Since South Africa’s readmission to world cricket in 1991, the Proteas have played in six World Cups (and four World T20 tournaments) and have been knocked out in all of them. The reasons range from the weather and misreading the Duckworth–Lewis table to being outwitted on the field itself. In the most recent tournaments, though, they have shown a scandalous lack of nerve in the pressure-cooker of international knockout cricket. Drawing from interviews with the major protagonists and behind-the-scenes officials, The Art of Losing recreates the drama of these matches. With fresh anecdotes, stories and insights, it also attempts to explain why World Cup failure has become a habit. Does the problem lie with coaching, with communication issues, or with a lack of independent thinking among the players? Is it the product of a pampered professional environment, or of the South African schooling system? The Art of Losing will ruffle feathers but will also attempt to explain the ‘choker’ tag that has become so widespread. Is it fair? The Proteas, after all, win a high proportion of their one-day matches and have some of the best cricketers in the world. Why, then, do they invariably fail to clear that final hurdle?

Winner of the Dublin Literary Award A Best Historical Novel of the Year at The New York Times Book Review "[An] extraordinary achievement." —Liesl Schillinger, The Wall Street Journal Across three generations, three wars, two continents, and the mythic waters of the Mediterranean, one family’s history leads to an inevitable question: What price do our descendants pay for the choices that we make? Naïma knows Algeria only by the artifacts she encounters in her grandparents’ tiny apartment in Normandy: the language her grandmother speaks but Naïma can’t understand, the food her grandmother cooks, and the precious things her grandmother carried when they fled. Naïma’s father claims to remember nothing; he has made himself French. Her grandfather died before he could tell her his side of the story. But now Naïma will travel to Algeria to see for herself what was left behind—including their secrets. The Algerian War for Independence sent Naïma’s grandfather on a journey of his own, from wealthy olive grove owner and respected veteran of the First World War, to refugee spurned as a harki by his fellow Algerians in the transit camps of southern France, to immigrant barely scratching out a living in the north. The long battle against colonial rule broke apart communities, opened deep rifts within families, and saw the whims of those in even temporary power instantly overturn the lives of ordinary people. Where does Naïma’s family fit into this history? How do they fit into France’s future? Alice Zeniter’s The Art of Losing is a powerful, moving family novel that spans three generations across seventy years and two shores of the Mediterranean Sea. It is a resonant people’s history of Algeria and its diaspora. It is a story of how we carry on in the face of loss: loss of country, identity, language, connection. Most of all, it is an immersive, riveting excavation of the inescapable legacies of colonialism, immigration, family, and war.

Just like in my dream, I was drowning and nobody even noticed. Every morning, Carmen Hart pastes on her made-for-TV smile and broadcasts the weather. She’s the Florida panhandle’s favorite meteorologist, married to everyone’s favorite high school football coach. They’re the perfect-looking couple, live in a nice house, and attend church on Sundays. From the outside, she’s a woman who has it all together. But on the inside, Carmen Hart struggles with doubt. She wonders if she made a mistake when she married her husband. She wonders if God is as powerful as she once believed. Sometimes she wonders if He exists at all. After years of secret losses and empty arms, she’s not so sure anymore. Until Carmen’s sister—seventeen year old runaway, Gracie Fisher—steps in and changes everything. Gracie is caught squatting at a boarded-up motel that belongs to Carmen’s aunt, and their mother is off on another one of her benders, which means Carmen has no other option but to take Gracie in. Is it possible for God to use a broken teenager and an abandoned motel to bring a woman’s faith and marriage back to life? Can two half-sisters make each other whole? — Carol Award: Contemporary Fiction Winner

Humans have always sought ecstatic experiences - moments where they go beyond their ordinary self and feel connected to something greater than them. Such moments are fundamental to human flourishing, but they can also be dangerous. Beginning around the Enlightenment, western intellectual culture has written off ecstasy as ignorance or delusion. But philosopher Jules Evans argues that this diminishes our reality and denies us the healing, connection and meaning that ecstasy can bring. He sets out to discover how people find ecstasy in a post-religious culture, how it can be good for us, and also harmful. Along the way, he explores the growing science of ecstasy, to help the reader - and himself - learn the art of losing control. Jules' exploration of ecstasy is an intellectual and emotional odyssey balancing personal experience, interviews and readings from ancient and modern philosophers that will change the way you think about how you feel. From Aristotle and Plato, via the Bishop of London and Sister Bliss, radical jihadis and Silicon Valley transhumanists, The Art of Losing Control is a funny and life-enhancing journey through under-explored terrain.

