The Book of Revelation's legacy of visual imagery is evaluated here, from the 11th century to the end of World War 2 illuminated manuscripts, books, prints and drawings of apocalyptic phases are examined.

The artist and entrepreneur Albrecht Dürer lived in Germany in the early 1500s, when two storms were threatening the Holy Roman Empire. First, Suleiman the Magnificent and his army of Ottoman Turks were expanding from Constantinople to Vienna, the doorstep of Europe. Second, Martin Luther, a German monk and professor, wrote his Ninety-Five Theses identifying corruption within the Roman Catholic Church. This challenged the authority of both Emperor Charles V and Pope Leo X, who responded by accusing Luther of heresy. Albrecht Dürer influenced art and media throughout Europe as strongly as Martin Luther influenced people’s views of life, death, and their relationship with God. Dürer's art and writing reveal how this creative and thoughtful man responded to the changes offered by Luther. Why was Dürer so attracted to Luther’s writings? Why would he risk being accused of being a heretic? Both of these men inspired changes in art, religion, and politics that still underlie the foundation of today’s social structures and Western culture.

Utilizes material from the award-winning Dictionary for Theological Interpretation of the Bible to introduce theological interpretation through a book-by-book survey of the New Testament.

This collection of research explores the interaction of religious awareness and literary expression in English poetry in the late nineteenth and twentieth centuries. Many different types of poetics may be seen to be at work in the period 1875 to 2005, along with various kinds of religious awareness and poetic expression. Religious experience has a crucial influence on literary language, and the latter is renewed by religious culture. The religious dimension has been a decisive factor of modern English poetic expression of the last hundred years or so. The religious and mystical dimension of poetry of the period is borne out by the focus on, among other things, grace and purgation, the tension between time and eternity, redemption and the demands of eschatology, immanence and transcendence, and conversion and martyrdom. Chapters also explore how church practice and ritual, architecture and liturgy, play into the poetry of the period. This volume offers a comprehensive discussion of this important but often overlooked aspect of modern English poetry.

The Book of Revelation has fired the imaginations of theologians, preachers, artists, and ordinary Christians across the centuries. The resulting number of commentaries on the book is enormous, and most studies can only touch upon, at most, a representative sample of this vast literature. As a consequence, many focus largely on the interpretation of the Apocalypse only within specific periods, such as the patristic period or during the Reformation. One result of this severe limitation given the vast literary corpus is how historical interpretations in critical commentaries of the Book of Revelations tend to prioritize authors from the modern period. In The Book of Revelation and Its Interpreters: Short Studies and an Annotated Bibliography, editors Richard Tresley and Ian Boxall fill a significant gap in the scholarly literature. At its heart is an extensive annotated bibliography, covering commentaries on the book up to 1700, including most of the early illuminated Apocalypses. Supporting the presentation of this survey of the historical interpretations of the Book of Revelation is an extended overview of Revelation’s often-colorful reception history by Christopher Rowland, together with a number of short studies on various aspects of the book. These include discussions of specific commentators, such as Sean Michael Ryan’s look at Tyconius and Francis X. Gumerlock exploration of Chromatius of Aquileia, alongside a more general treatment of Revelation’s impact on the figure of John of Patmos in an essay by Ian Boxall and the visual reception of Revelation in Natasha O’Hear’s article. The Book of Revelation and Its Interpreters provides a valuable bibliographical resource for those working in the field of Biblical Studies, history of Christianity, eschatology and apocalyptic studies. The accompanying essays orient the authors recorded in the bibliography within a larger context, offering specific examples of the Apocalypse’s capacity to speak in fresh and often surprising ways to diverse audiences throughout history.

From climate change to nuclear war to the rise of demagogic populists, our world is shaped by doomsday expectations. In this path-breaking book, Alison McQueen shows why three of history's greatest political realists feared apocalyptic politics. Niccol- Machiavelli in the midst of Italy's vicious power struggles, Thomas Hobbes during England's bloody civil war, and Hans Morgenthau at the dawn of the thermonuclear age all saw the temptation to prophesy the end of days. Each engaged in subtle and surprising strategies to oppose apocalypticism, from using its own rhetoric to neutralize its worst effects to insisting on a clear-eyed, tragic acceptance of the human condition. Scholarly yet accessible, this book is at once an ambitious contribution to the history of political thought and a work that speaks to our times.

This groundbreaking reference tool introduces key names, theories, and concepts for interpreting Scripture.

Apocalyptic themes have formed a significant part of the Jewish and Christian religions. This is becoming more widely recognized, but it is the pervasiveness of such themes in art, literature and history which contributes most to this collection of essays, moving from the study of biblical apocalyptic to its role in wider culture. The interest in apocalypticism which was prompted by the turn of the millennium should not be a temporary phase in intellectual life since, as these essays indicate, the wide influence of apocalypticism deserves a central place in theological and historical study.

This set of eight volumes presents the reader with selected primary texts in the genre now generally known as future fiction. The chosen texts are designed to explore the dominant characteristics of the genre and examine how it changed over the 18th and 19th centuries.

An illustrated quarterly.