geographically dispersed and could not easily meet face-to-face. By supporting communities that crossed various axes of social structure, magazines also fostered pluralistic integration. Looking at the important role that magazines had in mediating and sustaining critical debates and diverse groups of people, Magazines and the Making of America considers how these print publications helped construct a distinctly American society.

Written in a richly suggestive style, Hawthorne’s five world-famous novels are permeated by his own history as well as America’s In The House of the Seven Gables, Nathaniel Hawthorne alludes to his ancestor’s involvement in the Salem witch trials, as he follows the fortunes of two rival families, the Maules and the Pyncheons. The novel moves across 150 years of American history, from an ancestral crime condoned by Puritan theocracy to reconciliation and a new beginning in the bustling Jacksonian era. Considered Hawthorne’s greatest work, The Scarlet Letter is a dramatic allegory of the social consequences of adultery and the subversive force of personal desire in a community of laws. The transgression of Hester Prynne and Arthur Dimmesdale, the innate lawlessness of their bastard child Pearl, and the torturous jealousy of the husband Roger Chillingworth eventually erupt through the stern reserve of Puritan Boston. The Scarlet Letter engages the moral and romantic imagination of readers who ponder the question of sexual freedom and its place in the social world. Fanshawe is an engrossing apprentice work that Hawthorne published anonymously and later sought to suppress. Written during his undergraduate years at Bowdoin College, it is a tragic romance of an ascetic scholar’s love for a merchant’s daughter. The Blithedale Romance is a novel about the perils, which Hawthorne knew first-hand, of living in a utopian community. The utilitarian reformer Hollingsworth, the reticent narrator Miles Coverdale, the unearthly Priscilla, and the sensuous Zenobia (purportedly modeled on Margaret Fuller) act out a drama of love and rejection, idealism and chicanery, millennial hope and suicidal despair on an experimental commune in rural Massachusetts. The Marble Faun, Hawthorne’s last finished novel, uses Italian landscapes where sunlight gives way to mythological shadings as a background for mysteries of identity and murder. Its two young Americans, Kenyon and Hilda, become caught up in the disastrous passion of Donatello, an ingenuous nobleman, for the beautiful, mysterious Miriam, a woman trying to escape her past.

This selection of twenty of Hawthorne's tales is the first in paperback to present his most important short works with full annotation in one volume. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.