This book is the first complete edition of a hieratic-demotic papyrus preserved to this day in the Kunsthistorisches Museum in Vienna. The papyrus dates back to the middle of the second century B.C. and contains a minute discription of a considerable part of the embalming and burial rites of the Apis, the sacred bull of the Egyptians. The Vienna papyrus is the only authentic document to give a coherent picture of the course of events during the embalming of the holy animal, adding substantially to what we know already from the Serapeum stelae and the classical writers. The book comprises a general introduction, a translation with commentary, an annotated transcription, a glossary, several indexes and photos of the text.

This volume builds bridges between usually-separate social groups, between different methodologies and even between disciplines. It is the result of an innovative conference held at Swansea University in 2010, which brought together leading craftspeople and academics to explore the all-too-often opposed practices of experimental and experiential archaeology. The focus is upon Egyptology, but the volume has a wider importance. The experimental method is privileged in academic institutions and thus perhaps is subject to clear definitions. It tends to be associated with the scientific and technological. In opposition, the experiential is more rarely defined and is usually associated with schoolchildren, museums and heritage centres; it is often criticised for being unscientific. The introductory chapter of this volume examines the development of these traditionally-assumed differences, giving for the first time a critical and careful definition of the experiential in relation to the experimental. The two are seen as points on a continuum with much common ground. This claim is borne out by succeeding chapters, which cover such topics as textiles, woodworking and stoneworking. And Salima Ikram, Professor of Egyptology at the American University in Cairo, here demonstrates remarkably that our understanding of the classic Egyptian funerary practice of mummification benefits from both 'scientific' experimental and sensual experiential approaches. The volume, however, is important not only for Egyptology but for archaeological method more generally. The papers illuminate the pioneering of individuals who founded modern archaeological practice. Several papers are truly groundbreaking and deserve to circulate far beyond Egyptology. Thus the archaeologist Marquardt Lund tackles the problem of understanding the earliest known depictions of flint knife manufacture, those from an Egyptian tomb dated around 1900 BC. He shows the importance of thinking outside 'traditional', i.e. modern, knapping practice. Lund's knapping method, guided by the tomb depictions, is surprising but effective, and very different from that presented in manuals of lithic technology or taught in academic institutions.

The Cannibal Hymn forms a self-standing episode in the ritual anthology that makes up the Pyramid Texts, first appearing in the tomb of Unas at the end of the Fifth Dynasty. Its style and format are characteristic of the oral-recitational poetry of pharaonic Egypt, marked by allusive metaphor and the exploitation of wordplay and homophony in its verbal recreation of a butchery ritual. Christopher Eyre examines the text of the Cannibal Hymn in its performative and cultural context: the detailed mythologization of the sacrificial process in this hymn poses key questions about the nature of rites of passage and rituals of sacrifice in Egypt, and in particular about the mobilization of oral accompaniment to ritual actions.

Ptolemy I, whose epithet was Savior, was in many respects the most successful of all of Alexander the Great's successors. He created the longest lasting of the Hellenistic kingdoms that rose in the aftermath of the great conqueror's death, ending with the death of Cleopatra VII and Egypt's incorporation into the Roman Empire. This book is not a standard biography, but rather an examination of the major issues surrounding Ptolemy's reign, the major controversies and questions surrounding his career and legacy. What were his ultimate ambitions? How did he administer his kingdom? What was his role in the demise of the unified empire created by Alexander? Ptolemy's administration of this foreign land, although privileging colonists from Greece and Macedonia over native Egyptians, maintained a level of political stability in a land with a long history of resisting foreign rule. Each of the key themes discussed in the chapters follows a chronological order so that readers unfamiliar with the life of Ptolemy can follow the narrative. Each chapter includes a discussion of the major academic positions on each issue and an evaluation of the primary historical and archaeological evidence. Ptolemy I Soter: Themes and Issues brings new clarity to the history of one of the chief architects of the Hellenistic Age.

