Experts in the art of stealing time, Travellers live on the edge of both mortal and immortal realms. But a few fight their outlaw instincts.… Gwenhwyfar Byron Owens learned everything she knows about potions and spells from her two Wiccan moms, who are forbidden by Otherworld laws from teaching magic to mortals. But when their latest transgression results in the kidnapping of a mortal woman, Gwen figures the only place to hide them all is in Anwyn, the Welsh afterlife.… But Gregory Faa—a member of the Watch—is hot on their heels. A Traveller who has stolen time, he’s eager to prove himself worthy of the Watch, only he has a past with the dark-eyed Welsh beauty he’s been charged with bringing to justice. He’s tempted to just let Gwen disappear into Anwyn, until he realizes that she’s being pursued by a squad of goons and death’s minions. Gwen is used to taking care of her moms and herself, so she can’t give in to her heart’s demand to trust Gregory, despite the fact that he’s as handsome as the day is long—and the days in Anwyn can last centuries…

A thief like no other is about to steal Alan Dubain's heart... Shining star of the Moghul empire, diplomat in the court of William VI, and secretly devoted to the cause of undermining both, Alan Dubain is better known to most people as Prince Akbar, a bloodthirsty warlord whose very name brings dread. But when Alan suddenly finds the sister of Akbar's most hated enemy, he realizes his carefully crafted double life is about to be turned upside-down. Hallie Norris may have grown up in a normal world, but now she's in a reality where it's increasingly evident she's out of place. As a cancer survivor who is no stranger to battles, Hallie decides to take matters in her own hands, and goes on a mission to locate the biggest, baddest, and most respected fighter she can find to convince him to train her...and there's no one badder than the infamous Prince Akbar. With revolutionaries, an emperor, and Alan's own father demanding their respective heads on platters, Hallie and Alan learn that love can bloom in the hearts of even the deadliest of enemies.

This is the first ever compilation on Internet television and provides details of 405 programs from 1998 to 2013. Each entry contains the storyline, descriptive episode listings, cast and crew lists, the official website and comments. An index of personnel and programs concludes the book. From Barry the Demon Hunter to Time Traveling Lesbian to Hamilton Carver, Zombie P.I., it is a previously undocumented entertainment medium that is just now coming into focus. Forty-eight photos accompany the text.

In 1994 two important paintings by J.M.W. Turner—then valued at twenty-four million pounds—were stolen from a German public gallery while on loan from Tate Britain. In this vivid, personal account, Sandy Nairne who was then Director of Programmes at the Tate and became centrally involved in the pursuit of the paintings and the negotiations for their return, retells this complex, 8-year, cloak-and-dagger story, which finally concluded in 2002 with the pictures returning to public display at the Tate. In addition to this thrilling narrative, Nairne unravels stories of other high-value art thefts, puzzling what motivates a thief to steal a well-known work of art that cannot be sold, even on the black market. Nairne also examines the role of art theft within the larger underworld of international looting and illicit deals among art and antique collectors. The art heist, of course, is a popular theme of crime novels and films, and Nairne considers these depictions as well, investigating the imaginative construction of the art thief, the specialist detective, and the mysterious collector. Art Theft and the Case of the Stolen Turners is a compelling, real-life detective story that will keep both art and mystery lovers eagerly turning pages.

In the world of law enforcement art and antiquity crime has in the past usually assumed a place of low interest and priority. That situation has now slowly begun to change on both the local and international level as criminals, encouraged in part by the record sums now being paid for art treasures, are now seeking to exploit the art market more systematically by means of theft, fraud and looting. In this collection academics and practitioners from Australasia, Europe and North America combine to examine the challenges presented to the criminal justice system by these developments. Best practice methods of detecting, investigating, prosecuting and preventing such crimes are explored. This book will be of interest and use to academics and practitioners alike in the areas of law, crime and justice.

