A Must-Read: Vogue, Nylon, Chicago Review of Books, Literary Hub, Frieze, The Millions, Publishers Weekly, InsideHook, The Next Big Idea Club, “[Lauren] Elkin is a stylish, determined provocateur . . . Sharp and cool . . . [Art Monsters is] exemplary. It describes a whole way to live, worthy of secret admiration.” —Maggie Lange, The Washington Post “Destined to become a new classic . . . Elkin shatters the truisms that have evolved around feminist thought.” —Chris Kraus, author of I Love Dick and After Kathy Acker: A Literary Biography What kind of art does a monster make? And what if monster is a verb? Noun or a verb, the idea is a dare: to overwhelm limits, to invent our own definitions of beauty. In this dazzlingly original reassessment of women’s stories, bodies, and art, Lauren Elkin—the celebrated author of Flâneuse—explores the ways in which feminist artists have taken up the challenge of their work and how they not only react against the patriarchy but redefine their own aesthetic aims. How do we tell the truth about our experiences as bodies? What is the language, what are the materials, that we need to transcribe them? And what are the unique questions facing those engaged with female bodies, queer bodies, sick bodies, racialized bodies? Encompassing a rich genealogy of work across the literary and artistic landscape, Elkin makes daring links between disparate points of reference—among them Julia Margaret Cameron’s photography, Kara Walker’s silhouettes, Vanessa Bell’s portraits, Eva Hesse’s rope sculptures, Carolee Schneemann’s body art, Theresa Hak Kyung Cha’s trilingual masterpiece DICTEE—and steps into the tradition of cultural criticism established by Susan Sontag, Hélène Cixous, and Maggie Nelson. An erudite, potent examination of beauty and excess, sentiment and touch, the personal and the political, the ambiguous and the opaque, Art Monsters is a radical intervention that forces us to consider how the idea of the art monster might transform the way we imagine—and enact—our lives.

Subjects Barbarian, Monstrous, and Wild responds to a contemporary political climate in which historically invested figures of otherness—barbarians, savages, monsters—have become common discursive currency. Through questionable historical comparisons, politicians and journalists evoke barbaric or primitive forces threatening civilization in order to exacerbate the fear of others, diagnose civilizational decline, or feed nostalgic restorative projects. These evocations often demand that forms of oppression, discrimination, and violence be continued or renewed. In this context, the collected essays explore the dispossessing effects of these figures but also their capacities for reimagining subjectivity, agency, and resistance to contemporary forms of power. Emphasizing intersections of the aesthetic and the political, these essays read canonical works alongside contemporary literature, film, art, music, and protest cultures. They interrogate the violent histories but also the subversive potentials of figures barbarous, monstrous, or wild, while illustrating the risks in affirmative resignifications or new mobilizations. Contributors: Sophie van den Bergh, Maria Boletsi, Siebe Bluijs, Giulia Champion, Cui Chen, Tom Curran, Andries Hiskes, Tyler Sage, Cansu Soyupak, Ruby de Vos, Mareen Will

Why do people choose the life of an artist, and what happens when they find themselves barely scraping by? Why does New York City, even in an era of hypergentrification, still beckon to aspiring artists as a place to make art and remake yourself? Art Monster takes readers to the margins of the professional art world, populated by unseen artists who make a living working behind the scenes in galleries and museums while making their own art to little acclaim. Writing in a style that is by turns direct and poetic, personal and lyrical, Marin Kosut reflects on the experience of dedicating your life to art and how the art world can crush you. She examines the push toward professionalization, the devaluing of artistic labor, and the devastating effects of gentrification on cultural life. Her nonlinear essays are linked by central themes—community, nostalgia, precarity, alienation, estrangement—that punctuate working artists’ lives. The book draws from ten years of fieldwork among artists and Kosut’s own experiences curating and cofounding artist-run spaces in Bushwick, Bedford-Stuyvesant, and Chinatown. At once ethnography, memoir, tirade, and love letter, Art Monster is a street-level meditation on the predicament of artists in the late capitalist metropolis.

It’s an all-new thrilling adventure about growing up and facing your fears in Monsters Take Manhattan, the second novel in the Monster Club series from the creative minds of Darren Aronofsky, Ari Handel, and Lance Rubin. Ever since Eric “Doodles” King and his friends saved Coney Island from Crumple Monster and its minions, Eric’s life has been changing faster than he ever expected. His parents’ divorce has gone through, his mom has moved to a deluxe apartment in Manhattan, and now she’s making him start all over at a fancy new private school. Suddenly, Eric’s trapped between two worlds – his old Coney Island friends and the rich, cool kids at his new school who treat him like a celebrity. At least, Eric thinks, his days of epic monster battles are behind him. But what he doesn’t realize is that the magic mermaid ink that brought his drawings to life hasn’t been destroyed like he thought. Quite the opposite, King Neptune has found a way to take the last remaining drops to create a new class of creatures perfectly designed to put New York City right back where it belongs – underwater. Now it’s up to Eric to rally Monster Club again and find a way to bring back Brickman, Bellybeast, Skelegurl, DecaSpyder, and RoboKillz so they can stop Neptune before it’s too late. Monster Club: Monsters Take Manhattan is the second epic, heart-pounding adventure from award-winning screenwriter, director, and author Darren Aronofsky, Ari Handel, and Lance Rubin.

This book aims to study the representation of motherhood in self-life writing by English-speaking authors. It highlights the particular issues women writers are faced with when they try to combine their vocation as artists with their duties to their children. For those women who claim their right to be both mothers and writers, several cultural myths need to be taken down, chief among which is the representations that we have of what being an artist should be like, as well as the role a mother should have towards her children. This book looks at self-life writing by women from English-speaking countries to reveal the common themes and tropes which recur in texts written on the subject of motherhood, by looking at them from both a literary and a cultural perspective. It also aims to demonstrate that a new generation of women writers is taking up the subject and forging a new literary tradition.

List of British localities where remains of the mammoth have been discovered p. [258]-260.

Vol. for 1867 includes Illustrated catalogue of the Paris Universal Exhibition.

To all those with a taste for adventure…come explore the previously undiscovered regions of the Inkwell Isles! Get transported back once again to the classic rubber hose cartoons of the 1930s animation with an art book celebrating the newest addition to the acclaimed platformer, Cuphead…The Delicious Last Course! Take a gander at the celebrated expansion’s traditional hand-drawn frame-by-frame animation and peek at the early concepts, production work, and unused ideas that went into the making of The Delicious Last Course’s new characters, bosses, and stages! Relive the most cherished and challenging moments of Cuphead and Mugman’s adventure with their new pal Ms. Chalice, all in a way you’ve never seen before! Dark Horse Books and Studio MDHR are thrilled to present The Art of Cuphead: The Delicious Last Course! This vintage-style art extravaganza is the perfect book for fans of Cuphead!