In the midst of academic debates about the utility of the term “magic” and the cultural meaning of ancient words like mageia or khesheph, this Guide to the Study of Ancient Magic seeks to advance the discussion by separating out three topics essential to the very idea of magic. The three major sections of this volume address (1) indigenous terminologies for ambiguous or illicit ritual in antiquity; (2) the ancient texts, manuals, and artifacts commonly designated “magical” or used to represent ancient magic; and (3) a series of contexts, from the written word to materiality itself, to which the term “magic” might usefully pertain. The individual essays in this volume cover most of Mediterranean and Near Eastern antiquity, with essays by both established and emergent scholars of ancient religions. In a burgeoning field of “magic studies” trying both to preserve and to justify critically the category itself, this volume brings new clarity and provocative insights. This will be an indispensable resource to all interested in magic in the Bible and the Ancient Near East, ancient Greece and Rome, Early Christianity and Judaism, Egypt through the Christian period, and also comparative and critical theory. Contributors are: Magali Bailliot, Gideon Bohak, Véronique Dasen, Albert de Jong, Jacco Dieleman, Esther Eidinow, David Frankfurter, Fritz Graf, Yuval Harari, Naomi Janowitz, Sarah Iles Johnston, Roy D. Kotansky, Arpad M. Nagy, Daniel Schwemer, Joseph E. Sanzo, Jacques van der Vliet, Andrew Wilburn.

Pharaoh. Icon. Enigma. Lost for three thousand years, misunderstood for a century. A hundred years ago, a team of archaeologists in the Valley of the Kings made a remarkable discovery: a near-complete royal burial, an ancient mummy, and golden riches beyond imagination. The lost tomb of Tutankhamun ignited a media frenzy, propelled into overdrive by rumours of a deadly ancient curse. But amid the hysteria, many stories - including that of Tutankhamun himself - were distorted or forgotten. Tutankhamun: Pharaoh, Icon, Enigma takes a familiar tale and turns on its head. Leading Egyptologist Joyce Tyldesley has gathered ten unique perspectives together for the first time, including that of the teenage pharaoh and his family, ancient embalmers and tomb robbers, famous Western explorers and forgotten Egyptian archaeologists. It's a journey that spans from ancient Thebes in 1336 BCE, when a young king on a mission to restore his land met an unexpected and violent end, to modern Luxor in 1922 CE when the tomb's discovery led to a fight over ownership that continues to this day. Above all, this is the story of Tutankhamun, as he would have wanted to be remembered. Piecing together three thousand years of evidence and unpicking the misunderstandings that surround Egypt's most famous king, this book offers a vital reappraisal on his life, death and enduring legacy.

First runner-up for the British-Kuwait Friendship Society Book Prize in Middle Eastern Studies 2015. In ancient Egypt, wrapping sacred objects, including mummified bodies, in layers of cloth was a ritual that lay at the core of Egyptian society. Yet in the modern world, attention has focused instead on unwrapping all the careful arrangements of linen textiles the Egyptians had put in place. This book breaks new ground by looking at the significance of textile wrappings in ancient Egypt, and at how their unwrapping has shaped the way we think about the Egyptian past. Wrapping mummified bodies and divine statues in linen reflected the cultural values attached to this textile, with implications for understanding gender, materiality and hierarchy in Egyptian society. Unwrapping mummies and statues similarly reflects the values attached to Egyptian antiquities in the West, where the colonial legacies of archaeology, Egyptology and racial science still influence how Egypt appears in museums and the press. From the tomb of Tutankhamun to the Arab Spring, Unwrapping Ancient Egypt raises critical questions about the deep-seated fascination with this culture – and what that fascination says about our own.

This study presents an articulated historical interpretation of Egyptian ‘animal worship’ from the Early Dynastic to the New Kingdom, and offers a new understanding of its chronological development through a fresh review of pertinent archaeological and textual data.

This book is the first ever edition of an abnormal hieratic business archive from the Louvre of a mortuary priest in 7th century BCE Thebes (Egypt), discussing points of history, law, economics, religion, grammar, chronology and abnormal hieratic palaeography.

This comparative religion book contains a startling perspective of the extraordinary history of the Egyptian religion and its profound influence upon the later Christian faith. The text demonstrates that the popular god Horus and Jesus possessed many characteristics and attributes in common.