By the spring of 1964, Toronto had the largest and most organized Beatles fan base in North America. The Beatles in Canada: The Origins of Beatlemania! finally tells the true story of how The Beatles’ music and popularity began in Canada a full year before they landed in the U.S.A. Piers Hemmingsen provides a concise look at how radio stations, newspapers and television networks in Canada covered the phenomenon that was Beatlemania, and this digital edition is packed with full-colour images of the band, their travels, those they inspired, and an immense hoard of memorabilia gathered along the way. ’After all these years, I still cannot comprehend where Piers gets his energy supply from. He has written four previous books about The Beatles and discovered an appreciative readership for all of them. However, to me this book, the one you are holding, is his breakthrough. Where it could have been an easy exercise with new information about the Fab Four, Piers has taken one large step forward. He is also able to incorporate the beginnings of the Canadian music industry. Through mainly focusing on one record company he has been able to capture the excitement of a young industry finding its way, competing with the giants in the United States.' – Paul White, Capitol Records of Canada, 1957-1978

RUNAWAY is a fascinating account of the life and music of 60s rock star Del Shannon. From humble beginnings in the rural Midwest, this bar band guitarist rocketed to overnight superstar status when his first big hit clinched the #1 spot on the American Billboard charts, resulting in an international hit in over 20 other countries during the year 1961. Del Shannon soon followed up “Runaway” with more hits, including “Hats Off To Larry,” “So Long Baby,” “Hey! Little Girl,” “The Swiss Maid,” “Little Town Flirt,” “Two Kinds of Teardrops,” “Handy Man,” “Do You Wanna Dance,” “Keep Searchin’,” and “Stranger In Town.” Shannon was the first American artist to cover a Beatles song in “From Me To You.” In the late 60s and early 70s, he shifted his focus into production, launching the career of country artist Johnny Carver, discovering a group called Smith that saw a #3 hit with a Shannon-Smith arrangement of “Baby It’s You,” and produced fellow contemporary Brian Hyland’s Top 5 hit “Gypsy Woman.” Del worked with Jeff Lynne and Dave Edmunds in the 70s, with Tom Petty seeking him out to produce Shannon’s comeback album in 1981, resulting in a #33 hit “Sea of Love” in America.

Winner of the 2022 Open Publication Prize by the International Association for the Study of Popular Music (IASPM-ANZ) A Women's History of the Beatles is the first book to offer a detailed presentation of the band's social and cultural impact as understood through the experiences and lives of women. Drawing on a mix of interviews, archival research, textual analysis, and autoethnography, this scholarly work depicts how the Beatles have profoundly shaped and enriched the lives of women, while also reexamining key, influential female figures within the group's history. Organized topically based on key themes important to the Beatles story, each chapter uncovers the varied and multifaceted relationships women have had with the band, whether face-to-face and intimately or parasocially through mediated, popular culture. Set within a socio-historical context that charts changing gender norms since the early 1960s, these narratives consider how the Beatles have affected women's lives across three generations. Providing a fresh perspective of a well-known tale, this is a cultural history that moves far beyond the screams of Beatlemania to offer a more comprehensive understanding of what the now iconic band has meant to women over the course of six decades.

Us and Them chronicles the depth to which Canada and Canadians were part of The Beatles’ story—their formation, growth and break up. Entertaining and well researched, Us and Them places John, Paul, George and Ringo as a band and as solo artists in a uniquely Canadian setting; it blends rich stories, facts, analysis, and even dabbles in several plausible but little known accounts that create a new ripple in The Beatles’ history. After consuming Us and Them, readers will never again listen to albums Sgt. Pepper’s Lonely Hearts Club Band and the White Album, or singles “Come Together”, “Give Peace a Chance”, “All Things Must Pass”, “Imagine” and “Mull of Kintyre” without thinking about these masterworks in a Canadian context. Us and Them is a thorough account of the Fab Four's relationship with Canada, filling an important gap in their narrative and discography.

The music world exploded into Technicolor on February 9, 1964, when the Beatles appeared on the Ed Sullivan Show and ignited the music phenomenon dubbed “The British Invasion”. In the weeks and months to come, hundreds, perhaps thousands, of Ottawa teenagers put away their hockey sticks and picked up guitars, starting up bands in basements and garages, with visions of screaming girls and stardom dancing in their heads. For some, that dream came true, in packed High School Gymnasiums, Church basements, bowling alleys and every other venue they could find. Groups were working three or four nights a week on both sides of the Ottawa River. The Esquires, The Staccatos, The Townsmen, Don Norman and the Other Four and many others cut records that were as good as anything coming out of Britain or the States. DJ's Gord Atkinson, Nelson Davis and Al "Pussycat" Pascal make them stars by playing their records. Sandy Gardiner followed their exploits in his weekly "teen" column in the Ottawa Journal, and we checked out the weekly "Swing Set" to get the lowdown on the newest groups. From the day Elvis Presley came to town in 1957, to the release of The Five Man Electrical Band’s mega-hit “Signs”, we relive those memories with the bands, the clubs, the concerts and the colorful cast of characters who made it happen. Pull back the curtain on the magic of "Ottawa’s Golden Age of Rock and Roll”,

Refreshing and insightful, Beatlemania offers a deeper understanding the days of the Fab Four and the band's long-term effects on the business and culture of pop music.

