During the Middle Ages, the Apocalypse, or Book of Revelation, was believed to contain both the grand design of sacred history and the disguised history of the Present and future. In The Apocalyptic Imagination in Medieval Literature, Richard K. Emmerson and Ronald B. Herzman explore die pervasiveness of apocalypticism in medieval literature through close readings of a group of major texts not generally considered from an apocalyptic perspective. Emmerson and Herzman present a new reading of Bonaventure's Major Life of Francis of Assisi, a key document in the Franciscan tradition. In their examination of the Romance of the Rose, they argue that allegorical romance takes a surprising turn toward contemporary social criticism, a criticism informed by a sophisticated and subtle use of the apocalyptic tradition. The authors also contend that while the apocalyptic language of the Divine Comedy is more obvious, its significance has not been systematically studied, and that The Canterbury Tales, all but ignored from an apocalyptic perspective, are infused with significant apocalyptic dimensions. The Apocalyptic Imagination in Medieval Literature offers a broad and comparative focus, and it should be of value not simply to students of medieval literature but to the broader audience of those interested in medieval intellectual history, art history, and religious history as well.

An innovative overview of the influence of the Apocalypse on the shaping of the Christian culture of the Middle Ages.

The study of heresy and heterodoxy and of belief in magic, witchcraft and the devil has in the past 25 years made significant advances in our understanding of art and iconography, ideas, mentality and belief, and ordinary life and popular imagination in the patristic and medieval periods. At the forefront of research into this aspect of medieval intellectual history has been Jeffrey B. Russell, whose numerous books and articles have opened important new paths in the field. To mark his retirement 17 established and emerging scholars from Europe and North America - historians of art, the church, religions, and ideas - have contributed papers on the many areas which Russell has influenced. Topics dealt with include elves, the Christians apocrypha, mysticism, sexuality, heresies and heresiologies, apocalyptic tracts, astrology, hell, and other Christian encounters with non-believers. These essays are offered as tribute to the deep impact that Russel has had on medieval studies. Contributors include: Alan Bernstein, Richard Emmerson, Alberto Ferreiro, Neil Forsyth, Abraham Friessen, Karen Jolly, Henry Ansgar Kelly, Richard Kieckhefer, Beverly M. Kienzle, Garry Macy, Bernard McGinn, Edward Peters, Cheryl Rigs, Larry J. Simon, Laura Smoller, Catherine B. Tkacz, and John Tolan.

This work examines a centuries-long intellectual tradition in the early Latin church linking the imagery associated with the opening of the Seven Seals of the Apocalypse with programs of ecclesiastical expansion and ascetic reform.

The attack on the World Trade Center in 2001, followed by similarly dreadful acts of terror, prompted a new interest in the field of the apocalyptic. There is a steady output of literature on the subject (also referred to as “the End Times.) This book analyzes this continuously published literature and opens up a new perspective on these views of the apocalypse. The thirteen essays in this volume focus on the dimensions, consequences and transformations of Apocalypticism. The authors explore the everyday relevance of the apocalyptic in contemporary society, culture, and politics, side by side with the various histories of apocalyptic ideas and movements. In particular, they seek to better understand the ways in which perceptions of the apocalypse diverge in the American, European, and Arab worlds. Leading experts in the field re-evaluate some of the traditional views on the apocalypse in light of recent political and cultural events, and, go beyond empirical facts to reconsider the potential of the apocalyptic. This last point is the focal point of the book.

Babylon under Western Eyes examines the mythic legacy of ancient Babylon, the Near Eastern city which has served western culture as a metaphor for power, luxury, and exotic magnificence for more than two thousand years. Sifting through the many references to Babylon in biblical, classical, medieval, and modern texts, Andrew Scheil uses Babylon's remarkable literary ubiquity as the foundation for a thorough analysis of the dynamics of adaptation and allusion in western literature. Touching on everything from Old English poetry to the contemporary apocalyptic fiction of the "Left Behind" series, Scheil outlines how medieval Christian society and its cultural successors have adopted Babylon as a political metaphor, a degenerate archetype, and a place associated with the sublime. Combining remarkable erudition with a clear and accessible style, Babylon under Western Eyes is the first comprehensive examination of Babylon's significance within the pantheon of western literature and a testimonial to the continuing influence of biblical, classical, and medieval paradigms in modern culture.

While poets have traditionally inhabited cultural margins, prophets have brought poetic language to the center of cultural debate, not foretelling the future so much as diagnosing the present. This exciting collection of nine essays examines the range of social and political implications that inflects poetic discourse, from the Old English and Latin texts of the Anglo-Saxon world to the Scotland and England of the Renaissance. Whether saints' lives, Germanic heroic epics, chronicles, or satiric poems, the works discussed in this book retain their verbal power, if not their political influence, into our own time.

"The book addresses a hot topic, using a source that has nowhere been given the attention it deserves. The arguments are subtle, persuasive, and frequently brilliant. It will appeal to a wide reading public—those interested in Jewish history, medieval art history, and the history of France."—William C. Jordan, author of The Great Famine

Dante, Eschatology, and the Christian Tradition honors Ronald B. Herzman, SUNY Geneseo Distinguished Teaching Professor of English. Over more than fifty years Professor Herzman has been a major force in the promotion of medieval studies within academe and public humanities. This volume of essays by his colleagues, students, and friends celebrates Professor Herzman’s outstanding career and reflects the wide range of his scholarly and pedagogical influence, from biblical and early Christian topics to Dante, Langland, and Shakespeare.

Available for the first time in paperback, this essential resource presents a systematic introduction to Dante's life and works, his cultural context and intellectual legacy. The only such work available in English, this Encyclopedia: brings together contemporary theories on Dante, summarizing them in clear and vivid prose provides in-depth discussions of the Divine Comedy, looking at title and form, moral structure, allegory and realism, manuscript tradition, and also taking account of the various editions of the work over the centuries contains numerous entries on Dante's other important writings and on the major subjects covered within them addresses connections between Dante and philosophy, theology, poetics, art, psychology, science, and music as well as critical perspective across the ages, from Dante's first critics to the present.