This book explores the range and dynamism of contemporary Asian cinemas, covering East Asia (China, Japan, South Korea, Hong Kong, Taiwan), Southeast Asia (Thailand, Singapore, Malaysia), South Asia (Bollywood), and West Asia (Iran), in order to discover what is common about them and to engender a theory or concept of "Asian Cinema". It goes beyond existing work which provides a field survey of Asian cinema, probing more deeply into the field of Asian Cinema, arguing that Asian Cinema constitutes a separate pedagogical subject, and putting forward an alternative cinematic paradigm. The book covers "styles", including the works of classical Asian Cinema masters, and specific genres such as horror films, and Bollywood and Anime, two very popular modes of Asian Cinema; "spaces", including artistic use of space and perspective in Chinese cinema, geographic and personal space in Iranian cinema, the private "erotic space" of films from South Korea and Thailand, and the persistence of the family unit in the urban spaces of Asian big cities in many Asian films; and "concepts" such as Pan-Asianism, Orientalism, Nationalism and Third Cinema. The rise of Asian nations on the world stage has been coupled with a growing interest, both inside and outside Asia, of Asian culture, of which film is increasingly an indispensable component – this book provides a rich, insightful overview of what exactly constitutes Asian Cinema.

Presenting an authoritative assessment of contemporary Asian cinema, this work describes the cultural aspects of popular film production, analyzing key films in the context of the national, the regional and the global.

In 1997, a group of film industry stalwarts, including Hrishikesh Mukherjee, Shyam Benegal and Ramesh Sippy, founded the Mumbai Academy of Moving Image as a not-for-profit trust to organize an annual international film festival which the film industry and the country can be proud of. Since then, the festival has had its ups and downs. There were days of glory with guests like Oliver Stone, Asghar Farhadi and Jane Campion, but it nearly shut down in 2014 because the main sponsors pulled out (which is when the current team stepped in). Its survival is a testament to our love for cinema. As MAMI celebrates twenty years, this book looks at its storied history and is a tribute to the passion which has made this festival what it is.

This book examines the contemporary history, culture, and social relationships that form the fundamental issues confronted by Asians in America today. Comprehensive, yet concise, it focuses on abroad range of issues, and features a unique comparative approach that analyzes how race, class, and gender intersect throughout the contemporary Asian American experience. Chapter topics cover the history of Asians in America; emerging communities, changing realities; Asian Americans and educational opportunity; workplace issues; anti-Asian violence; Asian Americans and the media; Asian American families and identities; and political empowerment. For anyone interested in an understanding and awareness beyond the simplistic stereotype of the "model minority"-through the exposure to important concerns of Asian American groups and communities.

Lists and describes Internet resources on subjects ranging from agriculture to zoology, pointing out those that are useful, bizarre, or otherwise noteworthy.

A fan's guide to the weirdest, scariest films from Asian masters.