‘Turn the page and hear the voices within ...’—Ramona Koval The Best Australian Essays 2011 offers up bliss and illumination in equal measure – from the pleasures of the flesh to the events that convulsed the world in a year of change. Paul Kelly meditates on Frank Sinatra, and Robert Manne excavates the past and thoughts of Julian Assange. Inga Clendinnen dreams on cricket memories, and Anna Krien delves into the saga of the St Kilda schoolgirl. There is Peter Robb on Italian food, Anthony Lane on News of the World, Gail Bell on rats and Richard Flanagan on photography. This is a collection with something for everyone that never wavers in its quality. Contributors include: Gillian Mears, David Malouf, Nicolas Rothwell, Robert Manne, Anthony Lane, M.J. Hyland, Craig Sherborne, Anna Krien, Inga Clendinnen, Gail Bell, Helen Elliott, Morris Lurie, Maria Tumarkin, Andrew Sant, Shakira Hussein, Lian Hearn, Amanda Lohrey, Paul Kelly, Peter Robb, Clive James, Delia Falconer, Richard Flanagan and Andrew O’Hagan.

Setting the benchmark for the Australian essay the definitive, up-to-date collection. Each year, The Best Australian Essays brings together the most outstanding non-fiction from around the country. In 2011, to celebrate a rich decade of writing on all manner of topics, Black Inc.

The best of the best This essential book takes a decade of Best Australian Essays and selects the cream of the crop. These are the pieces that have captured key events - from September 11 to Victoria's fires - changed the way we see the nation, for good or ill - from Anzac Day to Palm Island - investigated intriguing figures - from Oskar Schindler to Charles Darwin - or which simply represent a peak of the writer's art. Contributors include: Thomas Keneally, Chloe Hooper, Peter Porter, David Malouf, John Birmingham, Helen Garner, Inga Clendinnen, MJ Hyland, Barry Humphries, David Marr, Clive James, Robyn Davidson, Christos Tsiolkas, Craig Sherborne, Kevin Brophy, Frank Devine, Barry Oakley, Jessica Anderson, Alan Frost, Gary Hughes, Christine Kenneally, JM Coetzee, Simon Leys, Anna Goldsworthy, Brenda Walker, Anne Manne, Shane Maloney, Noel Pearson, Tim Flannery, Robert Manne, Richard Flanagan, Gay Alcorn, Mark Riley, Nicolas Rothwell, Robert Dessaix, Anna Krien, Tim Winton, Kate Jennings, Benjamin Law and David Foster

In this book, the editor selects the most vigorous, varied and interesting poems of the last year. This sparkling collection shines a light on the phantasmagorial nature of poetry, evoking images, transformations and events that range from the playful to the melancholy by way of exuberance and satire.

Rather than relaxed and comfortable, Australians are disenchanted with politics and politicians. In Quarterly Essay 46 Laura Tingle shows that the reason for this goes to something deep in Australian culture: our great expectations of government. Since the deregulation era of the 1980s, Tingle finds, governments can do less, but we wish they could do more. From Hawke to Gillard, each prime minister has grappled with this dilemma. Keating sought to change expectations, Howard to feed a culture of entitlement, Rudd to reconceive the federation. Through all of this, and back to our origins, runs an almost childlike sense of the government as saviour and provider that has remained constant even as the world has changed. Now we are an angry nation, and the Age of Entitlement is coming to an end. What will a different politics look like? And, Tingle asks, even if a leader surfs the wave of anger all the way to power, what answer can be given to our great expectations? “It is wrong to see the anger of the last few years as a ‘one-off,’ which might go away at the next election. The things we are angry about betray the changes that have been taking place over recent decades. Politicians no longer control interest rates, the exchange rate, or wages, prices or industries that were once protected or even owned by government. Voters are confused about what politicians can do for them in such a world.” —Laura Tingle, Great Expectations

Richard Flanagan: Critical Essays is the first book to be published about the life and work of this major world author. Written by twelve leading critics from Australia, Europe and North America, these richly varied essays offer new ways of understanding Flanagan’s contribution to Tasmanian, Australian and world literature. Flanagan’s fictional worlds offer empathetic, often poignant, renderings of those whose voices have been lost beneath official accounts of history, stories from a small region that have made their mark on a global scale. Considering his seven novels as well as his non-fiction, journalism and correspondence, this collection examines the historical and geographical factors that have shaped Flanagan’s representation of Tasmanian identity. This collection offers new insights into a determinedly regional writer, and the impact he has had on a local, national and global scale.

What do Germany’s memorials, films, artworks, memory debates and national commemorations tell us about the lives of Germans today? How did the Wall in the Head come to replace the Wall that fell in 1989? The old identities of East and West, which all but dissolved in joyous embraces as the Berlin Wall fell, emerged once more after formal re-unification a year later in 1990. 2015 marks the twenty-fifth anniversary of that German re-unification. Yet Germany remains divided; a mutual distrust lingers, and national history remains contentious. The material, social, cultural and psychic effects of re-unification on the lives of eastern and western Germans since 1989 all demand again asking fundamental questions about history, social change and ideology. Divided Subjects, Invisible Borders puts affective life at the centre of these questions, both in the role affect played in mobilizing East Germans to overthrow their regime and as a sign of disappointment after formal reunification. Using contemporary Germany as a lens the book explores broader debates about borders, memory and subjectivity.

This book presents a new way of looking at Wole Soyinka's engagement with the classical past. Nigerian author and activist Wole Soyinka was the first Black African author to win the Nobel Prize for Literature (1986), and his oeuvre has become seminal to postcolonial literature. The frequent references to Greece and Rome that appear across Soyinka's writings, most explicitly in his 1973 play The Bacchae of Euripides: A Communion Rite, have often received short shrift in scholarship on the author. At best, these references have been understood as elements of Soyinka's prodigiously inclusive humanism. At worst, Soyinka's critics argue that the invocations of a Graeco-Roman past testify to the neocolonial cultural affinities that make Soyinka a problematic figure in postcolonial literary history. Adam Lecznar challenges these readings, arguing that Soyinka's authorial outlook is informed by a hybrid form of classicism in which he aligns the legacy of Greece and Rome with the African cultural heritage to form a narrative of literary and cultural value that looks beyond the ancient Mediterranean. This book turns a spotlight on how Soyinka's appeals to Greece and Rome inform his reflections on Africa's ancient past, Yoruba belief, and the modern significance of tragedy. Lecznar contends that Soyinka's notion of classicism is not solely dependent on the memory of the Graeco-Roman past. Rather, it draws innovatively on a global cultural heritage to advance revolutionary and futural narratives of history and identity.

In The Best Australian Stories 2013, Kim Scott selects the year’s most outstanding short fiction. Featuring established favourites alongside exciting new voices, this diverse collection is a perfect companion for summer and an ideal introduction to Australia’s best contemporary writing. Previous contributors include Kate Grenville, Nam Le, David Malouf, Mandy Sayer, DBC Pierre, Frank Moorhouse, Peter Goldsworthy, Marion Halligan, Venero Armanno, Sophie Cunningham, Romy Ash and many more.

Eclecticism seems to be one of the most recognized features of Chris Marker's work. He is often presented as a filmmaker and a photographer, a poet, a translator, a cartoonist, a visual artist, an editor, a software designer and a television and video director. Given the 50 years since the release of his most well-known film, La Jetée (1963), this volume fosters discussion of the intertwining of photography and cinema within a framework that analyses Marker's influence in film and photography's scholarship. In the last ten years, many books have been published on the subjects of photography and.