When The Beatles arrived in postwar America, Beatlemania swept the nation as hysterical girls flocked to the band and young men grew out their hair. In this book Andrew Hunt explores this wildly enthusiastic fandom from the bottom-up. Showcasing oral histories, fan magazines, club newsletters, newspapers and personal memoirs, he uncovers The Beatles' fan culture from the perspective of Beatlemaniacs, Beatlephobes and ordinary Americans to understand the impact it had on society at large. Offering a cultural history from below, Beatlemania in America highlights previously neglected voices of fans, critics, parents, teachers and politicians. It contextualises the Beatles fandom against a wider, global perspective of changing cultures and shows how this band was part of a wider shift of social change. It delves into who Beatles fans were and shows how their collective voice gave them power. Exploring themes of gender and race in this turbulent and tumultuous era of American history, it highlights the social issues and debates provoked by this subculture which foreshadowed the arrival of an increasingly polarized society.

Rock and roll was born in the United States during the 1950s. Its popularity rapidly grew, spreading across the Atlantic to England. The Brits transformed rock, bringing it back to the States in a new form with the British Invasion. Since that time, the two countries have dominated headlines and histories, in terms of rock music. What's often forgotten in these histories is the evolution of Canadian rock and roll during the same period. Over the years, a huge contingent of Canadian artists has made invaluable contributions to rock and roll. The list of innovative Canadian artists is quite impressive: Neil Young, Joni Mitchell, Paul Anka, Arcade Fire, The Band, Bryan Adams, Rush, Leonard Cohen, Celine Dion, Diana Krall, Gordon Lightfoot, Sarah McLachlan, Alanis Morissette, Tegan and Sara, Feist, Nickelback, and many others, not to mention the all-star producers, such as Daniel Lanois (U2, Bob Dylan, Peter Gabriel), Bob Rock (Metallica, Aerosmith, Bon Jovi), Bob Ezrin (Pink Floyd, Alice Cooper, Kiss), and David Foster (Michael Jackson, Celine Dion). The history of Canadian rock and roll is a lively, entertaining, and largely untold tale. Bob Mersereau presents a streamlined, informative trip through the country's rich history and depth of talent, from the 1950s to today, covering such topics as: Toronto's club scene, the folk rock and psychedelic rock of the 1960s, Canadian artists who hit major stardom in the United States, the challenges and reform of the Canadian broadcasting system, the huge hits of the 1970s, Canadian artists' presence all over the pop charts in the 1990s, and Canada's indie-rock renaissance of the 2000s.

More than 50 years after their breakup, the Beatles are still attracting fans from various generations, all while retaining their original fan base from the 1960s. Why have those first-generation fans continued following the Beatles and are now introducing their grandchildren to the group? Why are current teens affected by the band's music? And perhaps most importantly, how and why do the Beatles continue to resonate with successive generations? Unlike other bands of their era, the Beatles seem permanently frozen in time, having never descended into "nostalgia act" territory. Instead, even after the announcement of the band's breakup in 1970, the group has maintained its cultural and musical relevance. Their timeless quality appeals to younger generations while maintaining the loyalty of older fans. While the Beatles indeed represent a specific time period, their music and words address issues as meaningful today as they were during the Summer of Love: politics, war, sex, drugs, art, and creative liberation. As the first anthology to assess the nature of fan response and the band's enduring appeal, Fandom and the Beatles: The Act You've Known for All These Years defines and explores these unique qualities and the key ways in which this particular pop fusion has inspired such loyalty and multigenerational popularity.

An answered prayer for Beatles fans and collectors, the first ­volume of a unique work that exhaustively chronicles all known and ­available Beatles recordings! Have you ever watched a Beatles film clip and wondered: • Where was that filmed? • Is any more of that footage available? Have you ever heard a Beatles interview and asked: • When was that taped? • Where’s the best place to find the complete recording? Way Beyond Compare has the answers to these and thousands of similar questions. It’s the key to unlocking the secrets behind every known Beatles recording in circulation through 1965, telling you where to find them, what makes them unique, and how they fit within the context of the Beatles’ amazing musical and cultural journey. Author John C. Winn has spent twenty years (twice as long as the Beatles were together!) ­sifting through, scrutinizing, organizing, and analyzing hundreds of hours of audio and video recordings—and putting them into a digestible chronological framework for Way Beyond Compare and its companion volume, That Magic Feeling: The Beatles’ Recorded Legacy, Volume Two, 1966–1970. “It takes a rare and special kind of mind to sift through it all, to research and enquire, catalogue and chronicle, assess and contrast, identify and label, and to fit all the myriad pieces into the vast jigsaw puzzle that is the Beatles’ career. John C. Winn is that person, and he’s done it with a rare skill and intelligence.” —Mark Lewisohn