"The Best Short Stories of 1921, and the Yearbook of the American Short Story" is an early edition of the most famous short stories of the time picked up and arranged into a collection by Edward Joseph Harrington O'Brien. The selection of O'Brien's stories was trendy among the readers. This issue includes the stores by Sherwood Anderson, Charles J. Finger, Frances Noyes Hart, and others.

Embark on a journey through the literary landscape of 1919 with "The Best Short Stories of 1919 and the Yearbook of the American Short Story" edited by Various, a captivating anthology that showcases the finest examples of storytelling from a pivotal moment in American literature. This esteemed collection offers readers a glimpse into the cultural, social, and artistic currents of the time, while celebrating the timeless art of the short story. Join the esteemed editors and contributors as they curate a selection of stories that capture the essence of the era, from the post-war disillusionment to the Roaring Twenties' burgeoning spirit of rebellion and innovation. With each tale, readers are transported to different worlds and perspectives, experiencing the joys, sorrows, and complexities of the human experience. With its diverse range of voices and styles, "The Best Short Stories of 1919 and the Yearbook of the American Short Story" offers something for every reader, whether you're drawn to tales of romance, mystery, adventure, or introspection. From the poignant to the humorous, these stories reflect the rich tapestry of American life and culture at the dawn of a new decade. Since its publication, this anthology has been celebrated for its literary excellence and cultural significance, earning praise from critics and readers alike. Its enduring appeal lies in its ability to transport readers to another time and place, while also offering timeless insights into the human condition. As you immerse yourself in the pages of "The Best Short Stories of 1919 and the Yearbook of the American Short Story," you'll be captivated by the depth of emotion, the richness of detail, and the sheer diversity of voices represented within its pages. Whether you're a seasoned literary aficionado or a curious newcomer, this anthology promises to entertain, enlighten, and inspire. In conclusion, "The Best Short Stories of 1919 and the Yearbook of the American Short Story" is more than just a collection of tales—it's a window into a bygone era, a celebration of the art of storytelling, and a testament to the enduring power of literature to captivate, challenge, and enrich our lives. Don't miss your chance to experience the magic of "The Best Short Stories of 1919 and the Yearbook of the American Short Story." Order your copy today and journey back in time to discover a treasure trove of literary gems that continue to shine bright a century later.

The Best Short Stories of 1918, and the Yearbook of the American Short Story encapsulates a pivotal moment in literary history, celebrating a diversity of narrative forms and thematic explorations. This anthology brings together a pantheon of voices that showcase the vibrancy and complexity of early 20th-century American literature. From the intricate psychological narratives of Sinclair Lewis to the lyrical prose of Wilbur Daniel Steele, the collection traverses the realms of realism, early modernism, and the nascent phases of experimental storytelling, making it an invaluable reflection of the literary zeitgeist. Each story stands as a beacon of the creativity and transition within American letters, capturing the socio-political and cultural undercurrents of its time. The contributing authors, heralded for their own unique contributions to literature, bring forth a collective heritage that spans various facets of American life and letters. Their backgrounds, ranging from journalism and literary criticism to fiction writing, offer a rich mosaic of perspectives that are emblematic of the periods literary and cultural movements. The anthology, therefore, not only serves as a showcase of individual mastery but also as a cohesive study of the interplay between historical context and literary innovation. To the discerning reader, The Best Short Stories of 1918, and the Yearbook of the American Short Story represents an unparalleled journey through the landscape of early 20th-century American fiction. It offers not just a literary exploration but a historical immersion, inviting readers to engage with each narrative as a dialogue among diverse yet interconnected voices. This collection not only educates but enriches, urging readers to appreciate the depth and breadth of the art of storytelling as practiced in a pivotal era of American literature. It is an essential anthology for those wishing to delve deeper into the evolution of short stories and their profound impact on the trajectory of American literary tradition.

As one can guess from the title, the following book is an anthology of the stories published in 1920, considered to be the best by the editor of the book, Edward J. O'Brien. Featured titles include the following: 'The Other Woman (Sherwood Anderson)', 'Gargoyle (Edwina Stanton Babock)', and 'Ghitza (Konrad Bercovici)'.

This book views the Neo-Sensation mode of writing as a traveling genre, or style, that originated in France, moved on to Japan, and then to China. The author contends that modernity is possible only on "the transcultural site"—transcultural in the sense of breaking the divide between past and present, elite and popular, national and regional, male and female, literary and non-literary, inside and outside. To illustrate the concept of transcultural modernity, three icons are highlighted on the transcultural site: the dandy, the flaneur, and the translator. Mere flaneurs and flaneurses simply float with the tide of heterogeneous information on the transcultural site, whereas the dandy/flaneur and the cultural translator, propellers of modernity, manage to bring about transformative creation. Their performance marks the essence of transcultural modernity: the self-consciousness of working on the threshold, always testing the limits of boundaries and tempted to go beyond them. To develop the concept of dandyism—the quintessence of transcultural modernity—the Neo-Sensation gender triad formed by the dandy, the modern girl, and the modern boy is laid out. Writers discussed include Liu Na’ou, a Shanghai dandy par excellence from Taiwan, Paul Morand, who looked upon Coco Chanel the female dandy as his perfect other self, and Yokomitsu Riichi, who developed the theory of Neo-Sensation from Kant’s the-thing-in-itself.

Part 1, Books, Group 1, v. 25 : Nos. 1-121 (March - December, 1928)