Why must beauty be seen as a binary that is either oppressive or empowering for women? The Beauty Paradox: Femininity in the Age of Selfies argues that women’s experiences of beauty as both validating and belittling is grounded in the contradictory injunctions that they receive regarding their participation in beauty culture. Piazzesi identifies the four main paradoxes of Western beauty culture: the worth paradox, the authenticity paradox, the power paradox, and the commitment paradox and examines how they trail women’s everyday experiences, choices, and reflections regarding beauty. She examines the role of beauty in women’s everyday lives and in a variety of contexts: informal social encounters, work and career settings, parenting, intergenerational relationships, self-care, and online networking practices. The author broadens the current discourse on beauty with an emphasis on the digital world, primarily the use of selfies.

Verse is a seminal introduction to prosody for any student learning to read or write poetry, from secondary to graduate school. Discusses iambic pentameter and other kinds of metrical verse, scansion, rhythm and rhyme, free verse, song, and advanced topics such as poetic meter, linguistic approaches to verse, and the computer scansion of metrical poetry Written in a clear, engaging style by a poet and teacher with more than 30 years of experience teaching the subject Supplemented by a user-friendly website with student exercises and additional resources

The changing nature of waged work in contemporary advanced industrial nations is one of the most significant aspects of political and economic debate. It is also the subject of intense debate among observers of gender. Capital Culture explores these changes focusing particularly on the gender relations between the men and women who work in the financial services sector. The multiple ways in which masculinities and femininities are constructed is revealed through the analysis of interviews with dealers, traders, analysts and corporate financiers. Drawing on a range of disciplinary approaches, the various ways in which gender segregation is established and maintained is explored. In fascinating detail, the everyday experiences of men and women working in a range of jobs and in different spaces, from the dealing rooms to the boardrooms, are examined. This volume is unique in focusing on men as well as women, showing that for men too there are multiple ways of doing gender at work.

Melanie Harris argues that African American women make unique contributions to the environmental justice movement in the ways that they theologize, theorize, practice spiritual activism, and come into religious understandings about their relationship with the earth. This unique text stands at the intersection of several academic disciplines: womanist theology, eco-theology, spirituality, and theological aesthetics.

To Begin Again signals the arrival of an important new voice. In words that are as wise as they are comforting and as universal as they are specific, Rabbi Naomi Levy tells us how to survive, emotionally and spiritually, when we feel overwhelmed by grief, loss, or life itself. Her book provides a safe harbor where we can begin to reconstitute our lives. Where do we find the strength to rebuild our lives after difficult times? Is it possible to recapture our hope? Our innocence? Our faith? The answers, never simple but always inspiring, are indeed found in this wonderful book. Naomi Levy was a bright, cheerful fifteen-year-old girl who awoke to the devastating news that her father had been shot. His senseless murder shattered her belief in God and left her feeling helpless and full of rage. But, in time, she learned to fight her way through the darkness to conquer her heartbreaking pain. She describes, with humor and extraordinary honesty, how she managed to emerge victorious over sorrow. Later, in her years as the rabbi of a congregation in Venice, California, Levy quickly learned that her own painful experiences were not unique. Many of her congregants had also suffered--divorce, addiction, rape, loss, illness. They too had searched long and hard for ways to bring joy back into their lives. A natural and engaging storyteller, Levy weaves together her own story and the struggles of her congregants with the ancient lessons of great sages. She offers up exquisitely simple prayers, which--no matter what our religious beliefs--remind us that we are far, far stronger than we ever imagined. What emerges is a remarkable tapestry that teaches us how to mend our hearts and souls. To Begin Again is a book that will be passed to friends when tragedy strikes, a book that will rest at our bedside tables during troubling times. It is a testament to the human spirit--to the undying strength that enables us to make our way through whatever darkness we may face and begin living once again.

Special Agent Patrick Bowers had only met one man who made him truly afraid. Until now. When he's called to North Carolina to consult on the case of an area serial killer, he finds himself in a deadly game. Cunning and lethal, the killer is always one step ahead of the law, and he's about to strike again. It will take all of Bowers's instincts and training to stop this man who calls himself the Illusionist. And just when the pieces start to come together, Bowers realizes they're not quite adding up. Can he unravel the pattern and save the next victim? Or will the Illusionist win the game by taking one of his opponent's pieces? Thrilling, chilling, and impossible to put down, The Pawn will hold suspense lovers in its iron grip until the very last page.

This groundbreaking collection of essays shows how the American Western has been reimagined in different national contexts, producing fictions that interrogate, reframe, and remix the genre in unexpectedly critical ways.

Dust storms. Flooding. The fear of nuclear fallout. While literary critics associate authors of the 1930s and ’40s with leftist political and economic thought, they often ignore concern in the period’s literary and cultural works with major environmental crises. To fill this gap in scholarship, author Matthew M. Lambert argues that depression-era authors contributed to the development of modern environmentalist thought in a variety of ways. Writers of the time provided a better understanding of the devastating effects that humans can have on the environment. They also depicted the ecological and cultural value of nonhuman nature, including animal “predators” and “pests.” Finally, they laid the groundwork for “environmental justice” by focusing on the social effects of environmental exploitation. To show the reach of environmentalist thought during the period, the first three chapters of The Green Depression: American Ecoliterature in the 1930s and 1940s focus on different geographical landscapes, including the wild, rural, and urban. The fourth and final chapter shifts to debates over the social and environmental effects of technology during the period. In identifying modern environmental ideas and concerns in American literary and cultural works of the 1930s and ’40s, The Green Depression highlights the importance of depression-era literature in understanding the development of environmentalist thought over the twentieth century. This book also builds upon a growing body of scholarship in ecocriticism that describes the unique contributions African American and other nonwhite authors have made to the environmental justice movement and to our understanding of the natural world.