Ken Weber is back with a brand new mystery series, once again testing your sleuthing savvy, daring you to demonstrate your powers of deduction. In forty new stories from the master of five-minute fun, you are the detective, challenged to find the clues hidden in the stories and solve the mystery. And the best part is, you never have to leave your living room. From easy mind teasers for the faint of heart to difficult challenges for the bravest puzzlers, The Armchair Detective #1 will keep you reading long into the night. So recline, relax, and join the ranks of the armchair detectives. Book jacket.

Focusing on crime fiction and films that artfully combine comedy and misdeed, this book explores the reasons writers and filmmakers inject humor into their work and identifies the various comic techniques they use. The author covers both American and European books from the 1930s to the present, by such authors as Rex Stout, Raymond Chandler, Robert B. Parker, Elmore Leonard, Donald E. Westlake, Sue Grafton, Carl Hiaasen and Janet Evanovich, along with films from The Thin Man to the BBC's Sherlock series.

In October 1931, Dick Tracy made his debut on the pages of the Detroit Mirror. Since then America's most famous crime fighter has tangled with a variety of protagonists from locations as diverse as the inner city and outer space, all the time maintaining the moral high ground while reflecting American popular culture. Through extensive research and interviews with Chester Gould (the creator of "Dick Tracy"), his assistants, Dick Locher (the current artist), Max Allan Collins (who scripted the stories for more than 15 years) and many others associated with the strip, Dick Tracy as a cultural icon emerges. The strips use of both innovative and established police methods and the true-to-life portrayals of Tracy's family and fellow cops are detailed. The artists behind the strip are fully revealed and Dick Tracy paraphernalia and the 1990 movie Dick Tracy are discussed. Dick Tracy's appearances in other media--books, comics, radio, movie serials, "B" movies, television dramas, and animated cartoons--are fully covered.

2022 Mystery Writers of America Edgar Award Finalist The author of eighteen spellbinding detective novels set on the Navajo Nation, Tony Hillerman simultaneously transformed a traditional genre and unlocked the mysteries of the Navajo culture to an audience of millions. His best-selling novels added Navajo Tribal Police detectives Joe Leaphorn and Jim Chee to the pantheon of American fictional detectives. Morris offers a balanced portrait of Hillerman’s personal and professional life and provides a timely appreciation of his work. In intimate detail, Morris captures the author’s early years in Depression-era Oklahoma; his near-death experience in World War II; his sixty-year marriage to Marie; his family life, including six children, five of them adopted; his work in the trenches of journalism; his affliction with PTSD and its connection to his enchantment with Navajo spirituality; and his ascension as one of America’s best-known writers of mysteries. Further, Morris uncovers the almost accidental invention of Hillerman’s iconic detective Joe Leaphorn and the circumstances that led to the addition of Jim Chee as his partner. Hillerman’s novels were not without controversy. Morris examines the charges of cultural appropriation leveled at the author toward the end of his life. Yet, for many readers, including many Native Americans, Hillerman deserves critical acclaim for his knowledgeable and sensitive portrayal of Diné (Navajo) history, culture, and identity. At the time of Hillerman’s death, more than 20 million copies of his books were in print, and his novels inspired Robert Redford to adapt several of them to film. In weaving together all the elements of Hillerman’s life, Morris drew on the untapped collection of the author’s papers, extensive archival research, interviews with friends, colleagues, and family, as well as travel in the Navajo Nation. Filled with never-before-told anecdotes and fresh insights, Tony Hillerman will thrill the author’s fans and awaken new interest in his life and literary legacy.

Sherlock Holmes: The Hero With a Thousand Faces ambitiously takes on the task of explaining the continued popularity of Arthur Conan Doyle's famous detective over the course of three centuries. In plays, films, TV shows, and other media, one generation after another has reimagined Holmes as a romantic hero, action hero, gentleman hero, recovering drug addict, weeping social crusader, high-functioning sociopath, and so on. In essence, Sherlock Holmes has become the blank slate upon which we write the heroic formula that best suits our time and place. Volume One looks at the social and cultural environment in which Sherlock Holmes came to fame. Victorian novelists like Anthony Trollope and William Thackeray had pointedly written "novels without a hero," because in their minds any well-ordered and well-mannered society would have no need for heroes or heroic behavior. Unfortunately, this was at odds with a reality in which criminals like Jack the Ripper stalked the streets and people didn't trust the police, who were generally regarded as corrupt and incompetent. Into this gap stepped the world's first consulting detective, an amateur reasoner of some repute by the name of Sherlock Holmes, who shot to fame in the pages of The Strand Magazine in 1891. When Conan Doyle proceeded to kill Holmes off in 1893, it was American playwright, director, and actor William Gillette who brought the character back to life in his 1899 play Sherlock Holmes, creating a sensation on both sides of the Atlantic with his romantic version of Holmes, and cementing his place as the definitive Sherlock Holmes until the late 1930s. By that point, Sherlock Holmes had developed a cult following who facetiously maintained that Holmes was a real person, formed clubs like The Baker Street Irregulars, and introduced the idea of cosplay to the embryonic world of fandom. These well-educated fanboys subsequently became the self-assigned protectors of Sherlock Holmes, anxious that their version of the character not be besmirched or defamed in any way. In spite of this, there was considerable besmirching and defaming to be seen in the early silent films featuring Sherlock Holmes, which effectively turned him into an action hero due to the lack of sound. When sound films took the industry by storm in the late 1920s, there were a numbers of pretenders who reached for the Sherlock Holmes crown, including Clive Brook, Reginald Owen, and Raymond Massey, but it took more than a decade before a new definitive Sherlock Holmes would be crowned in 1939 in the person of Basil Rathbone.

An Annotated Bibliography of the First 300 Publications of the Borgo Press, 1975-1998

The Mystery Fancier, Volume 5 Number 1, January/February 1981, contains: "Spy Series Characters in Hardback, Part VI," by Barry Van Tilburg, "Hunter and Hunted," by Jane S. Bakerman, "The Body in the Library," by Martin Morse Wooster, and "Blame Stephen Sondheim," by E. F. Bleiler.