In her introduction to this year’s The Best American Essays, guest editor Vivian Gornick states that her selections “contribute materially to the long and honorable history of the personal essay by way of the value they place on lived experience.” Provocative, daring, and honest at a time when many writers are deliberately silencing themselves in the face of authoritarian and populist censorship movements, the twenty-one essays collected here reflect their authors’ unapologetic observations of the world around them. From an inmate struggling to find purpose during his prison sentence to a doctor coping with the unpredictable nature of her patient, to a widow wishing for just a little more time with her late husband, these narratives—and the others featured in this anthology—celebrate the endurance of the human spirit. The Best American Essays 2023 includes Ciara Alfaro • Jillian Barnet • Sylvie Baumgartel • Eric Borsuk • Chris Dennis • Xujun Eberlein • Sandra Hager Eliason • George Estreich • Merrill Joan Gerber • Debra Gwartney • Edward Hoagland • Laura Kipnis • Phillip Lopate • Celeste Marcus • Sam Meekings • Sigrid Nunez • Kathryn Schulz • Anthony Siegel • Scott Spencer • Angelique Stevens • David Treuer

From the country's beginning, essayists in the United States have used their prose to articulate the many ways their individuality has been shaped by the politics, social life, and culture of this place. The Cambridge History of the American Essay offers the fullest account to date of this diverse and complex history. From Puritan writings to essays by Indigenous authors, from Transcendentalist and Pragmatist texts to Harlem Renaissance essays, from New Criticism to New Journalism: The story of the American essay is told here, beginning in the early eighteenth century and ending with the vibrant, heterogeneous scene of contemporary essayistic writing. The essay in the US has taken many forms: nature writing, travel writing, the genteel tradition, literary criticism, hybrid genres such as the essay film and the photo essay. Across genres and identities, this volume offers a stirring account of American essayism into the twenty-first century.

Award-winning poet Elaine Equi selects the poems for the 2023 edition of The Best American Poetry, “a ‘best’ anthology that really lives up to its title” (Chicago Tribune). Since its debut in 1988, The Best American Poetry series has been “one of the mainstays of the poetry publication world” (Academy of American Poets). Each volume presents some of the year’s most striking and innovative poems, with comments from the poets themselves offering insight into their work. For The Best American Poetry 2023 guest editor Elaine Equi, whose own work is “deft, delicate [and] subversive” (August Kleinzahler), has made astute choices representing contemporary poetry at its most dynamic. The result is an exceptionally coherent vision of American poetry today. Including valuable introductory essays contributed by the series and guest editors, the 2023 volume is sure to capture the attention of both Best American Poetry loyalists and newcomers to the series.

The Oxford Book of American Essays serves as a masterful curation of American thought and narrative style, chronicling the nations burgeoning literary identity from its infancy through to the dawn of the 20th century. This collection showcases the rich diversity and dynamic evolution of the American essay, featuring works that span from the foundational philosophies of Emerson and Thoreau to the intricate narratives of Hawthorne and Poe. The anthology shines a light on the varied tapestry of American thought, highlighting seminal pieces that have contributed significantly to the literary and cultural landscape of the United States. The contributing authors and editors, themselves pioneers of the American literary scene, bring forth a compendium that is as varied in its contributors as it is unified in its theme. These figures, from Whitman with his expansive poetic vision to Franklins keen observational wit, collectively embody the multifaceted nature of American discourse. Their backgrounds, ranging from the self-made intellectual to the seasoned statesman, provide a panoramic view of Americas intellectual heritage, reflecting key movements such as Transcendentalism, Romanticism, and Realism. This anthology invites readers on a journey through the depths of the American psyche, offering a unique opportunity to engage with the seminal works that have shaped the nations literary and cultural trajectory. For scholars, students, and enthusiasts of American literature, The Oxford Book of American Essays is an indispensable resource that fosters an appreciation for the richness and diversity of American thought. It stands not only as a testament to the individual genius of its contributors but also as a vibrant dialogue across generations, serving as a beacon for those who wish to delve deeper into the essence of American literary tradition.

