"Was the idea of the ancient tradition surrounding the Antichrist present in related forms among both Jews and Christians? Mateusz Kusio reveals an anti-messianic tradition involving a variety of eschatological antagonists in conflict with diverse messianic actors that stretches across both Jewish and Christian corpora and revolves around a set of similar motifs, ideas, and core Biblical texts." --

Includes three works, all dating from Nietzsche's last lucid months, that aim show him at his most stimulating and controversial: the portentous utterances of the prophet (together with the ill-defined figure of the Ubermensch) are forsaken, as wit, exuberance and dazzling insights predominate.

Vol. 6 of this series, The Antichrist Septenate, the authors have revealed the unscriptural roots of the general Evangelical Protestant views of the Antichrist and the Rapture. They have sought to return Protestants to their Reformation roots. This volume takes up issues crucial to our understanding of the final events preceding the return of our Lord-events important to our preparation for His Second Coming.

The legacy of ancient Greece and Rome has been imitated, resisted, misunderstood, and reworked by every culture that followed. In this volume, some five hundred articles by a wide range of scholars investigate the afterlife of this rich heritage in the fields of literature, philosophy, art, architecture, history, politics, religion, and science.

What is it about ancient monsters that popular culture still finds so enthralling? Why do the monsters of antiquity continue to stride across the modern world? In this book, the first in-depth study of how post-classical societies use the creatures from ancient myth, Liz Gloyn reveals the trends behind how we have used monsters since the 1950s to the present day, and considers why they have remained such a powerful presence in our shared cultural imagination. She presents a new model for interpreting the extraordinary vitality that classical monsters have shown, and their enormous adaptability in finding places to dwell in popular culture without sacrificing their connection to the ancient world. Her argument takes her readers through a comprehensive tour of monsters on film and television, from the much-loved creations of Ray Harryhausen in Clash of the Titans to the monster of the week in Hercules: The Legendary Journeys, before looking in detail at the afterlives of the Medusa and the Minotaur. She develops a broad theory of the ancient monster and its life after antiquity, investigating its relation to gender, genre and space to offer a bold and novel exploration of what keeps drawing us back to these mythical beasts. From the siren to the centaur, all monster lovers will find something to enjoy in this stimulating and accessible book.

This book is the history of an imaginary people — the Red Jews — in vernacular sources from medieval and early modern Germany. From the twelfth to the seventeenth century, German-language texts repeated and embroidered on an antisemitic tale concerning an epochal threat to Christianity, the Red Jews. This term, which expresses a medieval conflation of three separate traditions (the biblical destroyers Gog and Magog, the 'unclean peoples' enclosed by Alexander, and the Ten Lost Tribes of Israel), is a hostile designation of wickedness. The Red Jews played a major role in late medieval popular exegesis and literature, and appeared in a hitherto-unnoticed series of sixteenth-century pamphlets, in which they functioned as the medieval 'spectacles' through which contemporaries viewed such events as Turkish advances in the Near and Middle East. The Red Jews disappear from the sources after 1600, and consequently never found their way into historical scholarship.

'The Antichrist: Curse of Christianity' is a book by the philosopher Friedrich Nietzsche, originally published in 1895. In section 1, Nietzsche expresses his dissatisfaction with modernity, listing his dislikes for the contemporary "lazy peace," "cowardly compromise," "tolerance," and "resignation." This relates to Arthur Schopenhauer's claim that knowledge of the inner nature of the world and life results in "perfect resignation, which is the innermost spirit of Christianity." Nietzsche goes on to say that mankind, out of fear, has bred a weak, sick type of human. He blames Christianity for demonizing strong, higher humans. Pascal, he claims, was an intellectually strong man who was depraved by Christianity's teaching of original sin. Mankind, according to Nietzsche, is corrupt and its highest values are depraved. He asserts that "all the values in which mankind at present summarizes its highest desiderata are decadence values." Mankind is depraved because it has lost its instincts and prefers what is harmful to it.

Refutes the commonly-held perception that Nero should be understood as the Antichrist figure in the Bible, and argues instead that this paradigm was a product of late antiquity. The paradigm's success facilitated its revival in the nineteenth century against the backdrop of the era's fin-de-siècle anxieties and religious controversies.

Typically, the first decade of Friedrich Nietzsche's career is considered a sort of précis to his mature thinking. Yet his philological articles, lectures, and notebooks on Ancient Greek culture and thought - much of which has received insufficient scholarly attention - were never intended to serve as a preparatory ground to future thought. Nietzsche's early scholarship was intended to express his insights into the character of antiquity. Many of those insights are not only important for better understanding Nietzsche; they remain vital for understanding antiquity today. Interdisciplinary in scope and international in perspective, this volume investigates Nietzsche as a scholar of antiquity, offering the first thorough examination of his articles, lectures, notebooks on Ancient Greek culture and thought in English. With eleven original chapters by some of the leading Nietzsche scholars and classicists from around the world and with reproductions of two definitive essays, this book analyzes Nietzsche's scholarly methods and aims, his understanding of antiquity, and his influence on the history of classical studies.