Anthony M. Amore and Tom Mashberg's Stealing Rembrandts is a spellbinding journey into the high-stakes world of art theft Today, art theft is one of the most profitable criminal enterprises in the world, exceeding $6 billion in losses to galleries and art collectors annually. And the masterpieces of Rembrandt van Rijn are some of the most frequently targeted. In Stealing Rembrandts, art security expert Anthony M. Amore and award-winning investigative reporter Tom Mashberg reveal the actors behind the major Rembrandt heists in the last century. Through thefts around the world - from Stockholm to Boston, Worcester to Ohio - the authors track daring entries and escapes from the world's most renowned museums. There are robbers who coolly walk off with multimillion dollar paintings; self-styled art experts who fall in love with the Dutch master and desire to own his art at all costs; and international criminal masterminds who don't hesitate to resort to violence. They also show how museums are thwarted in their ability to pursue the thieves - even going so far as to conduct investigations on their own, far away from the maddening crowd of police intervention, sparing no expense to save the priceless masterpieces. Stealing Rembrandts is an exhilarating, one-of-a-kind look at the black market of art theft, and how it compromises some of the greatest treasures the world has ever known.

The author of this enthralling book aims to present a well-illustrated and documented alternative history of the Western World through graphic accounts of looting and art theft from the time of Sargon, ruler of Syria in 721 BC, to the present day. Almost all the principal players included appear on the stage of World history and many of them are known as conquerors, confiscators (the old-fashioned word for looters) and ruthless administrators of the regions they created as a result of their conquests. Featured here are emperors, kings, queens, popes, adventurers, explorers and those whose energies and expertise supported the greed and acquisitive ambitions of their masters. The different motivation of the greatest looters in history is a recurrent theme which is examined throughout.

The Art of Multiprocessor Programming promises to be the first comprehensive presentation of the principles and tools available for programming multiprocessor machines. As the computer industry changes from single-processor to multiprocessor architectures, this revolution requires a fundamental change in how programs are written. To leverage the performance and power of multiprocessor programming, also known as multicore programming, programmers need to learn the new principles, algorithms, and tools. The book will be of immediate use to programmers working with the new architectures. For example, the next generation of computer game consoles will all be multiprocessor-based, and the game industry is currently struggling to understand how to address the programming challenges presented by these machines. This change in the industry is so fundamental that it is certain to require a significant response by universities, and courses on multicore programming will become a staple of computer science curriculums. This book includes fully-developed Java examples detailing data structures, synchronization techniques, transactional memory, and more. Students in multiprocessor and multicore programming courses and engineers working with multiprocessor and multicore systems will find this book quite useful. The book on multicore programming, the new paradigm of computer science Written by the world's most revered experts in multiprocessor programming and performance Includes examples, models, exercises, PowerPoint slides, and sample Java programs

When compared to terrorism, drugs and violent crimes that occupy the news today art is not considered as important. But, as it turns out, art and cultural crime is currently ranked as the third-largest criminal enterprise in the world. What exactly is art crime? Why does art matter? And what is law enforcement doing to prevent this crime today? Due to the misleading portrayal of art crime in the entertainment industry people have the flawed belief that art and cultural crime doesn’t damage anyone in a direct way. And the truth of the matter is that this crime results in the loss of billions of dollars annually. Art and cultural crime is not simply focused on museums or private displays, the loss of art directly affects our cultural identity and history. Napoleon moved from one region to the next collecting art and sending as much as possible back to France. The Nazis looted cultural property from every territory they occupied. And there have been various cases of ISIL and ISIS destroying archaeological sites as a method of destroying any evidence of past culture or history that disagree with their own. With the United States being the largest market for both legal and illicit artwork in the world more preventative attention from law enforcement and security is needed for our country to meet international standards and end detrimental art crimes. In Stealing History, Colleen Clarke and Eli J. Szydlo look at the history behind art crime, how these crimes have grown over the last half century, and what law enforcement has been involved in protecting the world from these crimes.