For the first time ever, science and nutrition have teamed up to create the most technologically advanced and clinically proven method to lose weight and keep it off. JJ Virgin Ph.D., has written the most complete and conclusive guide to nutrition, health, and fitness to date. This book will explain how different foods and activities impact our bodies with over 200+ pages packed with nutritional tips, recipes, exercises, inspiration and a whole lot more! Previously this book was only available to doctors, health care professionals, celebrities, and CEOs, but for the first time ever it is available to the public.

"As the first book-length collection to focus on Elizabeth Bishop, this book has become an essential resource on this poet--now recognized as one of America's greatest artists--whose poetry, as Harold Bloom says in his foreword, stands "at the edge where what is most worth saying is all but impossible to say." The volume includes major essays by David Kalstone, Helen Vendler, and Robert Pinsky, among others; a chronology of short articles and reviews, poems, memoirs, and memorials, many by major poets (among them Bishop's three most notable supporters--Marianne Moore, Robert Lowell, and Randall Jarrell); and an illuminating selection of work by Bishop herself, some of which is unavailable anywhere else." -- Publisher's description.

Culled chiefly from great literary works, this unusual compendium of prose and poetry excerpts highlights the physical and emotional aspects of aging. Although Booth ( The Rhetoric of Fiction ), age 71, includes such cheery banal verse as "I Haven't Lost My Marbles Yet" (Minnie Hodapp), he has tailored this collection to encompass the unpleasant truths about aging. William Butler Yeats's "Sailing to Byzantium" and excerpts from Simone de Beauvoir's The Coming of Age offer realistic assessments of the perils and possible consolations of aging. The thoughtful commentary with which Booth connects the selections reminds readers that physical decay and fear of death are conditions common to us all. This provocative collection braces rather than comforts.

A vivid, intimate, and inspiring exploration of how to write through persona, from the Pulitzer Prize–winning founder of an influential writing school. Throughout his growth as a writer, acclaimed poet Philip Schultz has battled with the dark voice in his head—the “shitbird,” as his late friend the poet Ralph Dickey termed it—that whispers his insecurities and questions his ability to create. Persona writing, a method of borrowing the voice and temperament of accomplished writers, offers him imaginative distance and perspective on his own negative inclinations. In this candid and generous book, Schultz reflects on his early life in an immigrant neighborhood of upstate New York, his first writing experiments inspired by Ernest Hemingway and John Keats, his struggles with dyslexia, and the failures he witnessed in his father’s life and his own. Through surprising, sometimes humorous, and encouraging encounters with the writers who influence him—including Elizabeth Bishop, Joan Didion, and Norman Mailer—as well as moving experiences of loss, Schultz learns how to fashion personas out of pain. Perceptive, enlightening, and profound, Comforts of the Abyss reveals how persona writing can be used as a tool for unlocking a writer’s own story, the philosophy on which Schultz founded The Writers Studio in 1987.

Over seven years, 45 of the world's top investors were given between $25 and $150m to invest by fund manager Lee Freeman-Shor. His instructions were simple. There was only one rule. They could only invest in their ten best ideas to make money. It seemed like a foolproof plan to make a lot of money. What could possibly go wrong? These were some of the greatest minds at work in the markets today - from top European hedge fund managers to Wall Street legends. But most of the investors' great ideas actually lost money. Shockingly, a toss of a coin would have been a better method of choosing whether or not to invest in a stock. Nevertheless, despite being wrong most of the time, many of these investors still ended up making a lot of money. How could they be wrong most of the time and still be profitable? The answer lay in their hidden habits of execution, which until now have only been guessed at from the outside world. This book lays bare those secret habits for the first time, explaining them with real-life data, case studies and stories taken from Freeman-Shor's unique position of managing these investors on a day-to-day basis. A riveting read for investors of every level, this book shows you exactly what to do and what not to do when your big idea is losing or winning - and demonstrates conclusively why the most important thing about investing is always the art of execution.

An expert in the field of finance reveals his proven trading system As a trading coach and financial advisor, Bennett McDowell has used his own proprietary trading system--Applied Reality Trading or ART to enhance the performance of his clients' portfolios. Now McDowell outlines the unique benefits of his system and makes the case for trading the reality--not the fantasy--of financial markets. Readers will discover the importance of simplicity in a trading approach; how to develop "The Trader's Mindset;" how to use ART(r) technical analysis software; and much more. The ART of Trading will enlighten readers in how to use reality to enrich both their financial portfolio and their own financial psychology.