Complete text of The Invisible Man plus 17 short stories, including "The Crystal Egg," "Aepyornis Island," "The Strange Orchid," "The Man Who Could Work Miracles," and "A Dream of Armageddon."

Complementing Science-Fiction: The Early Years, which surveys science-fiction published in book form from its beginnings through 1930, the present volume covers all the science-fiction printed in the genre magazines--Amazing, Astounding, and Wonder, along with offshoots and minor magazines--from 1926 through 1936. This is the first time this historically important literary phenomenon, which stands behind the enormous modern development of science-fiction, has been studied thoroughly and accurately. The heart of the book is a series of descriptions of all 1,835 stories published during this period, plus bibliographic information. Supplementing this are many useful features: detailed histories of each of the magazines, an issue by issue roster of contents, a technical analysis of the art work, brief authors' biographies, poetry and letter indexes, a theme and motif index of approximately 30,0000 entries, and general indexes. Science-Fiction: The Gernsback Years is not only indispensable for reference librarians, collectors, readers, and scholars interested in science-fiction, it is also of importance to the study of popular culture during the Great Depression in the United States. Most of its data, which are largely based on rare and almost unobtainable sources, are not available elsewhere.

In this volume the author describes more than 3000 short stories, novels, and plays with science fiction elements, from earliest times to 1930. He includes imaginary voyages, utopias, Victorian boys' books, dime novels, pulp magazine stories, British scientific romances and mainstream work with science fiction elements. Many of these publications are extremely rare, surviving in only a handful of copies, and most of them have never been described before.

This book, first published in 1979, presents a portrait of science fiction as a distinct form of serious and creative literature. Contributors are drawn from Britain, America and Europe, and range from well-known academic critics to young novelists. The essays establish the common properties of science fiction writing, and assess the history and significance of a field in which critical judgements have often been unreliable. The material ranges from the earliest imaginative journeys to the moon, to later developments of British, American and European science fiction.

This set of three previously out-of-print volumes collects together in one place key areas of research into the genre of science fiction. It critically examines science fiction, establishing its common themes and definitions, and comprehensively assesses the sci-fi world in its entirety.

Science Fiction and Fantasy Literature, A Checklist, 1700-1974, Volume one of Two, contains an Author Index, Title Index, Series Index, Awards Index, and the Ace and Belmont Doubles Index.

Robert Crossley provides a comprehensive examination of Wells's best-known SF and fantasy works-and their impact on later writers and thinkers. Complete with Chronology, Primary and Secondary Bibliographies, and Index.

An in-depth history of science fiction, covering the years 1895 to 1930, from H. G. Wells and his novel The Time Machine to Thea von Harbou and Fritz Lang’s Metropolis. The book examines science fiction literature, art, cinema, and comics, and the impact of culture, philosophy, science, technology, and futures studies on the development of science fiction. Further, the book describes the influence of science fiction on human society and the evolution of future consciousness. Other key figures discussed include Méliès, Gernsback, Burroughs, Merritt, Huxley, and Hodgson.