Love it or hate it, the five-paragraph essay is perhaps the most frequently taught form of writing in classrooms of yesterday and today. But have you ever actually seen five-paragraph essays outside of school walls? Have you ever found it in business writing, journalism, nonfiction, or any other genres that exist in the real world? Kimberly Hill Campbell and Kristi Latimer reviewed the research on the effectiveness of the form as a teaching tool and discovered that the research does not support the five-paragraph formula. In fact, research shows that the formula restricts creativity, emphasizes structure rather than content, does not improve standardized test scores, inadequately prepares students for college writing, and results in vapid writing. In Beyond the Five-Paragraph Essay, Kimberly and Kristi show you how to reclaim the literary essay and create a program that encourages thoughtful writing in response to literature. They provide numerous strategies that stimulate student thinking, value unique insight, and encourage lively, personal writing, including the following: Close reading (which is the basis for writing about literature) Low-stakes writing options that support students' thinking as they read Collaboration in support of discussion, debate, and organizational structures that support writing as exploration A focus on students' writing process as foundational to content development and structure The use of model texts to write in the form of the literature students are reading and analyzingThe goal of reading and writing about literature is to push and challenge our students' thinking. We want students to know that their writing can convey something important: a unique view to share, defend, prove, delight, discover, and inspire. If we want our students to be more engaged, skilled writers, we need to move beyond the five-paragraph essay.

A deeply researched account of Joseph Brodsky’s evolution in English as a self-translator and a poet in translation Joseph Brodsky’s translations of his own Russian-language poems into English “new originals” have been criticized for their “un-Englishness,” an appraisal based on a narrow understanding of translation itself. With this radical reassessment of the Nobel Prize winner’s self-translations, Zakhar Ishov proposes a fresh approach to poetry translation and challenges the assumption that poetic form is untranslatable. Brodsky in English draws on previously unexamined archival materials, including drafts and correspondence with translators and publishers, to trace the arc of Brodsky’s experience with the English language. Ishov shows how Brodsky’s belief in the intellectual continuity between his former life in the Soviet Union and his new career in the United States, including as Poet Laureate, anchored his insistence on maintaining the formal architecture of his poems in translation, locating the transmission of poetic meaning in the rhythms of language itself. This book highlights Brodsky’s place within the long history of the compromises translation must make between linguistic material and poetic process.

A detective delves into a cold case; a ship that disappeared in the Bay of Bengal in the year 1913. A man is bludgeoned to death in an apartment and a piece of paper with the word 'STOP!' is nailed to his forehead. Six deaths under mysterious circumstances and the only common link is a box of arsenic-laced sweets. A soldier's homecoming dredges up memories of a murder that took place a decade ago in the family. And more... The first-ever anthology of its kind, The Hachette Book of Indian Detective Fiction compiles more than 30 compelling whodunits spread across two volumes. Hybrid, self-reflexive and experimental forms of writing that blur the boundaries between genres, with supernatural mysteries, serial murders and at times absurd crimes jostling for the attention of both amateur and professional detectives in these stories. Red herrings simmered in blood gravy, served up with family feuds, ancient curses, long-haired lady sleuths and many other typical subcontinental chutneys provide a rare feast for the avid reader of crime fiction!

Celebrate America's zaniest and most subversive magazine in 26 essays and comix from all-star contributors, including Roz Chast, Jonathan Lethem, and Grady Hendrix. Before SNL and the wise-guy sarcasm of Letterman and Colbert, before The Simpsons and online memes, there was . . . MAD. A mainstay of countless American childhoods, MAD magazine exploded onto the scene in the 1950s and gleefully thumbed its nose at all the postwar pieties. MAD became the zaniest, most subversive satire magazine ever to be sold on America’s newsstands, anticipating the spirit of underground comix and ’zines and influencing humor writing in movies, television, and the internet to this day. Edited by David Mikics, The MAD Files celebrates the magazine’s impact and the legacy of the Usual Gang of Idiots who transformed puerile punchlines and merciless mockery into an art form. 26 essays and comics present a varied, perceptive, and often very funny account of MAD’s significance, ranging from the cultural to the aesthetic to the personal. Art Spiegelman reflects on how he “couldn’t learn much about America from my refugee immigrant parents—but I learned all about it from MAD” Roz Chast remembers how the magazine was “love at first sight. . . . It was one of my first inklings that there were other people out there who found the world as ridiculous as I did.” David Hajdu and Grady Hendrix zero in on MAD’s hilarious movie spoofs Liel Leibovitz delves into the Jewishness behind the magazine’s humor and Rachel Shteir amplifies the often unsung contributions of MAD’s women artists. Several essays are admiring profiles of the individual creators that made MAD what it was: Mort Drucker, Harvey Kurtzman, Al Jaffee, Antonio Prohias, and Will Elder. For longtime fans and new readers alike, The MAD Files is an indispensable guide to America’s greatest satire magazine.