Short stories by a pioneering female author who went on to become a member of the Science Fiction and Fantasy Hall of Fame. This anthology includes some of C.L. Moore’s best-known and most beloved tales, including: “Shambleau” First published in Weird Tales, Moore’s bizarre, imaginative, and wildly acclaimed debut features space outlaw Northwest Smith and his meeting on Mars with a strange young lady whose turban hides a terrifying secret . . . “Black God’s Kiss” The debut of Jirel of Joiry, one of the classic heroes of sword and sorcery and fantasy’s first true strong female protagonist. As cunning as she is fierce, Jirel descends into a nightmarish land beneath her castle to find the instruments of her revenge . . . “The Bright Illusion” One man’s journey to a mind-bending, terrifying planet of blinding colors and impossible angles, filled with unutterable horrors and strange temptations . . . With these and seven additional stories that evoke the enduring spirit of sci-fi and fantasy’s early days, The Best of C.L. Moore is a treasure that belongs on the shelf of any reader of speculative fiction. “Her contributions to the field are instrumental in the formation of the modern face of science fiction.” —Kirkus Reviews

Two legendary masters of science fiction and fantasy come together in this landmark anthology, filled with gems from the Weird Tales era and beyond. During the weird fiction boom that gave birth to H.P. Lovecraft’s Necronomicon and Robert E. Howard’s Conan the Barbarian, Henry Kuttner and C.L. Moore produced some of the most enduring pieces of speculative fiction in the genre’s history: the sagas of Jirel of Joiry, Northwest Smith of Earth, Galloway Gallegher, and more. Working closely, Kuttner and Moore became a husband and wife team whose work appeared in everything from television and print to the Cthulhu mythos. Both Moore and Kuttner have a legacy that is as acclaimed as it is widely read: Moore received a World Fantasy Award for Lifetime Achievement by the SFWA while Ray Bradbury called Kuttner a "neglected master." Now, for the first time, some of their best work is collected in one anthology, including “Black God’s Kiss,” “Shambleau,” “Graveyard Rats,” “Mimsy Were the Borogoves,” and “The Proud Robot.”

How do women writers use science fiction to challenge assumptions about the genre and its representations of women? To what extent is the increasing number of women writing science fiction reformulating the expectations of readers and critics? From Mary Shelley onwards, women writers have played a central role in the shaping and reshaping of this genre, irrespective of its undeniably patriarchal image. Essays on the work of writers such as Doris Lessing and Ursula Le Guin, Katherine Burdekin, C. L. Moor, Suzette Elgin, Gwyneth Jones, Maureen Duffy and Josephine Saxton demonstrate that science fiction remains as particularly well-suited to the exploration of woman as 'alien' or 'other' in our culture today, as it was with the publication of Frankenstein in 1818.

This edited collection expands scholarly and popular conversations about dark tourism in the American West. The phenomenon of dark tourism—traveling to sites of death, suffering, and disaster for entertainment or educational purposes—has been described and, on occasion, criticized for transforming misfortune and catastrophe into commodity. The impulse, however, continues, particularly in the American West: a liminal and contested space that resonates with stories of tragedy, violent conflict, and disaster. Contributions here specifically examine the mediation and shaping of these spaces into touristic destinations. The essays examine Western sites of massacre and battle (such as Sand Creek Massacre National Historic Site and the “Waco Siege”), sites of imprisonment (such as Japanese-American internment camps and Alcatraz Island), areas devastated by ecological disaster (such as Martin’s Cove and the Salton Sea), and unmediated sites (those sites left to the touristic imagination, with no interpretation of what occurred there, such as the Bennet-Arcane camp).

From the SF Gateway, the most comprehensive digital library of classic SFF titles ever assembled, comes an ideal sample introduction to the fantastic work of C. L. Moore. One of the first women to rise to prominence in the male-dominated world of pulp science fiction, Moore was a mainstay of SF in the middle of the last century, both as a solo writer and in collaboration with her husband, Henry Kuttner. This omnibus shows her mastery of both Sword and Sorcery and planetary romance, reprinting JIREL OF JOIRY, NORTHWEST OF EARTH, and story collection JUDGEMENT NIGHT.

For students, scholars, readers' advisors, and curious SF readers and fans, this guide provides an easy-to-use launch pad for researching and learning more about science fiction writers and their work. Emphasizing the best popular and contemporary authors, this book covers 100 SF writers, providing for each: • a brief biographical sketch, including a quote from theauthor, awards, etc. • a list of the author's major works (including editions and other writings) • research sources-biographies, criticism, research guides, and web sites • In addition, you'll find read-alike lists for selected authors. For anyone wanting to find information on popular SF authors, this should be the first stop.

Science Fiction and Fantasy Literature, A Checklist, 1700-1974, Volume one of Two, contains an Author Index, Title Index, Series Index, Awards Index, and the Ace and Belmont Doubles Index.